Charles Edward Ives and His Piano Sonata No. 2 "Concord, Mass. 1840-1860"

Charles Edward Ives and His Piano Sonata No. 2 Author: Alice S. Reed
Publisher: Trafford Publishing
ISBN: 141204474X
Category : Biography & Autobiography
Languages : en
Pages : 184

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Book Description
Charles Ives' greatest music teacher was his father. His father was Danbury's musical leader, teaching any musical instrument needed. He was the Civil War band leader and carried out experiments in sound (for example, sounds made when three or four bands played together in different keys). His son, Charles Edward, tried to do those sounds in multiple keys, no one could play the music. It was terribly hard. Those who tried it, gave up. They called him a "crackpot," or an untrained musician and made fun of him. At Yale, he was told to follow the rules. His instructor disapproved of his music, so Ives performed one way in school and followed his own muse at home. When he finished at Yale, he had decided that he could not make a living with his music. He got a job at an insurance company for five dollars a week. Soon, he and a friend went into partnership and made a good living in the insurance business. He kept writing at night and storing it in his barn. Ives' dual life as a composer and business man led to a physical breakdown in 1918, which left him with permanent cardiac damage. During his long convalescence, he went through his music and had it published and sent to anyone he thought might be interested. It was not to be copyrighted and anyone who wanted a copy was to have one. Slowly, a few people learned to play parts of it. In 1939, John Kirkpatrick learned and played the Concord Sonata. People liked it and he repeated it. Ives' music began to be heard and liked so much so that by the time of his death in 1954, he had become an almost legendary figure. Ives way of musical notation resulted in his being called the first American to write 20th Century music.

Ives: Concord Sonata

Ives: Concord Sonata PDF Author: Geoffrey Block
Publisher: Cambridge University Press
ISBN: 9780521498210
Category : Music
Languages : en
Pages : 0

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Book Description
Charles Ives' massive Concord Sonata, his second sonata for piano, named after the town of Concord in Massachusetts, is central to his output and clearly reflects his aesthetic perspective. Geoffrey Block's wide-ranging account of the work thus provides an ideal introduction to this fascinating composer. This handbook discusses the Sonata's reception history and its compositional genesis, as well as providing a detailed account of the work's thematic content, its use of borrowed material, and the degree to which the program is influenced by the Concord Transcendentalists.

A Performer's Guide to Charles Ives' Piano Sonata No. 2

A Performer's Guide to Charles Ives' Piano Sonata No. 2 PDF Author: Kenneth Robert Palmer
Publisher:
ISBN:
Category :
Languages : en
Pages : 162

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A Performer's Guide to Charles Ives' Piano Sonata No. 2 "Concord, Mass., 1840-1860" ; Quintet for Piano and Strings

A Performer's Guide to Charles Ives' Piano Sonata No. 2 Author: Ken Palmer
Publisher:
ISBN:
Category : Piano quintets
Languages : en
Pages : 0

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Ives: Concord Sonata

Ives: Concord Sonata PDF Author: Geoffrey Holden Block
Publisher: Cambridge University Press
ISBN: 052149656X
Category : Music
Languages : en
Pages : 130

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Book Description
Charles Ives's massive Concord Sonata, his second sonata for piano, named after the town of Concord in Massachusetts, is central to his output and clearly reflects his aesthetic perspective. Geoffrey Block's wide-ranging 1996 account of the work thus provides an ideal introduction to this fascinating composer. As well as a discussion of the Sonata's reception history from 1920 to the time of publication, and a chapter on its compositional genesis, this handbook includes a detailed narrative of the motivic content as well as a historical and analytical survey of the work's borrowings, both certifiable and newly proposed. The programmatic element of the Sonata is explored in the context of Ives's personal vision of four literary subjects associated with the town of Concord between 1840 and 1860: Emerson, Thoreau, Hawthorne, and the Alcotts.

Piano Sonata No. 2

Piano Sonata No. 2 PDF Author: Charles Ives
Publisher:
ISBN:
Category :
Languages : en
Pages : 68

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Piano Sonata No.2

Piano Sonata No.2 PDF Author: Charles Ives
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 68

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Charles E. Ives and Second Pianoforte Sonata, Concord, Mass., 1840-1860

Charles E. Ives and Second Pianoforte Sonata, Concord, Mass., 1840-1860 PDF Author: Dennis Matthew Varley
Publisher:
ISBN:
Category : Piano music
Languages : en
Pages : 50

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Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000

Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000 PDF Author: D. J. Hoek
Publisher: Scarecrow Press
ISBN: 1461700795
Category : Music
Languages : en
Pages : 374

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Book Description
This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.

Charles Ives's Concord

Charles Ives's Concord PDF Author: Kyle Gann
Publisher: University of Illinois Press
ISBN: 0252099362
Category : Music
Languages : en
Pages : 457

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Book Description
In 1921, insurance executive Charles Ives sent out copies of a piano sonata to two hundred strangers. Laden with dissonant chords, complex rhythm, and a seemingly chaotic structure, the so-called Concord Sonata confounded the recipients, as did the accompanying book, Essays before a Sonata . Kyle Gann merges exhaustive research with his own experience as a composer to reveal the Concord Sonata and the essays in full. Diffracting the twinned works into their essential aspects, Gann lays out the historical context that produced Ives's masterpiece and illuminates the arguments Ives himself explored in the Essays . Gann also provides a movement-by-movement analysis of the work's harmonic structure and compositional technique; connects the sonata to Ives works that share parts of its material; and compares the 1921 version of the Concord with its 1947 revision to reveal important aspects of Ives's creative process. A tour de force of critical, theoretical, and historical thought, Charles Ives's Concord provides nothing less than the first comprehensive consideration of a work at the heart of twentieth century American music.