Author: Keith M. Stolte
Publisher: Arcadia Publishing
ISBN: 1467143227
Category : History
Languages : en
Pages : 208
Book Description
For more than a century, Chicago's leading painters, sculptors, writers, actors, dancers and architects congregated together in close-knit artistic enclaves. After the Columbian Exposition, they set up shop in places like Lambert Tree Studios and the 57th Street Artist Colony. Nationally renowned figures like Theodore Dreiser, Margaret Anderson, Frank Lloyd Wright and Louis Sullivan became colleagues, confidants and neighbors. In the 1920s, Carl Sandburg, Emma Goldman, Ernest Hemingway, Ben Hecht, Edna St. Vincent Millay and Clarence Darrow transformed the speakeasies and bohemian bistros of Towertown into Chicago's Greenwich Village. In Old Town, Renaissance man Edgar Miller and progressive architect Andrew Rebori collaborated on the Frank Fisher Studios, one of the finest examples of Art Moderne architecture in the country. From Nellie Walker to Roger Ebert, Keith Stolte visits Chicago's ascendant artistic spirits in their chosen sanctuaries.
Chicago Artist Colonies
Chicago Artist Colonies
Author: Keith M Stolte
Publisher: History Press Library Editions
ISBN: 9781540239730
Category :
Languages : en
Pages : 210
Book Description
For more than a century, Chicago's leading painters, sculptors, writers, actors, dancers and architects congregated together in close-knit artistic enclaves. After the Columbian Exposition, they set up shop in places like Lambert Tree Studios and the 57th Street Artist Colony. Nationally renowned figures like Theodore Dreiser, Margaret Anderson, Frank Lloyd Wright and Louis Sullivan became colleagues, confidants and neighbors. In the 1920s, Carl Sandburg, Emma Goldman, Ernest Hemingway, Ben Hecht, Edna St. Vincent Millay and Clarence Darrow transformed the speakeasies and bohemian bistros of Towertown into Chicago's Greenwich Village. In Old Town, Renaissance man Edgar Miller and progressive architect Andrew Rebori collaborated on the Frank Fisher Studios, one of the finest examples of Art Moderne architecture in the country. From Nellie Walker to Roger Ebert, Keith Stolte visits Chicago's ascendant artistic spirits in their chosen sanctuaries.
Publisher: History Press Library Editions
ISBN: 9781540239730
Category :
Languages : en
Pages : 210
Book Description
For more than a century, Chicago's leading painters, sculptors, writers, actors, dancers and architects congregated together in close-knit artistic enclaves. After the Columbian Exposition, they set up shop in places like Lambert Tree Studios and the 57th Street Artist Colony. Nationally renowned figures like Theodore Dreiser, Margaret Anderson, Frank Lloyd Wright and Louis Sullivan became colleagues, confidants and neighbors. In the 1920s, Carl Sandburg, Emma Goldman, Ernest Hemingway, Ben Hecht, Edna St. Vincent Millay and Clarence Darrow transformed the speakeasies and bohemian bistros of Towertown into Chicago's Greenwich Village. In Old Town, Renaissance man Edgar Miller and progressive architect Andrew Rebori collaborated on the Frank Fisher Studios, one of the finest examples of Art Moderne architecture in the country. From Nellie Walker to Roger Ebert, Keith Stolte visits Chicago's ascendant artistic spirits in their chosen sanctuaries.
Towards the Sun
Author: Kenneth McConkey
Publisher:
ISBN: 9781913645083
Category :
Languages : en
Pages : 240
Book Description
While there have been monographs on British artist-travellers in the eighteenth and early nineteenth centuries, there has been no equivalent survey of what the writer, Henry Blackburn, described as ?artistic travel? a hundred years later. By 1900, the ?Grand Tourist? became a ?globe-trotter? equipped with a camera, and despite the development of ?knapsack photography?, visual recording by the old media of oil and watercolour on-the-spot sketching remained ever-popular.00Kenneth McConkey?s new book explores the complex reasons for this in a series of chapters that take the reader from southern Europe to north Africa, the Middle East, India and Japan revealing many artist-travellers whose lives and works are scarcely remembered today. He alerts us to a generation of painters, trained in academies and artists? colonies in Europe that acted as crèches for those would go on to explore life and landscape further afield. The seeds of wanderlust were sown in student years in places where tuition was conducted in French or German, and models were often 0Spanish, Italian, or North African. At first the countries of western Europe were explored 0afresh and cities like Tangier became artists? haunts. Training that prioritized plein air naturalism led to the common belief that a well-schooled young painter should be capable of working anywhere, and in any circumstances.00This richly illustrated book explores key sites visited by artist-travellers and investigates artists including Frank Brangwyn, Mary Cameron, Alfred East, John Lavery, Arthur Melville, Mortimer Menpes, as well as other under-researched British artists. Drawing the strands together, it redefines the picturesque, by considering issues of visualization and verisimilitude, dissemination and aesthetic value.
Publisher:
ISBN: 9781913645083
Category :
Languages : en
Pages : 240
Book Description
While there have been monographs on British artist-travellers in the eighteenth and early nineteenth centuries, there has been no equivalent survey of what the writer, Henry Blackburn, described as ?artistic travel? a hundred years later. By 1900, the ?Grand Tourist? became a ?globe-trotter? equipped with a camera, and despite the development of ?knapsack photography?, visual recording by the old media of oil and watercolour on-the-spot sketching remained ever-popular.00Kenneth McConkey?s new book explores the complex reasons for this in a series of chapters that take the reader from southern Europe to north Africa, the Middle East, India and Japan revealing many artist-travellers whose lives and works are scarcely remembered today. He alerts us to a generation of painters, trained in academies and artists? colonies in Europe that acted as crèches for those would go on to explore life and landscape further afield. The seeds of wanderlust were sown in student years in places where tuition was conducted in French or German, and models were often 0Spanish, Italian, or North African. At first the countries of western Europe were explored 0afresh and cities like Tangier became artists? haunts. Training that prioritized plein air naturalism led to the common belief that a well-schooled young painter should be capable of working anywhere, and in any circumstances.00This richly illustrated book explores key sites visited by artist-travellers and investigates artists including Frank Brangwyn, Mary Cameron, Alfred East, John Lavery, Arthur Melville, Mortimer Menpes, as well as other under-researched British artists. Drawing the strands together, it redefines the picturesque, by considering issues of visualization and verisimilitude, dissemination and aesthetic value.
Art Museums Plus
Author: Traute M. Marshall
Publisher: UPNE
ISBN: 9781584656210
Category : Art
Languages : en
Pages : 400
Book Description
An engaging guide to over 150 art museums and more throughout New England
Publisher: UPNE
ISBN: 9781584656210
Category : Art
Languages : en
Pages : 400
Book Description
An engaging guide to over 150 art museums and more throughout New England
Rustic Cubism
Author: Bruce Adams
Publisher:
ISBN: 9780226005324
Category : Art
Languages : en
Pages : 284
Book Description
In Rustic Cubism, Bruce Adams tells the fascinating story of Moly-Sabata, an art colony founded in the Rhône Valley during the height of French modernism by Cubist pioneer Albert Gleizes. Following his social and spiritual agenda of earthly labor and a Celtic-medievalist view of Christianity, Gleizes' disciples worked to fuse Cubism with a revival of ancient agrarian, artisanal traditions. The most important and committed member of this experimental commune was ceramicist Anne Dangar (1885-1951). In part a gripping biography of this Australian expatriate, Rustic Cubism chronicles Dangar's personal battles and the tumult of the World War II era during her tempestuous tenure at Moly-Sabata. Dangar dedicated herself to the colony's aims by working in the region's village potteries, combining their vernacular elements with Gleizes' design methods to arrive at a type of rustic Cubism. Her work there would ultimately be rewarded; her pieces can today be found in the Musée des Arts Décoratifs in Paris, the Musée d'Art Moderne de la Ville de Paris, the Museo Internazionale delle Ceramiche in Faenza, the National Gallery of Australia, Canberra, and many other museums. Rustic Cubism places Dangar at the heart of Moly-Sabata's alternative art movement--one that, in its nostalgic present, attempted to construct a culture based on the distant past. Generously illustrated with photographs of the art and social milieu of the period, this captivating and original narrative makes a considerable contribution to our understanding of French modernism and early twentieth-century cultural politics as well as of the life of a most talented and intriguing female artist.
Publisher:
ISBN: 9780226005324
Category : Art
Languages : en
Pages : 284
Book Description
In Rustic Cubism, Bruce Adams tells the fascinating story of Moly-Sabata, an art colony founded in the Rhône Valley during the height of French modernism by Cubist pioneer Albert Gleizes. Following his social and spiritual agenda of earthly labor and a Celtic-medievalist view of Christianity, Gleizes' disciples worked to fuse Cubism with a revival of ancient agrarian, artisanal traditions. The most important and committed member of this experimental commune was ceramicist Anne Dangar (1885-1951). In part a gripping biography of this Australian expatriate, Rustic Cubism chronicles Dangar's personal battles and the tumult of the World War II era during her tempestuous tenure at Moly-Sabata. Dangar dedicated herself to the colony's aims by working in the region's village potteries, combining their vernacular elements with Gleizes' design methods to arrive at a type of rustic Cubism. Her work there would ultimately be rewarded; her pieces can today be found in the Musée des Arts Décoratifs in Paris, the Musée d'Art Moderne de la Ville de Paris, the Museo Internazionale delle Ceramiche in Faenza, the National Gallery of Australia, Canberra, and many other museums. Rustic Cubism places Dangar at the heart of Moly-Sabata's alternative art movement--one that, in its nostalgic present, attempted to construct a culture based on the distant past. Generously illustrated with photographs of the art and social milieu of the period, this captivating and original narrative makes a considerable contribution to our understanding of French modernism and early twentieth-century cultural politics as well as of the life of a most talented and intriguing female artist.
Impressionist Giverny
Author: Nina Lübbren
Publisher: Terra Foundation for the Arts
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
Between 1885 and 1915, the village of Giverny (in France) attracted more than 350 artists from at least eighteen countries around the world, transforming from a sleepy community to a vibrant and important artists' colony. The presence of master impressionist painter Claude Monet, who settled in the village in 1883, attracted these young artists, but his presence does not solely explain Giverny's popularity. Artists also sought the opportunity to combine the practice of "plein air" painting with an active social life and enjoyed the locale's picturesque features and easy proximity to Paris. Many artists visited briefly, while others purchased homes and studios, making this Norman village an artistic center.
Publisher: Terra Foundation for the Arts
ISBN:
Category : Art
Languages : en
Pages : 228
Book Description
Between 1885 and 1915, the village of Giverny (in France) attracted more than 350 artists from at least eighteen countries around the world, transforming from a sleepy community to a vibrant and important artists' colony. The presence of master impressionist painter Claude Monet, who settled in the village in 1883, attracted these young artists, but his presence does not solely explain Giverny's popularity. Artists also sought the opportunity to combine the practice of "plein air" painting with an active social life and enjoyed the locale's picturesque features and easy proximity to Paris. Many artists visited briefly, while others purchased homes and studios, making this Norman village an artistic center.
Painting by Numbers
Author: Diana Seave Greenwald
Publisher: Princeton University Press
ISBN: 0691214948
Category : Art
Languages : en
Pages : 256
Book Description
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.
Publisher: Princeton University Press
ISBN: 0691214948
Category : Art
Languages : en
Pages : 256
Book Description
A pathbreaking history of art that uses digital research and economic tools to reveal enduring inequities in the formation of the art historical canon Painting by Numbers presents a groundbreaking blend of art historical and social scientific methods to chart, for the first time, the sheer scale of nineteenth-century artistic production. With new quantitative evidence for more than five hundred thousand works of art, Diana Seave Greenwald provides fresh insights into the nineteenth century, and the extent to which art historians have focused on a limited—and potentially biased—sample of artwork from that time. She addresses long-standing questions about the effects of industrialization, gender, and empire on the art world, and she models more expansive approaches for studying art history in the age of the digital humanities. Examining art in France, the United States, and the United Kingdom, Greenwald features datasets created from indices and exhibition catalogs that—to date—have been used primarily as finding aids. From this body of information, she reveals the importance of access to the countryside for painters showing images of nature at the Paris Salon, the ways in which time-consuming domestic responsibilities pushed women artists in the United States to work in lower-prestige genres, and how images of empire were largely absent from the walls of London’s Royal Academy at the height of British imperial power. Ultimately, Greenwald considers how many works may have been excluded from art historical inquiry and shows how data can help reintegrate them into the history of art, even after such pieces have disappeared or faded into obscurity. Upending traditional perspectives on the art historical canon, Painting by Numbers offers an innovative look at the nineteenth-century art world and its legacy.
American Silver in the Art Institute of Chicago
Author: Art Institute of Chicago
Publisher: Yale University Press
ISBN: 030022236X
Category : Antiques & Collectibles
Languages : en
Pages : 269
Book Description
The history of American silver offers invaluable insights into the economic and cultural history of the nation itself. Published here for the first time, the Art Institute of Chicago's superb collection embodies innovation and beauty from the colonial era to the present. In the 17th century, silversmiths brought the fashions of their homelands to the colonies, and in the early 18th, new forms arose as technology diversified production. Demand increased in the 19th century as the Industrial Revolution took hold. In the 20th, modernism changed the shape of silver inside and outside the home. This beautifully illustrated volume presents highlights from the collection with stunning photography and entries from leading specialists. In-depth essays relate a fascinating story about eating, drinking, and entertaining that spans the history of the Republic and trace the development of the Art Institute's holdings of American silver over nearly a century.
Publisher: Yale University Press
ISBN: 030022236X
Category : Antiques & Collectibles
Languages : en
Pages : 269
Book Description
The history of American silver offers invaluable insights into the economic and cultural history of the nation itself. Published here for the first time, the Art Institute of Chicago's superb collection embodies innovation and beauty from the colonial era to the present. In the 17th century, silversmiths brought the fashions of their homelands to the colonies, and in the early 18th, new forms arose as technology diversified production. Demand increased in the 19th century as the Industrial Revolution took hold. In the 20th, modernism changed the shape of silver inside and outside the home. This beautifully illustrated volume presents highlights from the collection with stunning photography and entries from leading specialists. In-depth essays relate a fascinating story about eating, drinking, and entertaining that spans the history of the Republic and trace the development of the Art Institute's holdings of American silver over nearly a century.
Creative Gatherings
Author: Mary Ann Caws
Publisher:
ISBN: 9781789140552
Category : Art
Languages : en
Pages : 0
Book Description
"Art is often seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds. In her wide-ranging new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. Creative Gatherings surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists' colonies. Examples include Florence Griswold's house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague's Le Louvre caf, haunt of Kafka and Einstein; Picasso's modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the caf s of Saint-Germain-des-Pr s and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith. Interweaving two hundred examples of collaborative artworks throughout the text, with more than one hundred in color, Creative Gatherings is a beautiful, erudite commingling as inspiring as the gathering places Caws depicts."--Publisher's description.
Publisher:
ISBN: 9781789140552
Category : Art
Languages : en
Pages : 0
Book Description
"Art is often seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds. In her wide-ranging new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. Creative Gatherings surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists' colonies. Examples include Florence Griswold's house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague's Le Louvre caf, haunt of Kafka and Einstein; Picasso's modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the caf s of Saint-Germain-des-Pr s and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith. Interweaving two hundred examples of collaborative artworks throughout the text, with more than one hundred in color, Creative Gatherings is a beautiful, erudite commingling as inspiring as the gathering places Caws depicts."--Publisher's description.
Chicago Makes Modern
Author: Mary Jane Jacob
Publisher: University of Chicago Press
ISBN: 0226389588
Category : Architecture
Languages : en
Pages : 328
Book Description
Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the modern in Chicago continues to thrive, as new generations of artists incorporate its legacy into fresh visions for the future. Chicago Makes Modern boldly remaps twentieth-century modernism from our new-century perspective by asking an imperative question: How did the modern mind—deeply reflective, yet simultaneously directed—help to dramatically alter our perspectives on the world and make it new? Returning the city to its rightful position at the heart of a multidimensional movement that changed the face of the twentieth century, Chicago Makes Modern applies the missions of a brilliant group of innovators to our own time. From the radical social and artistic perspectives implemented by Jane Addams, John Dewey, and Buckminster Fuller to the avant-garde designs of László Moholy-Nagy and Mies van der Rohe, the prodigious offerings of Chicago's modern minds left an indelible legacy for future generations. Staging the city as a laboratory for some of our most heralded cultural experiments, Chicago Makes Modern reimagines the modern as a space of self-realization and social progress—where individual visions triggered profound change. Featuring contributions from an acclaimed roster of contemporary artists, critics, and scholars, this book demonstrates how and why the Windy City continues to drive the modern world.
Publisher: University of Chicago Press
ISBN: 0226389588
Category : Architecture
Languages : en
Pages : 328
Book Description
Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the modern in Chicago continues to thrive, as new generations of artists incorporate its legacy into fresh visions for the future. Chicago Makes Modern boldly remaps twentieth-century modernism from our new-century perspective by asking an imperative question: How did the modern mind—deeply reflective, yet simultaneously directed—help to dramatically alter our perspectives on the world and make it new? Returning the city to its rightful position at the heart of a multidimensional movement that changed the face of the twentieth century, Chicago Makes Modern applies the missions of a brilliant group of innovators to our own time. From the radical social and artistic perspectives implemented by Jane Addams, John Dewey, and Buckminster Fuller to the avant-garde designs of László Moholy-Nagy and Mies van der Rohe, the prodigious offerings of Chicago's modern minds left an indelible legacy for future generations. Staging the city as a laboratory for some of our most heralded cultural experiments, Chicago Makes Modern reimagines the modern as a space of self-realization and social progress—where individual visions triggered profound change. Featuring contributions from an acclaimed roster of contemporary artists, critics, and scholars, this book demonstrates how and why the Windy City continues to drive the modern world.