Chronological Listing of the Songs of Gabriel Fauré PDF Download
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Author: Kenneth D. Pennington
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: Kenneth D. Pennington
Publisher:
ISBN:
Category :
Languages : en
Pages : 20
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Book Description
Author: Graham Johnson
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754659600
Category : Music
Languages : en
Pages : 492
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Book Description
The career of Gabriel Fauré as a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French mélodie is contained within these parameters. In this book, the distinguished accompanist and song scholar Graham Johnson places the vocal music within twin contexts: Fauré's own life story, and the parallel lives of his many poets. Each of Fauré's 109 songs receives a separate commentary. Additional chapters for the student singer and serious music-lover discuss interpretation and performance in both aesthetical and practical terms and Richard Stokes provides parallel English translations of the original French texts.
Author: Jean-Michel Nectoux
Publisher: Cambridge University Press
ISBN: 9780521616959
Category : Biography & Autobiography
Languages : en
Pages : 680
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Book Description
This book traces Fauré's life and the rich cultural milieu in which he lived and worked.
Author: Edward R. Phillips
Publisher: Taylor & Francis
ISBN: 1135838976
Category : Music
Languages : en
Pages : 408
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Book Description
First published in 2011, this research study includes a biography section as well as the works of Gabriel Urbain Fauré born on 12 May 1845. Much of Fauré’s music, especially the late pieces, remain little played and little known—as a result, his reputation as a salon composer of pleasant music continues even among educated musicians. The author suggests that it is more likely that the difficulty of much of Fauré’s music for the listener and the demands it places upon him or her are the principal reasons for its omission from concert programs and for a misunderstanding of Fauré’s place in the history of French music
Author: Graham Johnson
Publisher: Routledge
ISBN: 1351566113
Category : Music
Languages : en
Pages : 489
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Book Description
The career of Gabriel Faur‘s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m die is contained within these parameters. In the 1860s Faur the lifelong prot of Camille Saint-Sa was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur‘s no longer merely a 'Master of Charms' circumscribed by the belleque. His status as a great composer of timeless
Author: Robert Orledge
Publisher: London : Eulenberg Books
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 424
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Book Description
"The Pavane, the Sicilienne and a few other 'lollipops' are all that most people know of Fauré's music, apart from the ever-popular Requiem. But Gabriel Fauré was more than just a 'salon' composer--'the master of charms' Debussy called him--and his powerful wartime and final-period compositions in particular are often misunderstood. Although he lived through one of the most difficult and yet exciting periods for a musician--a period of rapid and often unexpected developments in the arts as a whole--yet he remained true to himself. The inspired professional musician of the nineteenth century developed into a 'classic' in the twentieth. The results of a great deal of research, carried out by the author and others, are included in this, the first major book on Fauré's life and music to appear in English for over thirty years. Dr Orledge comprehensively covers the whole of Fauré's extensive output, and deals in detail for the first time with the composer's manuscripts and notebooks. Copiously illustrated with plates and music-examples, this book will be essential reading for all concerned with the music of an unduly neglected French genius."--Back cover.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 696
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Book Description
Includes entries for maps and atlases
Author: Graham Johnson
Publisher: Routledge
ISBN: 1351566105
Category : Music
Languages : en
Pages : 593
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Book Description
The career of Gabriel Faur?s a composer of songs for voice and piano traverses six decades (1862-1921); almost the whole history of French m?die is contained within these parameters. In the 1860s Faur?the lifelong prot? of Camille Saint-Sa?, was a suavely precocious student; he was part of Pauline Viardot's circle in the 1870s and he nearly married her daughter. Pointed in the direction of symbolist poetry by Robert de Montesquiou in 1886, Faur?as the favoured composer from the early 1890s of Winnarretta Singer, later Princesse de Polignac, and his songs were revered by Marcel Proust. In 1905 he became director of the Paris Conservatoire, and he composed his most profound music in old age. His existence, steadily productive and outwardly imperturbable, was undermined by self-doubt, an unhappy marriage and a tragic loss of hearing. In this detailed study Graham Johnson places the vocal music within twin contexts: Faur? own life story, and the parallel lives of his many poets. We encounter such giants as Charles Baudelaire and Paul Verlaine, the patrician Leconte de Lisle, the forgotten Armand Silvestre and the Belgian symbolist Charles Van Lerberghe. The chronological range of the narrative encompasses Faur? first poet, Victor Hugo, who railed against Napoleon III in the 1850s, and the last, Jean de La Ville de Mirmont, killed in action in the First World War. In this comprehensive and richly illustrated study each of Faur? 109 songs receives a separate commentary. Additional chapters for the student singer and serious music lover discuss interpretation and performance in both aesthetical and practical terms. Richard Stokes provides parallel English translations of the original French texts. In the twenty-first century musical modernity is evaluated differently from the way it was assessed thirty years ago. Faur?s no longer merely a 'Master of Charms' circumscribed by the belle ?que. His status as a great composer of timeless
Author: David Pear
Publisher: National Library Australia
ISBN: 0642276390
Category : Music
Languages : en
Pages : 80
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Book Description
Percy Aldridge Grainger (1882-1961) was a celebrated pianist and composer of over 1200 works and arrangements, a pioneering folklore collector, musical inventor, conductor, social commentator and archivist, whose extraordinary life was played out across Australia, Europe and America.
Author: Jean Nicolas De Surmont
Publisher: BoD – Books on Demand
ISBN: 3838210727
Category : Music
Languages : en
Pages : 182
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Book Description
Although the song is often the subject of monographs, one of its forms remains insufficiently researched: the vocalised song, communicated to the spectator through performance. The study of the song takes one back to the study of vocal practices, from aesthetic objects to forms and to plural styles. To conceive a song means approaching it in its different instances of creation as well as its linguistic diversity. Jean Nicolas De Surmont proposes ways of research and analysis useful to musicians, musicologists, and literary critics alike. In his book he takes up the issue of vocal poetry in addition to examining the theoretic aspects of song objects. Rather than offering an autonomous model of analysis, De Surmont extends the research fields and suggests responses to debates that have involved everyone interested in vocal poetic forms.
