Children's Television, the First Thirty-five Years, 1946-1981: Animated cartoon series PDF Download
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Author: George W. Woolery
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 422
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Book Description
More than 600 live-action series from the first 35 years of American television are alphabetically listed in this encyclopedic work.
Author: George W. Woolery
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 422
Get Book Here
Book Description
More than 600 live-action series from the first 35 years of American television are alphabetically listed in this encyclopedic work.
Author: George W. Woolery
Publisher:
ISBN:
Category :
Languages : en
Pages : 386
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Book Description
Author: George W. Woolery
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Animated television programs
Languages : en
Pages : 830
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Book Description
More than 600 live-action series from the first 35 years of American television are alphabetically listed in this encyclopedic work.
Author: George W. Woolery
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: George W. Woolery
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: George W. Woolery
Publisher: Metuchen, N.J. : Scarecrow Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 412
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Book Description
More than 600 live-action series from the first 35 years of American television are alphabetically listed in this encyclopedic work.
Author: Robert W. Morrow
Publisher: JHU Press
ISBN: 1421407108
Category : Performing Arts
Languages : en
Pages : 366
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Book Description
“[An] accessible, well-researched introduction to the people and principles behind the show’s creation . . . Essential.” —Choice (An Outstanding Academic Title of the Year) By the late 1960s more than a few critics of American culture groused about the condition of television programming and, in particular, the quality and content of television shows for children. In the eyes of the reform-minded, commercial television crassly exploited young viewers; its violence and tastelessness served no higher purpose than the bottom line. The Children’s Television Workshop (CTW)—and its fresh approach to writing and producing programs for kids—emerged from this growing concern. Sesame Street—CTW’s flagship hour-long show—aimed to demonstrate how television could help all preschoolers, including low-income urban children, prepare for first grade. In this engaging study Robert W. Morrow explores the origins and inner workings of CTW, how the workshop in New York scripted and designed Sesame Street, and how the show became both a model for network television and a thorn in its side. Through extensive archival research and a systematic study of sample programs from Sesame Street’s first ten seasons, Morrow tells the story of Sesame Street’s creation; the ideas, techniques, organization, and funding behind it; its place in public discourse; and its ultimate and unfortunate failure as an agent of commercial television reform. “An insightful look at American children's television.” —Library Journal
Author: Nichola Dobson
Publisher: Scarecrow Press
ISBN: 1461664020
Category : Art
Languages : en
Pages : 311
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Book Description
Animation was once a relatively simple matter, using fairly primitive means to produce rather short films of subjects that were generally comedic and often quite childish. However, things have changed, and they continue changing at a maddening pace. One new technique after another has made it easier, faster, and above all cheaper to produce the material, which has taken on an increasing variety of forms. The A to Z of Animation and Cartoons is an introduction to all aspects of animation history and its development as a technology and industry beyond the familiar cartoons from the Disney and Warner Bros. Studios. This is done through a chronology, an introductory essay, photos, a bibliography, and over 200 cross-referenced dictionary entries on animators, directors, studios, techniques, films, and some of the best-known characters.
Author: Blair Davis
Publisher: Rutgers University Press
ISBN: 0813553245
Category : Performing Arts
Languages : en
Pages : 275
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Book Description
The emergence of the double-bill in the 1930s created a divide between A-pictures and B-pictures as theaters typically screened packages featuring one of each. With the former considered more prestigious because of their larger budgets and more popular actors, the lower-budgeted Bs served largely as a support mechanism to A-films of the major studios—most of which also owned the theater chains in which movies were shown. When a 1948 U.S. Supreme Court antitrust ruling severed ownership of theaters from the studios, the B-movie soon became a different entity in the wake of profound changes to the corporate organization and production methods of the major Hollywood studios. In The Battle for the Bs, Blair Davis analyzes how B-films were produced, distributed, and exhibited in the 1950s and demonstrates the possibilities that existed for low-budget filmmaking at a time when many in Hollywood had abandoned the Bs. Made by newly formed independent companies, 1950s B-movies took advantage of changing demographic patterns to fashion innovative marketing approaches. They established such genre cycles as science fiction and teen-oriented films (think Destination Moon and I Was a Teenage Werewolf) well before the major studios and also contributed to the emergence of the movement now known as underground cinema. Although frequently proving to be multimillion-dollar box-office draws by the end of the decade, the Bs existed in opposition to the cinematic mainstream in the 1950s and created a legacy that was passed on to independent filmmakers in the decades to come.
Author: Lynn Spigel
Publisher: Duke University Press
ISBN: 0822383179
Category : Performing Arts
Languages : en
Pages : 439
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Book Description
In Welcome to the Dreamhouse feminist media studies pioneer Lynn Spigel takes on Barbie collectors, African American media coverage of the early NASA space launches, and television’s changing role in the family home and its links to the broader visual culture of modern art. Exploring postwar U.S. media in the context of the period’s reigning ideals about home and family life, Spigel looks at a range of commercial objects and phenomena, from television and toys to comic books and magazines. The volume considers not only how the media portrayed suburban family life, but also how both middle-class ideals and a perceived division between private and public worlds helped to shape the visual forms, storytelling practices, and reception of postwar media and consumer culture. Spigel also explores those aspects of suburban culture that media typically render invisible. She looks at the often unspoken assumptions about class, nation, ethnicity, race, and sexual orientation that underscored both media images (like those of 1960s space missions) and social policies of the mass-produced suburb. Issues of memory and nostalgia are central in the final section as Spigel considers how contemporary girls use television reruns as a source for women’s history and then analyzes the current nostalgia for baby boom era family ideals that runs through contemporary images of new household media technologies. Containing some of Spigel’s well-known essays on television’s cultural history as well as new essays on a range of topics dealing with popular visual culture, Welcome to the Dreamhouse is important reading for students and scholars of media and communications studies, popular culture, American studies, women’s studies, and sociology.
