Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Chinese Color Prints from the Ten Bamboo Studio. With 24 Reproductions...
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Hu Cheng-yen, a Chinese Wood-engraver and Picture-printer
Author: Zhengyan HuPublisher:
ISBN:
Category : Wood-engraving, Chinese
Languages : en
Pages : 16
Book Description
Chinese Colour Prints from the Ten Bamboo Studio
Author: Jan TschicholdPublisher:
ISBN:
Category :
Languages : en
Pages : 55
Book Description
Chinese Colour Prints from the Ten Bamboo Studio
Author: Jan TschicholdPublisher:
ISBN:
Category :
Languages : de
Pages : 55
Book Description
Chinese Colour Prints from the Ten Bamboo Studio
Author: Jan TschicholdPublisher:
ISBN:
Category : Prints, Chinese
Languages : en
Pages : 50
Book Description
Prints of the Ten Bamboo Studio
Author: Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Chinese Prints from the Ten Bamboo Studio
Author: Publisher:
ISBN:
Category :
Languages : en
Pages : 55
Book Description
The Prints of the Ten Bamboo Studio
Author: Publisher:
ISBN:
Category : Color prints, Chinese
Languages : en
Pages : 128
Book Description
Color Prints from the Ten-Bamboo Hall Studio
Author: Ten-Bamboo-Hall StudioPublisher:
ISBN:
Category : Color prints, Chinese
Languages : en
Pages :
Book Description
Science and Civilisation in China, Part 1, Paper and Printing
Author: Joseph NeedhamPublisher: Cambridge University Press
ISBN: 9780521086905
Category : Science
Languages : en
Pages : 520
Book Description
Part one of the fifth volume of Joseph Needham's great enterprise is written by one of the project's collaborators. Professor Tsien Tsuen-Hsuin, working in regular consultation with Dr Needham, has written the most comprehensive account of every aspect of paper and printing in China to be published in the West. From a close study of the vast mass of source material, Professor Tsien brings order and illumination to an area of technology which has been of profound importance in the spread of civilisation. The main body of the book is a detailed study of the invention, technology and aesthetic development of printing in China. From the growth and ultimate refinements of early woodcut printing to the spread of printing from movable type and the development of book-binding, Professor Tsien carries the story forward to the beginning of the nineteenth century when 'more printed pages existed in Chinese than in all other languages put together'.
