Author: Frank Vigneron
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882372473
Category : Art
Languages : en
Pages : 262
Book Description
This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art. It first looks at the concept of “ink art,” describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People’s Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has become a major art hub in the last two decades, has developed. The following is dedicated to the changing fortunes of art making in the countryside, observing how institutions in the Mainland and in Hong Kong have supported these practices very differently. Frank Vigneron finally considers how the different speeds of globalization, slow in the past and fast today, have determined some of the issues of past and outside in the present, particularly in the context of socially engaged art in both the Mainland and Hong Kong.
China Pluperfect II
Author: Frank Vigneron
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882372473
Category : Art
Languages : en
Pages : 262
Book Description
This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art. It first looks at the concept of “ink art,” describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People’s Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has become a major art hub in the last two decades, has developed. The following is dedicated to the changing fortunes of art making in the countryside, observing how institutions in the Mainland and in Hong Kong have supported these practices very differently. Frank Vigneron finally considers how the different speeds of globalization, slow in the past and fast today, have determined some of the issues of past and outside in the present, particularly in the context of socially engaged art in both the Mainland and Hong Kong.
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882372473
Category : Art
Languages : en
Pages : 262
Book Description
This book contains analysis of different domains of contemporary art in China seen through the lens of the epistemological changes described in China Pluperfect I: Epistemology of Past and Outside in Chinese Art. It first looks at the concept of “ink art,” describing how it meant different things to different people in the former colony and how these different meanings came to determine certain institutional choices made at the beginning of the 21st century. The following chapters are dedicated to issues related to the urban and rural contexts for art creation in Mainland China and Hong Kong. One chapter observes the ups and downs of the representations of cities in the history of the People’s Republic of China and how they have defined a certain idea of culture. Another looks at how Chinese cities have been exceptional centers of art creations over the last thirty to forty years through the example of Shenzhen where a vibrant art scene, albeit closely connected to Hong Kong which has become a major art hub in the last two decades, has developed. The following is dedicated to the changing fortunes of art making in the countryside, observing how institutions in the Mainland and in Hong Kong have supported these practices very differently. Frank Vigneron finally considers how the different speeds of globalization, slow in the past and fast today, have determined some of the issues of past and outside in the present, particularly in the context of socially engaged art in both the Mainland and Hong Kong.
China Pluperfect I
Author: Frank Vigneron
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882372465
Category : Art
Languages : en
Pages : 214
Book Description
Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of contact grew wider as the conditions for globalization became more and more prevalent. Frank Vigneron observes and explores these changes through texts and the visual arts to reveal how these two civilizations, while keeping their own characteristics, managed to develop fruitful dialogues and create deeply intertwined cultures. As an example, the final chapter looks at contemporary Chinese calligraphy as an art that, even though it has no equivalent in Euro-America, successfully integrated cross-cultural theoretical elements, thus exemplifying how past and outside can combine into new artistic constructs.
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882372465
Category : Art
Languages : en
Pages : 214
Book Description
Initially based on a comparative study of Chinese and Euro-American art theory in the 18th and 19th centuries, this book examines how both cultures looked at their own past and their outside, i.e. what was construed as not belonging to their own cultural sphere, and how they devised new ways of adapting them into evolving cultural constructs. While the 17th century was still a time when the epistemological backgrounds of both civilizations were so profoundly different that nearly no dialogue was possible, the 18th century saw the emergence in both places of profound changes that would get them close enough to create the conditions for the beginning of a conversation. First quite superficial and taking shape mostly in the decorative arts, this process of rapprochement, while remaining chaotic and unpredictable, led to wider and more profound zones of contact throughout the late 19th and 20th centuries. Through the reinterpretations of each other’s cultural creations, these zones of contact grew wider as the conditions for globalization became more and more prevalent. Frank Vigneron observes and explores these changes through texts and the visual arts to reveal how these two civilizations, while keeping their own characteristics, managed to develop fruitful dialogues and create deeply intertwined cultures. As an example, the final chapter looks at contemporary Chinese calligraphy as an art that, even though it has no equivalent in Euro-America, successfully integrated cross-cultural theoretical elements, thus exemplifying how past and outside can combine into new artistic constructs.
Rethinking Displays of Chinese Contemporary Art
Author: Paul Gladston
Publisher: Springer Nature
ISBN: 9819729068
Category :
Languages : en
Pages : 264
Book Description
Publisher: Springer Nature
ISBN: 9819729068
Category :
Languages : en
Pages : 264
Book Description
Studies in Chinese Language
Author: M.A.K. Halliday
Publisher: A&C Black
ISBN: 1847065759
Category : Language Arts & Disciplines
Languages : en
Pages : 395
Book Description
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Publisher: A&C Black
ISBN: 1847065759
Category : Language Arts & Disciplines
Languages : en
Pages : 395
Book Description
>
Admission of Chinese Students to American Colleges
Author: John Fryer
Publisher:
ISBN:
Category : Chinese
Languages : en
Pages : 244
Book Description
Publisher:
ISBN:
Category : Chinese
Languages : en
Pages : 244
Book Description
A Chinese-English Dictionary
Author: Herbert Allen Giles
Publisher:
ISBN:
Category : Chinese language
Languages : en
Pages : 1482
Book Description
Publisher:
ISBN:
Category : Chinese language
Languages : en
Pages : 1482
Book Description
A Chinese-English dictionary
Author: Giles
Publisher:
ISBN:
Category :
Languages : en
Pages : 770
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 770
Book Description
English and Chinese pronouncing dictionary
Author: Shang wu yin shu guan
Publisher:
ISBN:
Category :
Languages : en
Pages : 1922
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1922
Book Description
First Lessons in Chinese
Author: Matthew Tyson Yates
Publisher:
ISBN:
Category : Chinese language
Languages : en
Pages : 180
Book Description
Publisher:
ISBN:
Category : Chinese language
Languages : en
Pages : 180
Book Description
English and Chinese standard dictionary
Author: Hui-chʻing Yen
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1320
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1320
Book Description