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Author: Eduardo Chillida
Publisher: Ediciones Polígrafa S.A.
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
The sculptural work of Chillida (San Sebastian, 1924-2002) is non-figurative and characterised, in the artist's own words, by the dialogue between masses and voids of often monumental proportions, elements that he endows with conceptual unity thanks to his mastery of the laws of movement and balance. In this book Carandente, far from restricting himself to commenting on the most visible aspects of the artist's career, analyses the conceptual and technical dimensions of his activity, both the individual task of searching and perfecting and the socio-cultural context that acts as a framework to the Basque sculptor's output. Chillida is undoubtedly one of the most outstanding figures in the sculpture of the second half of the 20th century. 782 illustrations
Author: Eduardo Chillida
Publisher: Ediciones Polígrafa S.A.
ISBN:
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
The sculptural work of Chillida (San Sebastian, 1924-2002) is non-figurative and characterised, in the artist's own words, by the dialogue between masses and voids of often monumental proportions, elements that he endows with conceptual unity thanks to his mastery of the laws of movement and balance. In this book Carandente, far from restricting himself to commenting on the most visible aspects of the artist's career, analyses the conceptual and technical dimensions of his activity, both the individual task of searching and perfecting and the socio-cultural context that acts as a framework to the Basque sculptor's output. Chillida is undoubtedly one of the most outstanding figures in the sculpture of the second half of the 20th century. 782 illustrations
Author:
Publisher: Ediciones Polígrafa S.A.
ISBN: 9788434313859
Category : Art
Languages : en
Pages : 338
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Book Description
A deluxe appreciation of Eduardo Chillida's public sculpture The outdoor public works of Basque sculptor Eduardo Chillida (1924-2002), which are installed in various cities around the world, are protrayed here in stunning black-and-white photography, highlighting the intensity of his monumentally scaled abstract sculptures. In most cases, the architectural, urban or landscape setting determines many elements of the sculpture, and the artist strives to relate his design to the external environment in which it is placed. Here, both the details of each sculpture and its setting are featured. Chillida: Open-Air Sculptures begins with an essay by Italian art critic Giovanni Carandente that tracks Chilida's origins and inspirations, and also analyzes his civic and social themes. The volume also features a wide selection of the artist's own writings, included on inserted pages printed on an alternative paper stock. Chilida's lucid meditations on sculpture outline his intentions and desires, bringing us closer to the work itself.
Author: Eduardo Chillida
Publisher:
ISBN: 9780957028753
Category :
Languages : en
Pages : 0
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Book Description
Author: Eduardo Chillida
Publisher: Richter Verlag
ISBN: 9783941263079
Category : Aesthetics, Modern
Languages : en
Pages : 0
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Book Description
Eduardo Chillida (1924 - 2002) is among the 20th century sculptors who have decisively contributed to the non-figurative vocabulary of sculpture and its material innovation. Along with steel, stone and concrete, he has favoured wrought iron as a material that, as he says, he subjects to a dynamic process and forcefully endows with his own vibrations till the theme has fully crystallized and space and form become inseparable. The sculptural form, which avoids identification and - in contrast to the pieces by Henry Moore - hardly even reminds us of the volume of our body, serves as an instrument to make (empty) space visible. Chillida's writings, which in this book are published for the first time, take the reader into the mental world of the sculptor, his philosophical reflections and notations on his work, all of which serve the concentration of energy found in the collection. This publication includes text written by renowned British sculptor, Tony Cragg. English text.
Author: Wassily Kandinsky
Publisher: Leon Amiel Publisher
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Author: Richard Serra
Publisher: Steidl
ISBN: 9783865211378
Category : Installations (Art)
Languages : en
Pages : 0
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Book Description
Essays by Hal Foster and Carmen Gim nez.
Author:
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 0
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Book Description
Author: Sabine Breitwieser
Publisher: Museum of Modern Art
ISBN: 9780870708862
Category : Art and design
Languages : en
Pages : 0
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Book Description
Isa Genzken is arguably one of the most important and influential female artists of the past 30 years. Genzken's work - which spans sculptures, paintings, photographs, collages, drawings, artist's books, films, installations and public works - has been part of the artistic discourse since she began exhibiting in the mid-1970s, and a new generation of artists has been inspired by her radical inventiveness over the last decade - a period in which she has redefined assemblages. Published to accompany Genzken's first comprehensive retrospective in the USA, this book is the most complete monograph on the artist available in English. It presents Genzken's career in essays exploring the unfolding of her practice from 1973 until today and an illustrated chronological overview of her most important bodies of work and key exhibitions. 0Exhibition: Museum of Modern Art, New York, USA (23.11.2013-10.03.2014) ; Museum of Contemporary Art, Chicago, USA (12.04.-03.08.2014) ; Dallas Museum of Art, Dallas, USA (14.09.2014-04.01.2015)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 317
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Book Description
Author: J. Lorente
Publisher: Routledge
ISBN: 135112028X
Category : Art
Languages : en
Pages : 222
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Book Description
Museums and public art have traditionally taken significantly different approaches to customer engagement, but throughout history they have also worked together in some urban contexts, notably as landmarks of so-called cultural districts. Public Art and Museums in Cultural Districts reviews their changing interactions in many different types of cities since the Enlightenment, or even before, going back to the etymological origins of museums and monuments in classical antiquity. The type of historical enquiry presented within the volume is not intended as a total narrative, but the international study cases considered convey a global panorama of the shifting paradigms set in different periods by some cultural neighbourhoods and emulated worldwide. Blurring boundaries between art history, museology and urbanism, this critical account explores past tensions, achievements and failures, giving insightful consideration to present policies and pointing out reasonable recommendations for the future regarding public heritage. Presenting for the first time an insights into the role of collections of public art as landmarks of cultural districts, this book considers collections displayed outdoors from the double perspective of curatorial outreach and civic values. This book will fill a gap in the existing museum studies literature, hitherto mainly focused on indoor collecting and curatorial policies, but increasingly more and more attentive to their outside context. As such, the book should be of great interest to academics, researchers and students working in the fields of art, heritage, museum studies and urban history. It should also be of value to professionals working in the museum and art sectors.
