Author: Elizabeth Kraft
Publisher: University of Georgia Press
ISBN: 9780820313658
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
The eighteenth-century novel developed amid an emerging emphasis on individualism that clashed with long-cherished beliefs in hierarchy and stability. Though the comic novelists, unlike Defoe and Richardson, avoided total involvement in the mind of any one character, they were nonetheless fundamentally concerned with the nature of consciousness. In Character and Consciousness in Eighteenth-Century Comic Fiction, Elizabeth Kraft examines the kind of consciousness central to comic novels of the period. It is, she asserts, individual identity conceived in social terms--a character's search for his or her place in a precarious secular order. Understanding this concept of character is vitally important to a full appreciation of eighteenth-century comic fiction. To respond validly to these fictional characters, Kraft claims, the twentieth-century reader must recapture, or recreate, the eighteenth-century self. In readings of five novels--Henry Fielding's Tom Jones, Charlotte Lennox's Female Quixote, Laurence Sterne's Tristram Shandy, Tobias Smollett's Peregrine Pickle, and Fanny Burney's Cecilia--Kraft explores the relationships among consciousness, character, and comic narrative. Fielding, Lennox, and Sterne, she argues, question the validity of narratives of consciousness. Each seeks to define the limitations as well as the virtues of the form in representing the individual and communal lives. Smollett and Burney, on the other hand, address a readership that expects the novel to offer meaningful renderings of person experience. These novelists accept the validity of the narrative of consciousness but place this narrative within the context of the larger community. As a thorough analysis of relations between narrative and the construction of character and consciousness, Kraft's study is an important addition to our understanding of the theoretical formulations of eighteenth-century fiction.
Author: Robert Letellier
Publisher: Bloomsbury Publishing USA
ISBN: 0313016909
Category : Literary Criticism
Languages : en
Pages : 654
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Book Description
The English novel written between 1700 and 1740 remains a comparatively neglected area. In addition to Daniel Defoe, whose Robinson Crusoe and Moll Flanders are landmarks in the history of English fiction, many other authors were at work. These included such women as Penelope Aubin, Jane Barker, Mary Davys, and Eliza Haywood, who made a considerable contribution to widening the range of emotional responses in fiction. These authors, and many others, continued writing in the genres inherited from the previous century, such as criminal biographies, the Utopian novel, the science fictional voyage, and the epistolary novel. This annotated bibliography includes entries for these works and for critical materials pertinent to them. The volume first seeks to establish the existing studies of the era, along with anthologies. It then provides entries for a wide-ranging selection of works which cover fictional, theoretical, historical, political, and cultural topics, to provide a comprehensive background to the unfolding and understanding of prose fiction in the early 18th century. This is followed by an alphabetical listing of novels, their editions, and any critical material available on each. The next section provides a chronological record of significant and enduring works of fiction composed or translated in this period. The volume concludes with extensive indexes.
Author: Suzanne Aspden
Publisher: Cambridge University Press
ISBN: 1107033373
Category : Music
Languages : en
Pages : 309
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Book Description
The Rival Sirens examines the vital and intertwined roles of singers, audiences and local cultural context in creating eighteenth-century opera.
Author: Bernard Schweizer
Publisher: Routledge
ISBN: 1351126016
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Epic has long been regarded as the exclusive domain of the male literary genius and as an incarnation of patriarchal values. This provocative collection of essays challenges such a hegemonic stereotype by demonstrating the ways in which women writers have successfully adapted the masculine epic tradition to suit their own aesthetic needs and to express their own heroic literary, social, and historical visions. Bringing the female epic out of the shadows, the contributors rethink generic boundaries to illuminate this heretofore hidden literary practice. The essays range from Mary Tighe to Rebecca West from Elizabeth Barrett Browning to Gwendolyn Brooks, and from Frances Burney to Virginia Woolf. Bernard Schweizer's introduction, titled 'Muses with Pens,' connects the trajectory of ideas and influences in the individual essays to demonstrate how each participates in reclaiming for women writers a place in the development of a female epic tradition. The volume will be an invaluable resource for scholars working on issues related to genre, canon formation, and the evolution of female literary authority.
Author: Michael Spitzer
Publisher:
ISBN: 0190061758
Category : Medical
Languages : en
Pages : 457
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Book Description
This landmark book not only offers the first account of the history of emotion in Western music, with a broad sweep from Gregorian chant to Beyoncé, but also lays out an original theory for understanding musical emotion that centers the work of composers and performers.
Author:
Publisher:
ISBN:
Category : Civilization, Modern
Languages : en
Pages : 188
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Book Description
Author: Caroline Gonda
Publisher: Cambridge University Press
ISBN: 9780521553957
Category : Literary Criticism
Languages : en
Pages : 316
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Book Description
It has been argued that the eighteenth century witnessed a decline in paternal authority, and the emergence of more intimate, affectionate relationships between parent and child. In Reading Daughters' Fictions, Caroline Gonda draws on a wide range of novels and non-literary materials from the eighteenth and early nineteenth centuries, in order to examine changing representations of the father-daughter bond. She shows that heroine-centred novels, aimed at a predominantly female readership, had an important part to play in female socialization and the construction of heterosexuality, in which the father-daughter relationship had a central role. Contemporary diatribes against novels claimed that reading fiction produced rebellious daughters, fallen women, and nervous female wrecks. Gonda's study of novels of family life and courtship suggests that, far from corrupting the female reader, such fictions helped to maintain rather than undermine familial and social order.
Author: Mrs. Barbauld (Anna Letitia)
Publisher: University of Georgia Press
ISBN: 9780820315287
Category : Poetry
Languages : en
Pages : 460
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Book Description
This volume brings together for the first time all the known poems of English writer Anna Letitia Barbauld (1743-1825), a once esteemed but long neglected figure whose career spanned the Age of Sensibility and the Romantic Era. William McCarthy and Elizabeth Kraft have collected 170 of her poems, including twenty-three previously unpublished and eleven conjectural attributions. This is the first scholarly edition of any writings of Barbauld, a brilliant woman whose interests ranged from literary criticism to history and affairs of state to children’s stories. At the end of the eighteenth century, Barbauld may well have been the most eminent living poet, male or female, in Britain. Barbauld belongs almost equally to two generations. Her verse displays an eighteenth-century adherence to balance, common sense, and poetic diction and meter, but it also celebrates the individual, the passionate, and the fanciful in a clearly Romantic manner. In the current reconfiguring of Romanticism, Barbauld provides an important contrast to the major male poets who have, until recently, defined the era--poets who clearly acknowledged her influence on their own work, yet who played a role in Barbauld’s lapse into obscurity in the century after her death. Coleridge, before a serious falling out with Barbauld, admired her greatly, and Wordsworth confessed that he wished the final eight lines of her poem “Life” had been of his own composing. Walter Savage Landor ranked her “Summer Evening’s Meditation” among the finest poems in the English language. Barbauld’s poems have retained their capacity to delight readers; they are witty, learned, imaginative, and unpredictable in both choice and treatment of subject. Read as a whole, this collection reveals a striking variety of style and voice and provides the basis for a major--and long overdue--reevaluation of Barbauld’s poetry. McCarthy and Kraft present unmodernized texts of the poems that reflect as nearly as possible the author’s final intention and give variant readings in textual notes. A lengthy introduction includes a discussion of the poems, a history of their composition and publication, and an outline of Barbauld’s life and writing career.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 784
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Book Description
Author: Howard D. Weinbrot
Publisher: JHU Press
ISBN: 9780801882104
Category : History
Languages : en
Pages : 412
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Book Description
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