Author: Robert Hans van Gulik
Publisher:
ISBN:
Category : Painting, Chinese
Languages : en
Pages : 0
Book Description
Chinese Pictorial Art as Viewed by the Connoisseur
Author: Robert Hans van Gulik
Publisher:
ISBN:
Category : Painting, Chinese
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Painting, Chinese
Languages : en
Pages : 0
Book Description
An Introduction to the History of Chinese Pictorial Art
Author: Herbert Allen Giles
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 248
Book Description
The Double Screen
Author: Wu Hung
Publisher: Reaktion Books
ISBN: 1861898428
Category : Art
Languages : en
Pages : 298
Book Description
In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and cultural conventions neglected. A screen occupies a space and divides it, supplies an ideal surface for painting, and has been a favorite pictorial image in Chinese art since antiquity. Wu Hung undertakes a comprehensive analysis of the screen, which can be an object, an art medium, a pictorial motif, or all three at once. With its diverse roles, the screen has provided Chinese painters with endless opportunities to reinvent their art. The Double Screen provides a powerful non-Western perspective on issues from portraiture and pictorial narrative to voyeurism, masquerade, and political rhetoric. It will be invaluable to anyone interested in the history of art and Asian studies.
Publisher: Reaktion Books
ISBN: 1861898428
Category : Art
Languages : en
Pages : 298
Book Description
In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and cultural conventions neglected. A screen occupies a space and divides it, supplies an ideal surface for painting, and has been a favorite pictorial image in Chinese art since antiquity. Wu Hung undertakes a comprehensive analysis of the screen, which can be an object, an art medium, a pictorial motif, or all three at once. With its diverse roles, the screen has provided Chinese painters with endless opportunities to reinvent their art. The Double Screen provides a powerful non-Western perspective on issues from portraiture and pictorial narrative to voyeurism, masquerade, and political rhetoric. It will be invaluable to anyone interested in the history of art and Asian studies.
The Reception of Chinese Art Across Cultures
Author: Michelle Ying Ling Huang
Publisher: Cambridge Scholars Publishing
ISBN: 1443868558
Category : Art
Languages : en
Pages : 355
Book Description
The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.
Publisher: Cambridge Scholars Publishing
ISBN: 1443868558
Category : Art
Languages : en
Pages : 355
Book Description
The Reception of Chinese Art Across Cultures is a collection of essays examining the ways in which Chinese art has been circulated, collected, exhibited and perceived in Japan, Europe and America from the fourteenth century to the twenty-first. Scholars and curators from East Asia, Europe and North America jointly present cutting-edge research on cultural integration and aesthetic hybridisation in relation to the collecting, display, making and interpretation of Chinese art and material culture. Stimulating examples within this volume emphasise the Western understanding of Chinese pictorial art, while addressing issues concerning the consumption of Chinese art and Chinese-inspired artistic productions from early times to the contemporary period; the roles of collector, curator, museum and auction house in shaping the taste, meaning and conception of art; and the art and cultural identity of the Chinese diaspora in a global context. This book espouses a multiplicity of aesthetic, philosophical, socio-cultural, economic and political perspectives, and encourages academics, students, art and museum practitioners to re-think their encounters with the objects, practices, people and institutions surrounding the study of Chinese art and culture in the past and the present.
The Wu Liang Shrine
Author: Wu Hung
Publisher:
ISBN: 9780804715294
Category : Art
Languages : en
Pages : 412
Book Description
The funerary shrine of the Confucian scholar Wu Liang, created in AD 151, is the most important surviving pre-Buddhist monument in China. That is to say, it is the most important single work of visual art from the centuries that set the patterns of Chinese thought for almost two millennia. The importance of the shrine lies in the beauty of the stone reliefs on its walls and, especially, in the remarkably comprehensive iconography of its nearly one hundred scenes. They constitute, in effect, a coherent symbolic structure of the universe as the Han Chinese conceived it. This structure consists of three sections: the ceiling carvings present the Mandate of Heaven; the scenes on the two gables depict the paradise of the immortals; and the 44 stories related on the walls illustrate the history of mankind, starting with the creators of human culture and ending with a portrait of Wu Liang, who designed his own memorial. The author finds the shrine comparable, in the comprehensiveness and cultural significance of its iconography, to the cathedral at Chartres or the Sistine Chapel.
Publisher:
ISBN: 9780804715294
Category : Art
Languages : en
Pages : 412
Book Description
The funerary shrine of the Confucian scholar Wu Liang, created in AD 151, is the most important surviving pre-Buddhist monument in China. That is to say, it is the most important single work of visual art from the centuries that set the patterns of Chinese thought for almost two millennia. The importance of the shrine lies in the beauty of the stone reliefs on its walls and, especially, in the remarkably comprehensive iconography of its nearly one hundred scenes. They constitute, in effect, a coherent symbolic structure of the universe as the Han Chinese conceived it. This structure consists of three sections: the ceiling carvings present the Mandate of Heaven; the scenes on the two gables depict the paradise of the immortals; and the 44 stories related on the walls illustrate the history of mankind, starting with the creators of human culture and ending with a portrait of Wu Liang, who designed his own memorial. The author finds the shrine comparable, in the comprehensiveness and cultural significance of its iconography, to the cathedral at Chartres or the Sistine Chapel.
Three Thousand Years of Chinese Painting
Author: Richard M. Barnhart
Publisher: Yale University Press
ISBN: 0300094477
Category : Art
Languages : en
Pages : 422
Book Description
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Publisher: Yale University Press
ISBN: 0300094477
Category : Art
Languages : en
Pages : 422
Book Description
Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.
Beyond Representation
Author: Wen Fong
Publisher: Metropolitan Museum of Art
ISBN: 0300057016
Category : Calligraphy, Chinese
Languages : en
Pages : 571
Book Description
Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.
Publisher: Metropolitan Museum of Art
ISBN: 0300057016
Category : Calligraphy, Chinese
Languages : en
Pages : 571
Book Description
Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.
The Chinese Art Book
Author: Colin Mackenzie
Publisher: Phaidon Press
ISBN: 9780714865751
Category : Art
Languages : en
Pages : 0
Book Description
The Chinese Art Book is a beautifully packaged, authoritative, and unprecedented overview of Chinese art from its earliest dynasties to the contemporary generation of artists enlivening today's art world. 300 works represent every form of Chinese visual art, including painting, calligraphy, sculpture, ceramics, figurines, jade, bronze, gold and silver, photography, video, installation, and performance art. Full of surprises for readers of all levels, The Chinese Art Book breaks new ground by pairing works that speak to one another in unexpected ways, enlightening historical, stylistic and cultural connections. Concise descriptive essays place each work in context, while cross-references lead the reader on a fascinating journey through Chinese art history. The Chinese Art Book features an introductory essay by Colin Mackenzie, Senior Curator of Chinese Art at the Nelson-Akins Museum of Art, along with an accessible summary of Chinese political and cultural history, a comprehensive glossary defining technical terms, and an illustrated timeline.
Publisher: Phaidon Press
ISBN: 9780714865751
Category : Art
Languages : en
Pages : 0
Book Description
The Chinese Art Book is a beautifully packaged, authoritative, and unprecedented overview of Chinese art from its earliest dynasties to the contemporary generation of artists enlivening today's art world. 300 works represent every form of Chinese visual art, including painting, calligraphy, sculpture, ceramics, figurines, jade, bronze, gold and silver, photography, video, installation, and performance art. Full of surprises for readers of all levels, The Chinese Art Book breaks new ground by pairing works that speak to one another in unexpected ways, enlightening historical, stylistic and cultural connections. Concise descriptive essays place each work in context, while cross-references lead the reader on a fascinating journey through Chinese art history. The Chinese Art Book features an introductory essay by Colin Mackenzie, Senior Curator of Chinese Art at the Nelson-Akins Museum of Art, along with an accessible summary of Chinese political and cultural history, a comprehensive glossary defining technical terms, and an illustrated timeline.
How to Read Chinese Paintings
Author: Maxwell K. Hearn
Publisher: Metropolitan Museum of Art
ISBN: 1588392813
Category : Art
Languages : en
Pages : 185
Book Description
"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.
Publisher: Metropolitan Museum of Art
ISBN: 1588392813
Category : Art
Languages : en
Pages : 185
Book Description
"Together the text and illustrations gradually reveal many of the major themes and characteristics of Chinese painting. To "read" these works is to enter a dialogue with the past. Slowly perusing a scroll or album, one shares an intimate experience that has been repeated over the centuries. And it is through such readings that meaning is gradually revealed."--BOOK JACKET.
Chinese Designs and Motifs
Author: Marty Noble
Publisher: Courier Corporation
ISBN: 0486150682
Category : Art
Languages : en
Pages : 82
Book Description
Dragons, fish, flowers, and foo dogs abound in this magnificent compilation of Chinese designs and motifs. An exotic archive of permission-free art, this volume offers 361 crisp black-and-white images in a wide variety of shapes and sizes that adapt themselves easily to use as spot illustrations, borders, and a host of other possibilities. Certain to lend a distinctive Far Eastern accent to any project, these evocative images will prove a treasury of inspiration for illustrators, graphic artists, and crafters.
Publisher: Courier Corporation
ISBN: 0486150682
Category : Art
Languages : en
Pages : 82
Book Description
Dragons, fish, flowers, and foo dogs abound in this magnificent compilation of Chinese designs and motifs. An exotic archive of permission-free art, this volume offers 361 crisp black-and-white images in a wide variety of shapes and sizes that adapt themselves easily to use as spot illustrations, borders, and a host of other possibilities. Certain to lend a distinctive Far Eastern accent to any project, these evocative images will prove a treasury of inspiration for illustrators, graphic artists, and crafters.