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Author: Charles Baudelaire
Publisher: Oregan Publishing
ISBN: 8822874153
Category : Fiction
Languages : en
Pages : 1848
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Book Description
Cet ebook regroupe les oeuvres complètes de Charles Baudelaire. Des tables des matières rendent la navigation intuitive et agréable. ---- Contenu: Le Jeune Enchanteur (1846) La Fanfarlo (1847) Les Fleurs du mal (1857) Les Paradis artificiels (1860) Les Fleurs du mal (1861) Les Épaves (1866) Les Fleurs du mal (additional poems of the 1868 edition) Curiosités esthétiques (1868): Salon de 1845, Salon de 1846, Le musée classique du bazar bonne-nouvelle, Exposition universelle — 1855 — beaux-arts, Salon de 1859, De l'essence du rire, Quelques caricaturistes français, Quelques caricaturistes étrangers. L'Art romantique (1869): L'Œuvre et la vie d'Eugène Delacroix, Peintures murales d'Eugène Delacroix à Saint-Sulpice, Le peintre de la vie moderne, Peintres et aqua-fortistes, Vente de la collection de M. E. Piot, L'art philosophique, Morale du joujou, Théophile Gautier, Pierre Dupont, Richard Wagner et Tannhäuser à Paris, Philibert Rouvière, Conseils aux jeunes littérateurs, Les drames et les romans honnêtes, L'école païenne, Réflexions sur quelques-uns de mes contemporains, Critiques littéraires. Petits Poëmes en prose (1869) Œuvres posthumes (1908): Les fleurs du mal, Autres poésies publiées du vivant de l'auteur, Poésies publiées depuis la mort de l'auteur ou inédites, Poésies apocryphes, Journaux intimes, Théatre, Critique littéraire, Travaux sur Edgar Poe, Sur les beaux-arts, Argument du livre sur la Belgique, Polémiques, Variétés, Baudelaire journaliste, Projets et notes.
Author: Charles Baudelaire
Publisher: Oregan Publishing
ISBN: 8822874153
Category : Fiction
Languages : en
Pages : 1848
Get Book Here
Book Description
Cet ebook regroupe les oeuvres complètes de Charles Baudelaire. Des tables des matières rendent la navigation intuitive et agréable. ---- Contenu: Le Jeune Enchanteur (1846) La Fanfarlo (1847) Les Fleurs du mal (1857) Les Paradis artificiels (1860) Les Fleurs du mal (1861) Les Épaves (1866) Les Fleurs du mal (additional poems of the 1868 edition) Curiosités esthétiques (1868): Salon de 1845, Salon de 1846, Le musée classique du bazar bonne-nouvelle, Exposition universelle — 1855 — beaux-arts, Salon de 1859, De l'essence du rire, Quelques caricaturistes français, Quelques caricaturistes étrangers. L'Art romantique (1869): L'Œuvre et la vie d'Eugène Delacroix, Peintures murales d'Eugène Delacroix à Saint-Sulpice, Le peintre de la vie moderne, Peintres et aqua-fortistes, Vente de la collection de M. E. Piot, L'art philosophique, Morale du joujou, Théophile Gautier, Pierre Dupont, Richard Wagner et Tannhäuser à Paris, Philibert Rouvière, Conseils aux jeunes littérateurs, Les drames et les romans honnêtes, L'école païenne, Réflexions sur quelques-uns de mes contemporains, Critiques littéraires. Petits Poëmes en prose (1869) Œuvres posthumes (1908): Les fleurs du mal, Autres poésies publiées du vivant de l'auteur, Poésies publiées depuis la mort de l'auteur ou inédites, Poésies apocryphes, Journaux intimes, Théatre, Critique littéraire, Travaux sur Edgar Poe, Sur les beaux-arts, Argument du livre sur la Belgique, Polémiques, Variétés, Baudelaire journaliste, Projets et notes.
Author: Charles Baudelaire
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: CHARLES BAUDELAIRE.
Publisher:
ISBN: 9783956702075
Category :
Languages : en
Pages :
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Author: Charles Baudelaire
Publisher:
ISBN:
Category :
Languages : en
Pages : 174
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Author: Charles Baudelaire
Publisher:
ISBN: 9780404163037
Category :
Languages : en
Pages : 0
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Author: Hermynia Zur Mühlen
Publisher: Open Book Publishers
ISBN: 1906924279
Category : Biography & Autobiography
Languages : en
Pages : 302
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Book Description
First published in Germany in 1929, The End and the Beginning is a lively personal memoir of a vanished world and of a rebellious, high-spirited young woman's struggle to achieve independence. Born in 1883 into a distinguished and wealthy aristocratic family of the old Austro-Hungarian Empire, Hermynia Zur Muhlen spent much of her childhood travelling in Europe and North Africa with her diplomat father. After five years on her German husband's estate in czarist Russia she broke with both her family and her husband and set out on a precarious career as a professional writer committed to socialism. Besides translating many leading contemporary authors, notably Upton Sinclair, into German, she herself published an impressive number of politically engaged novels, detective stories, short stories, and children's fairy tales. Because of her outspoken opposition to National Socialism, she had to flee her native Austria in 1938 and seek refuge in England, where she died, virtually penniless, in 1951. This revised and corrected translation of Zur Muhlen's memoir - with extensive notes and an essay on the author by Lionel Gossman - will appeal especially to readers interested in women's history, the Central European aristocratic world that came to an end with the First World War, and the culture and politics of the late nineteenth and early twentieth centuries.
Author: Julia Kristeva
Publisher: Columbia University Press
ISBN: 0231157207
Category : Art
Languages : en
Pages : 208
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Book Description
Renowned philosopher and cultural theorist Kristeva (Powers of Horror: An Essay on Abjection) offers an extended consideration of artistic figurations of the severed head, the organizing theme to an exhibition she coordinated at the Louvre in 1998. Though she follows a single historical trajectory, moving from Paleolithic skull cults to antique Greek sculpture to the Surrealist drawings, Kristeva eschews the disciplinary constraints of art history, instead employing psychoanalysis to explore the intertwined problems of representation and mortality posed by the severed head. For Kristeva, the capacity to figure the life of the mind first requires a confrontation with this horrific object that stands at the boundary between life and death, registering not only the loss of corporeal form but also subjective interiority. Though this book does not engage with recent images of decapitation, it is not without contemporary political-cultural import; for Kristeva, these cruel artistic figurations offer us the capacity to contemplate the sacred within a technology-driven contemporary visual culture. Verdict While a challenging text, this beautifully written and richly layered meditation on mortality and representation will undoubtedly appeal to those readers interested in semiotic and psychoanalytically informed readings of art.-Jonathan Patkowski, CUNY Graduate Ctr.(c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Author:
Publisher: Getty Publications
ISBN: 0892368365
Category : Landscape in art
Languages : en
Pages : 158
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Book Description
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Author: Carlo Ginzburg
Publisher: Columbia University Press
ISBN: 9780231119603
Category : History
Languages : en
Pages : 310
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Book Description
Ginzburg, "the preeminent Italian historian of his generation [who] helped create the genre of microhistory" ("New York Times"), ruminates on how perspective affects what we see and understand. 26 illustrations.
Author: Priscilla Parkhurst Ferguson
Publisher: Univ of California Press
ISBN: 0520323009
Category : History
Languages : en
Pages : 276
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Book Description
In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed. In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
