Author: John Ashton
Publisher:
ISBN:
Category : Chapbooks
Languages : en
Pages : 514
Book Description
Chap-books of the Eighteenth Century
Author: John Ashton
Publisher:
ISBN:
Category : Chapbooks
Languages : en
Pages : 514
Book Description
Publisher:
ISBN:
Category : Chapbooks
Languages : en
Pages : 514
Book Description
Chapbooks
Author: Victor E. Neuburg
Publisher: London : Woburn Press
ISBN:
Category : Reference
Languages : en
Pages : 100
Book Description
Publisher: London : Woburn Press
ISBN:
Category : Reference
Languages : en
Pages : 100
Book Description
Chap-Books of the Eighteenth Century
Author: John Ashton
Publisher: BoD – Books on Demand
ISBN: 3734080681
Category : Fiction
Languages : en
Pages : 673
Book Description
Reproduction of the original: Chap-Books of the Eighteenth Century by John Ashton
Publisher: BoD – Books on Demand
ISBN: 3734080681
Category : Fiction
Languages : en
Pages : 673
Book Description
Reproduction of the original: Chap-Books of the Eighteenth Century by John Ashton
Provincial Readers in Eighteenth-Century England
Author: Jan Fergus
Publisher: OUP Oxford
ISBN: 0191538205
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Many scholars have written about eighteenth-century English novels, but no one really knows who read them. This study provides historical data on the provincial reading publics for various forms of fiction - novels, plays, chapbooks, children's books, and magazines. Archival records of Midland booksellers based in five market towns and selling printed matter to over thirty-three hundred customers between 1744 and 1807 form the basis for new information about who actually bought and borrowed different kinds of fiction in eighteenth-century provincial England. This book thus offers the first solid demographic information about actual readership in eighteenth-century provincial England, not only about the class, profession, age, and sex of readers but also about the market of available fiction from which they made their choices - and some speculation about why they made the choices they did. Contrary to received ideas, men in the provinces were the principal customers for eighteenth-century novels, including those written by women. Provincial customers preferred to buy rather than borrow fiction, and women preferred plays and novels written by women - women's works would have done better had women been the principal consumers. That is, demand for fiction (written by both men and women) was about equal for the first five years, but afterward the demand for women's works declined. Both men and women preferred novels with identifiable authors to anonymous ones, however, and both boys and men were able to cross gender lines in their reading. Goody Two-Shoes was one of the more popular children's books among Rugby schoolboys, and men read the Lady's Magazine. These and other findings will alter the way scholars look at the fiction of the period, the questions asked, and the histories told of it.
Publisher: OUP Oxford
ISBN: 0191538205
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Many scholars have written about eighteenth-century English novels, but no one really knows who read them. This study provides historical data on the provincial reading publics for various forms of fiction - novels, plays, chapbooks, children's books, and magazines. Archival records of Midland booksellers based in five market towns and selling printed matter to over thirty-three hundred customers between 1744 and 1807 form the basis for new information about who actually bought and borrowed different kinds of fiction in eighteenth-century provincial England. This book thus offers the first solid demographic information about actual readership in eighteenth-century provincial England, not only about the class, profession, age, and sex of readers but also about the market of available fiction from which they made their choices - and some speculation about why they made the choices they did. Contrary to received ideas, men in the provinces were the principal customers for eighteenth-century novels, including those written by women. Provincial customers preferred to buy rather than borrow fiction, and women preferred plays and novels written by women - women's works would have done better had women been the principal consumers. That is, demand for fiction (written by both men and women) was about equal for the first five years, but afterward the demand for women's works declined. Both men and women preferred novels with identifiable authors to anonymous ones, however, and both boys and men were able to cross gender lines in their reading. Goody Two-Shoes was one of the more popular children's books among Rugby schoolboys, and men read the Lady's Magazine. These and other findings will alter the way scholars look at the fiction of the period, the questions asked, and the histories told of it.
Poetics of Children's Literature
Author: Zohar Shavit
Publisher: University of Georgia Press
ISBN: 0820334812
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.
Publisher: University of Georgia Press
ISBN: 0820334812
Category : Literary Criticism
Languages : en
Pages : 218
Book Description
Since its emergence in the seventeenth century as a distinctive cultural system, children's literature has had a culturally inferior status resulting from its existence in a netherworld between the literary system and the educational system. In addition to its official readership—children—it has to be approved of by adults. Writers for children, explains Zohar Shavit, are constrained to respond to these multiple systems of often mutually contradictory demands. Most writers do not try to bypass these constraints, but accept them as a framework for their work. In the most extreme cases an author may ignore one segment of the readership. If the adult reader is ignored, the writer risks rejection, as is the case of popular literature. If the writer utilizes the child as a pseudo addressee in order to appeal to an adult audience, the result can be what Shavit terms an ambivalent work. Shavit analyzes the conventions and the moral aims that have structured children's literature, from the fairy tales collected and reworked by Charles Perrault and the Brothers Grimm—in particular, “Little Red Riding Hood”—through the complex manipulations of Lewis Carroll in Alice's Adventures in Wonderland, to the subversion of the genre's canonical requirements in the chapbooks of the eighteenth century, and in the formulaic Nancy Drew books of the twentieth century. Throughout her study Shavit, explores not only how society has shaped children's literature, but also how society has been reflected in the literary works it produces for its children.
A Description of Three Hundred Animals,
Author: Thomas Boreman
Publisher:
ISBN:
Category : Whales
Languages : en
Pages : 110
Book Description
Publisher:
ISBN:
Category : Whales
Languages : en
Pages : 110
Book Description
A Little Pretty Pocket-book
Author: John Newbery
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 108
Book Description
A Little Pretty Pocket-Book is a children's book written by John Newbery. It is commonly thought to be the first children's book ever made, and provides a code of conduct for boys and girls in different social settings.
Publisher: DigiCat
ISBN:
Category : Art
Languages : en
Pages : 108
Book Description
A Little Pretty Pocket-Book is a children's book written by John Newbery. It is commonly thought to be the first children's book ever made, and provides a code of conduct for boys and girls in different social settings.
The history of Valentine and Orson
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
Book Description
Paris
Author: Charissa Bremer-David
Publisher: Getty Publications
ISBN: 160606052X
Category : Architecture
Languages : en
Pages : 169
Book Description
Published to accompany an exhibition on view at the J. Paul Getty Museum, Los Angeles, Apr. 26-Aug. 7, 2011, and at the Museum of Fine Arts, Houston, Sept. 18-Dec. 10, 2011.
Publisher: Getty Publications
ISBN: 160606052X
Category : Architecture
Languages : en
Pages : 169
Book Description
Published to accompany an exhibition on view at the J. Paul Getty Museum, Los Angeles, Apr. 26-Aug. 7, 2011, and at the Museum of Fine Arts, Houston, Sept. 18-Dec. 10, 2011.
The Diverting History of John Gilpin
Author: William Cowper
Publisher:
ISBN:
Category : Horsemanship
Languages : en
Pages : 50
Book Description
On his wedding anniversary, John Gilpin sets out to join his wife for a celebration, but the horse runs away with him.
Publisher:
ISBN:
Category : Horsemanship
Languages : en
Pages : 50
Book Description
On his wedding anniversary, John Gilpin sets out to join his wife for a celebration, but the horse runs away with him.