Christo and Jeanne-Claude: Prints and Objects, January 24-March 25, 2011 PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Christo and Jeanne-Claude: Prints and Objects, January 24-March 25, 2011 PDF full book. Access full book title Christo and Jeanne-Claude: Prints and Objects, January 24-March 25, 2011 by Christo. Download full books in PDF and EPUB format.
Author: Christo
Publisher:
ISBN:
Category : Artistic collaboration
Languages : en
Pages : 25
Get Book Here
Book Description
Author: Christo
Publisher:
ISBN:
Category : Artistic collaboration
Languages : en
Pages : 25
Get Book Here
Book Description
Author: Germano Celant
Publisher: Silvana Editoriale
ISBN:
Category : Art
Languages : en
Pages : 350
Get Book Here
Book Description
"Christo and Jeanne-Claude. Water Projects, edited by Germano Celant in collaboration with con CVJ Corporation, is the title of the catalogue (published in English and Italian) released on the occasion of the exhibition by the same title, opening in Brescia at the Santa Giulia Museum, April 7, 2016. The catalogue includes Christo and Jeanne-Claude's realized and not realized large-scale projects from 1961 to 2016. Besides the famous wrapped monuments, from the Kunsthalle in Bern (1967-1968) to the Reichstag in Berlin (1971-1995), the publication also includes the barriers made with barrels or with fabric, from Wall of Oil Barrells -- The Iron Curtain in Paris (1961-62) to Valley Curtain in Rifle, Colorado (1960-62), the great inflatable objects, from 42,390 Cubic Feet Package of Minneapolis (1966) to 5600 Cubicmeter Package, Project for documenta IV in Kassel (1967-1968), and the fabric pathways, such as Wrapped Walk Ways in Kansas City (1977-1978), or doors, such as The Gates in New York (1979-2005). The seven Water Projects -- Christo and Jeanne-Claude's installations sharing a connection with water -- are considered in further depth. In these projects, from Running Fence, Sonoma and Marin Counties, California (1972-1976) to Over the River, project for the Arkansas River, State of Colorado (1992), the artists worked establishing a close connection with natural, suburban and urban landscapes which all share a relation with water, be it an ocean, a sea, a lake or a river. Among the Water Projects we must mention The Floating Piers, an installation opening June 18 to July 3, 2016, which will allow visitors to walk across Lake Iseo and along its shores on a 3-kilometre route. By means of modular floating piers covered in shimmering yellow fabric, the installation will link the town of Sulzano on the lake's shores, to Monte Isola, also reaching the Island of San Paolo. Every work included in the catalogue is accompanied by an explanatory text with all the relevant technical and historical information, along with preparatory drawings, collages, scale models, and photographic documentation of the project's phases of ideation, preparation and realization. The catalogue, besides a rich photographic section, includes an introductory text by Germano Celant and a dialogue between the curator and Christo. The volume also comprises the artists' biography and a complete list of projects, bibliography and filmography."--
Author: Christo Javacheff
Publisher:
ISBN:
Category :
Languages : un
Pages :
Get Book Here
Book Description
Author: Jörg Schellmann
Publisher: Hatje Cantz
ISBN: 9783775748834
Category :
Languages : de
Pages : 272
Get Book Here
Book Description
Christo and Jeanne-Claude: the man with the glasses and the woman with the red hair. Each one was born on the same day in 1935, and this unusual artist couple worked together until Jeanne-Claude's death in 2009, changing the art world in the process. In large-scale actions they enveloped buildings and entire landscapes in various materials, revealing at the same time their essence and beauty. In order to finance these enormous works of art by themselves, Christo and Jeanne-Claude began making saleable editios, multiples or early on in their career-prints, collages, and objects. This completely revised, expanded, and updated catalogue of works, Prints and Objects, is testimony to the artist's impressive scope and to their courage. Who else would have had the idea of building a 120-meter-tall truncated pyramid out of 410,000 oil barrels in the desert of the United Arab Emirates? CHRISTO (1935-2020) and JEANNE-CLAUDE (1935-2009) were an artist couple who became known from the 1960s onwards primarily for their jointly realized spectacular wrapping projects, such as the wrapping of the Reichstag building, the Valley Curtains, and most recently Christo alone with the Floating Piers.
Author:
Publisher:
ISBN: 9783799536295
Category : Art
Languages : en
Pages : 52
Get Book Here
Book Description
Author: Claire Bishop
Publisher: Verso Books
ISBN: 1781683972
Category : Art
Languages : en
Pages : 483
Get Book Here
Book Description
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe? Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Author: Cynthia Freeland
Publisher: OUP Oxford
ISBN: 0191504254
Category : Art
Languages : en
Pages : 254
Get Book Here
Book Description
In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.
Author: Michel Foucault
Publisher: Vintage
ISBN: 0307819299
Category : Social Science
Languages : en
Pages : 354
Get Book Here
Book Description
A brilliant work from the most influential philosopher since Sartre. In this indispensable work, a brilliant thinker suggests that such vaunted reforms as the abolition of torture and the emergence of the modern penitentiary have merely shifted the focus of punishment from the prisoner's body to his soul.
Author: Strijdom Van der Merwe
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 142
Get Book Here
Book Description
Author: Ander Monson
Publisher: Graywolf Press
ISBN: 1555973388
Category : Literary Collections
Languages : en
Pages : 235
Get Book Here
Book Description
An exuberant, expansive cataloging of the intimate physical relationship between a reader and a book A way to leave a trace of us, who we were or wanted to be, what we read and could imagine, what we did and what we left for you. Readers of physical books leave traces: marginalia, slips of paper, fingerprints, highlighting, inscriptions. All books have histories, and libraries are not just collections of books and databases but a medium of long-distance communication with other writers and readers. Letter to a Future Lover collects several dozen brief pieces written in response to library ephemera—with "library" defined broadly, ranging from university institutions to friends' shelves, from a seed library to a KGB prison library—and addressed to readers past, present, and future. Through these witty, idiosyncratic essays, Ander Monson reflects on the human need to catalog, preserve, and annotate; the private and public pleasures of reading; the nature of libraries; and how the self can be formed through reading and writing.
