Author: Michael Keane
Publisher: Anthem Press
ISBN: 1785276239
Category : Social Science
Languages : en
Pages : 212
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Book Description
China’s Digital Presence in the Asia-Pacific explores China’s digital presence in the Asia-Pacific region. Drawing on political economy of the media, industry analysis, platform studies and cultural policy studies, the book shows that China’s commercial digital platforms are increasingly recognized outside China and can disseminate Chinese culture more effectively than government supported media. It illustrates how these platforms are contributing to Chinese cultural influence, their perceived reputation and obstacles in the region while pursuing a combined approach of culture+, industry+, internet+, and platform+. In considering the multi-layered rise of the China argument, the book considers its growing technological status as an innovative nation through four policy approaches: culture+, industry+, Internet+ and platform+. Other + characterizations include intelligent+ and social+. These + characterizations show how China is rejuvenating, drawing technological knowhow from the region and adding to its cultural (and soft) power. The book focuses on six locations: Hong Kong, Taiwan, Singapore, Malaysia, Australia and New Zealand. The authors analyse Beijing’s changing policies towards the governance of culture, Internet technologies and digital platforms, as well as examining consumer perceptions of China and Chinese products in the Asia-Pacific region. In using the + characterizations, the authors provide a comprehensive analysis of how Chinese cultural and creative industries became digital, as well as investigating the key players and the leading platforms including Alibaba, Tencent, ByteDance, TikTok, Baidu, iQiyi and Meituan.
Author: Michael Keane
Publisher:
ISBN: 9781839985676
Category :
Languages : en
Pages : 210
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Book Description
China's Digital Presence in the Asia-Pacific explores China's digital presence in the Asia-Pacific region. Drawing on political economy of the media, industry analysis, platform studies and cultural policy studies, the book shows that China's commercial digital platforms are increasingly recognized outside China and can disseminate Chinese culture more effectively than government supported media. It illustrates how these platforms are contributing to Chinese cultural influence, their perceived reputation and obstacles in the region while pursuing a combined approach of culture+, industry+, internet+, and platform+. In considering the multi-layered rise of the China argument, the book considers its growing technological status as an innovative nation through four policy approaches: culture+, industry+, Internet+ and platform+. Other + characterizations include intelligent+ and social+. These + characterizations show how China is rejuvenating, drawing technological knowhow from the region and adding to its cultural (and soft) power. The book focuses on six locations: Hong Kong, Taiwan, Singapore, Malaysia, Australia and New Zealand. The authors analyse Beijing's changing policies towards the governance of culture, Internet technologies and digital platforms, as well as examining consumer perceptions of China and Chinese products in the Asia-Pacific region. In using the + characterizations, the authors provide a comprehensive analysis of how Chinese cultural and creative industries became digital, as well as investigating the key players and the leading platforms including Alibaba, Tencent, ByteDance, TikTok, Baidu, iQiyi and Meituan.
Author: Richard Heeks
Publisher: Taylor & Francis
ISBN: 1040276121
Category : Social Science
Languages : en
Pages : 185
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Book Description
For those wanting to understand implications for the Global South of China’s emergence as a digital superpower, this book analyses China’s digital impact in Latin America, North Africa and Asia, covering issues including platforms, e-commerce, technology transfer and digital surveillance. It also incorporates a major literature review that outlines a six-part future research agenda. At the intersection of China’s growing global presence and growing digital power lies its digital expansion in the low- and middle-income countries of the Global South. Worth billions of USD annually in trade and investment, and having a significant impact on these countries’ social and economic development, this phenomenon has been relatively ignored by researchers to date. This major new volume provides significant new insights that help advance our knowledge of this important topic. A systematic review of literature identifies key issues within the field and outlines a six-part future research agenda. Those issues are then explored in greater depth: reviewing the relationship between activities of Chinese platform firms, the state’s Belt and Road Initiative, and local context in the Global South; investigating the activities of Alibaba as it has sought to grow its operations in Mexico; analysing whether two Chinese tech giants – Huawei and ZTE – are contributing to an upgrading of local technological capabilities in Algeria and Egypt; and digging behind portrayals of China exporting “digital authoritarianism” to understand the realities of surveillance system exports to countries in Latin America. Overall, the book fills important gaps in our understanding of China’s digital expansion in the Global South, and challenges preconceptions and one-sided views of this major recent activity. It was originally published as a special issue of The Information Society.
Author: Xinyang Zhao
Publisher: Anthem Press
ISBN: 1839993049
Category : Social Science
Languages : en
Pages : 132
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Book Description
China has been stereotypically perceived as a place of backwardness. However, the 21st century has been a transitional period for China to express its cultural power. This book explores how digital technology, in particular virtual reality (VR) and augmented reality (AR), is playing a role in China’s rejuvenation, especially in relation to cultural displays, performances and art exhibitions. It examines how audiences, both in China and globally, respond to Digital China through digital immersive art. Drawing on the author's anthropological research and empirical studies on stakeholders and audience reception, this book provides a comprehensive understanding of transformative power of digital technology and its impact on cultural experience in contemporary China. The ‘reform of the cultural system’ over the past two decades in China has fostered a techno-cultural imaginary mixed with the celebration of Chinese civilisation and advanced by digital technology and entrepreneurs. Such a hybrid imaginary influences how people view and consume digital immersive art. Much digital immersive art within China is thus viewed within the framework of modernisation, as the case studies in this book will show. Outside China, however, the dominant narrative of techno-orientalism prevails, constructing a different image of Digital China, a technocratic state.
Author: Wanning Sun
Publisher: BRILL
ISBN: 9004528660
Category : Social Science
Languages : en
Pages : 295
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Book Description
The first book in English on Chinese-language media in Australia, Digital Transnationalism explores the challenges, opportunities and development of this sector against the backdrop of China’s rise, its soft power agenda, and renewed hostility between China and the global West. Situated in the Australian context, this study nevertheless is essential to understand the complex and evolving nature of Chinese-language digital media, and the role they play in fostering digital transnationalism among first-generation Chinese migrants across the globe.
Author:
Publisher: Cambria Press
ISBN: 1621968227
Category :
Languages : en
Pages : 271
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Book Description
Author: Chunmeizi Su
Publisher: Taylor & Francis
ISBN: 1000960390
Category : Social Science
Languages : en
Pages : 140
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Book Description
TikTok has drawn attention from all over the world. Even if you have never used it before, you would still be familiar with its name. Many people have assumed that it is a US-generated platform, and normally awed at its real origin – a Chinese born and operated platform, a sister or parallel platform of Douyin. Because of the short-video platform–TikTok, and also its dispute with the US government, people have started to paying attention to what is really happening and changing in China. Two questions that hang over everyone’s mind seem to be: why China? And why TikTok? This book attempted to answer the question of why short-video platforms such as TikTok—the most popular ‘made in China’ product of all the Chinese digital platforms—became a significant competitor on the global stage. This book explores the reasons behind the rise of short video platforms in China, with a focus on the sudden and unexpected success of TikTok and its parallel platform Douyin. Beginning with the historical development of China’s online screen industry, the book goes on to investigate the ICT industry, its business models and impact on the screen industry, to unfold the reasons behind the domestic popularity of Douyin. It draws on a spectrum of sources including policy documents, industry reports and expert analysis, which is supplemented by interviews with key people in the field. It traces the changing dynamics of the Chinese online screen ecology, and shows how a mixture of technological, industrial and cultural factors contributed to the proliferation of short-video platforms in China. This engaging and topical book will be ideal reading for students and scholars of media and communication studies, platform studies, and political economy studies.
Author: Terry Flew
Publisher: SAGE
ISBN: 152976212X
Category : Language Arts & Disciplines
Languages : en
Pages : 642
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Book Description
Debates about the digital media economy are at the heart of media and communication studies. An increasingly digitalised and datafied media environment has implications for every aspect of the field, from ownership and production, to distribution and consumption. The SAGE Handbook of the Digital Media Economy offers students, researchers and policy-makers a multidisciplinary overview of contemporary scholarship relating to the intersection of the digital economy and the media, cultural, and creative industries. It provides an overview of the major areas of debate, and conceptual and methodological frameworks, through chapters written by leading scholars from a range of disciplinary perspective. PART 1: Key Concepts PART 2: Methodological Approaches PART 3: Media Industries of the Digital Economy PART 4: Geographies of the Digital Economy PART 5: Law, Governance and Policy
Author: Zhen Troy Chen
Publisher: Springer Nature
ISBN: 9811639493
Category : Social Science
Languages : en
Pages : 257
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Book Description
This research book is the first of its kind to conduct an interdisciplinary research on the recent and dramatic developments in China’s music industries with a particular focus on business models, copyright protection, and artist compensation. The monograph explores and discusses proper business models through which revenue can be generated and maintained in a changing copyright climate and transforming business environment. It also discusses how musicians can be fairly compensated in the online platform economy informed by social entrepreneurship. This book is distinctive in the sense that it explores the intersection of cultural and creative industries, legal studies, business studies, and new media. It uses a qualitative and mixed-method approach to study business innovations and institutions in the making in the second largest economy which is also gaining cultural and political significance around the world.
Author: Paul McDonald
Publisher: Routledge
ISBN: 1000451852
Category : Social Science
Languages : en
Pages : 709
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Book Description
Bringing together 49 chapters from leading experts in media industries research, this major collection offers an authoritative overview of the current state of scholarship while setting out proposals for expanding, re-thinking and innovating the field. Media industries occupy a central place in modern societies, producing, circulating, and presenting the multitude of cultural forms and experiences we encounter in our daily lives. The chapters in this volume begin by outlining key conceptual and critical perspectives while also presenting original interventions to prompt new lines of inquiry. Other chapters then examine the impact of digitalization on the media industries, intersections formed between industries or across geographic territories, and the practices of doing media industries research and teaching. General ideas and arguments are illustrated through specific examples and case studies drawn from a range of media sectors, including advertising, publishing, comics, news, music, film, television, branded entertainment, live cinema experiences, social media, and music video. Making a vital and significant contribution to media research, this volume is essential reading for students and academics seeking to understand and evaluate the work of the media industries. Chapter 10 of this book is freely available as a downloadable Open Access PDF under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license available at http://www.taylorfrancis.com
