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Author:
Publisher: Ediciones de la Torre
ISBN: 8479605421
Category : Fiction
Languages : en
Pages : 447
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Book Description
Selección de aproximadamente cincuenta cuentos de autores nórdicos de nuestro siglo, traducidos por especialistas de cada uno de los cinco países. Una breve introducción presenta a cada cultura, representada por un cuento de cada uno de los autores más significativos del siglo XX.
Author:
Publisher: Ediciones de la Torre
ISBN: 8479605421
Category : Fiction
Languages : en
Pages : 447
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Book Description
Selección de aproximadamente cincuenta cuentos de autores nórdicos de nuestro siglo, traducidos por especialistas de cada uno de los cinco países. Una breve introducción presenta a cada cultura, representada por un cuento de cada uno de los autores más significativos del siglo XX.
Author: Lisandro Perez
Publisher: University of Pittsburgh Press
ISBN: 0822970562
Category : History
Languages : en
Pages : 233
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Book Description
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field.
Author: Alberto Elena
Publisher: Columbia University Press
ISBN: 0231501943
Category : Performing Arts
Languages : en
Pages : 281
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Book Description
The Cinema of Latin America is the first volume in the new 24 Frames series of studies of national and regional cinema. In taking an explicitly text-centered approach, the books in this series offer a unique way of considering the particular concerns, styles and modes of representation of numerous national cinemas around the world. This volume focuses on the vibrant practices that make up Latin American cinema, a historically important regional cinema and one that is increasingly returning to popular and academic appreciation. Through 24 individual concise and insightful essays that each consider one significant film or documentary, the editors of this volume have compiled a unique introduction to the cinematic output of countries as diverse as Brazil, Argentina, Cuba, Mexico, Bolivia, Chile and Venezuala. The work of directors such as Luis Buñuel, Thomas Guiterrez Alea, Walter Salles, and Alfonso Arau is discussed and the collection includes in-depth studies of seminal works as such Los Olvidados, The Hour of the Furnaces, Like Water For Chocolate, Foreign Land, and Amoros Perros.
Author: Julio Cabrera
Publisher: Editorial GEDISA
ISBN: 8497849213
Category : Performing Arts
Languages : en
Pages : 423
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Book Description
Julio Cabrera aúna en este libro sus dos grandes pasiones: el cine y la filosofía. En cada capítulo de este libro Cabrera analiza una o más películas elegidas cuidadosamente para reflexionar sobre una cuestión filosófica central. Aristóteles y los ladrones de bicicletas; Bacon y Steven Spielberg; Descartes y los fotógrafos indiscretos, Schopenhauer, Buñuel y Frank Capra; Nietzsche, Clint Eastwood y los asesinos por naturaleza; o Wittgenstein y el cine mudo son algunos de los ejercicios filocinematrográficos propuestos. Los comentarios de películas que el lector encontrará destacan aquellos puntos del filme que deben contribuir a la instauración de la experiencia vivida de un problema filosófico. Esta experiencia en sí es insustituible y nadie podrá tenerla por uno. Tan sólo señalo los lugares en donde el filme duele, en donde puede aprenderse alguna cosa padeciéndolo. Estamos ante el encuentro no programado y mutuamente esclarecedor entre una actividad milenaria del ser humano y uno de los más fascinantes lenguajes emergentes de los últimos tiempos: 100 años de imágenes tratando de representar 2.500 años de reflexión
Author: Ernesto Garc a. Uranga
Publisher: Palibrio
ISBN: 1463331312
Category : Reference
Languages : en
Pages : 204
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Book Description
Se podría pensar que vincular la obra maestra Cien años de soledad de Gabriel García Márquez con cuestiones teológicas sería una locura. Sin embargo, en la novela del colombiano -como lo señalara Joaquín Marco en su Estudio introductorio a Cien años de soledad- "Aparecen abundantes elementos religiosos propios de la liturgia católica" que sugieren que no se trata de una simple casualidad; al contrario, todo parece que dichas referencias se dan con toda intención. En el presente trabajo, Ernesto García Uranga toma su lupa y emprende una búsqueda de las referencias a dogmas y devociones católicos presentes en Cien años de soledad. Usando como aval a la Teología histórica para justificar sus argumentos, el investigador se da a la tarea de demostrar que el novelista sudamericano desmitifica, de una manera deliberada, por medio de la parodia, ciertos dogmas y devociones impuestos a los creyentes católicos por el Magisterio de la Iglesia. En este ensayo de ninguna manera se sugiere que dichos dogmas y devociones deben ser eliminados de la cultura religiosa católica; en su lugar, García Uranga deja en claro que, según lo entiende, la verdadera finalidad de la desmitificación que lleva a cabo Gabriel García Márquez en Cien años de soledad es la de conferir a los mencionados dogmas y devociones una interpretación más humana y menos divina a la luz de la justicia social, pues en su forma actual carecen de verdadero significado para el piadoso católico, y, lo que es aún más grave, no encuentran apoyo en las Sagradas Escrituras. "Se requiere", dice el autor de este estudio -citando al decano de la Teología moral católica, profesor Bernard Häring- "de un luto por parte de la Iglesia, de la cabeza y sus miembros, por tantas doctrinas falsas que son constantemente reafirmadas". De lo contrario, si el Vaticano continúa haciendo gala de su terquedad, anteponiendo el Derecho canónico a los Evangelios para la conducción de la Iglesia, se expone a que muchos católicos simplemente le den la espalda. De ahí que sea imprescindible, remata el estudioso, que la Iglesia entienda, como lo puntualiza Leonardo Boff, que "el espíritu de la modernidad no se orienta por la autoridad, sino por la participación". En estos momentos de cambio las ovejas rehúsan permanecer quietas en su redil, ya no se les puede obligar a que crean ciegamente. De ahí que se da por sentado que "Los seres humanos libres" -como indica Mary E. Hines- "tienen el derecho a razones claras por las cuales se les exige creer".
Author:
Publisher: Siglo del Hombre Editores
ISBN:
Category :
Languages : en
Pages : 398
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Book Description
Author: Rudolf Gorenflo
Publisher: Springer Science & Business Media
ISBN: 9783540440062
Category : Heat
Languages : en
Pages : 1812
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Book Description
Author: Alberto Mira
Publisher: Rowman & Littlefield
ISBN: 0810876221
Category : History
Languages : en
Pages : 502
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Book Description
Emerging as one of the most exciting, fascinating, and special kinds of filmmaking in the world, Spanish cinema has been producing excellent directors, actors, and films for decades, including during the dark times of the Franco regime. With directors (Pedro Almodovar), actors and actresses (Javier Bardem and Penelope Cruz), and films (Abre los ojos and Alatriste) amassing popularity, the outlook for Spanish cinema appears brighter than ever, and it is deservedly winning numerous fans abroad. --
Author: Bradley A. Shaw
Publisher:
ISBN:
Category :
Languages : en
Pages : 172
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Book Description
Author: Pablo Sánchez León
Publisher: Springer Nature
ISBN: 3030525961
Category : History
Languages : en
Pages : 363
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Book Description
This book addresses the changing relationships among political participation, political representation, and popular mobilization in Spain from the 1766 protest in Madrid against the early Bourbon reforms until the citizen revolution of 1868 that first introduced universal suffrage and led to the ousting of the monarchy. Popular Participation and the Democratic Imagination in Spain shows that a notion of the “crowd” internally dividing the concept of “people” existed before the advent of Liberalism, allowing for the enduring subordination of popular participation to representation in politics. In its wider European and colonial American context, the study analyzes semantic changes in a range of cultural spheres, from parliamentary debate to historical narrative and aesthetics. It shows how Liberalism had trouble reproducing the legitimacy of limited suffrage and traces the evolution of an imagination on democracy that would allow for the reconfiguration of an all-encompassing image of the people eventually overcoming representative government. “Focused on the nation and identities, Spanish historiography had a pending debt with that other historical subject of modernity, the people. With this book, Pablo Sánchez León starts cancelling the debt with an innovative methodology combining conceptual history with social and political history. Brilliantly, this books also proposes a novel chronology for modern history and renewed categories of analysis. In many senses, this is an extraordinarily renovating senior work.” —José María Portillo Valdés, University of the Basque Country, Spain “This book by Pablo Sánchez León is an original and detailed study of one of the essential components of modernity, the relation between the concepts of plebe and pueblo. The author shows that plebe and people were shaped in a process of mutual differentiation and how the enduring tension between them deeply marked out the evolution of Spanish politics from the end of the Old Regime and throughout the 19th century. As the author brilliantly argues, such tension is tightly imbricated with the enduring dilemma between representation and participation underlying modern political systems. Through a historical analysis of the influence of people and plebe over Spanish, the book makes clear the degree to which the power of language contributes to shape political actors and institutional frames.” —Miguel Ángel Cabrera — Professor, University of La Laguna, Tenerife, Spain “Most accounts of Spain’s transition to modern democracy begin with the popular uprising against the French invasion in 1808, the creation of a national parliament and the promulgation of an advanced Liberal constitution in 1812. Pablo Sánchez León begins the story half a century earlier in the mass street protests in Madrid and other cities in 1766 sparked by Charles III’s sweeping reform programme. Sánchez León focuses unrepentantly on plebeian groups and crowd action – how they are described and conceived by contemporaries – as a key to understanding Spain’s precocious and troubled passage from absolutism to the promulgation of universal male suffrage in September 1868. This audacious and highly original interpretation will surely strike a chord with students of modern Spain.” —Guy Thomson, University of Warwick, UK “This is a book for exploring (from current needs) the history of political participation in Spanish society in order to rethink the very notion of modern citizenship.” —María Sierra, University of Seville, Spain “Motivated by the current crisis in political representation in parliamentary democracies, this work by Pablo Sánchez León departs from the process of construction of modern citizenship. Representation, participation and mobilization are put into play as an interactive triad whose dynamics and changing conceptualization have the key to the social, political and cultural changes between the Old Regime and the early establishment of democracy in 1868. The “They do not represent us!” and other current claims for deliberative democracy provide the guiding thread for a demanding research on the tension between representation and participation shaping the period 1766-1868. The work reflects on the relevance of popular participation and, in presenting the modern history of Spain as singular and relevant on its own, provides an account of the building of modern citizenship. —Pablo Fernández Albaladejo, Autonomous University of Madrid, Spain This exciting book is both topical and historiographically valuable. It offers a fresh perspective on current debates about the limits of representation and the pros and cons of participation; it makes Spanish political culture in the age of revolutions accessible to anglophone readers, and it engagingly illustrates one way of doing the ‘history of concepts’. Recommended on all three counts. Joanna Innes, Oxford University
