Author: Michael Musgrave
Publisher: Cambridge University Press
ISBN: 9780521652735
Category : Music
Languages : en
Pages : 436
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Book Description
A great deal of evidence survives about how Brahms and his contemporaries performed his music. But much of this evidence - found in letters, autograph scores, treatises, publications, recordings, and more - has been hard to access, both for musicians and for scholars. This book brings the most important evidence together into one volume. It also includes discussions by leading Brahms scholars of the many issues raised by the evidence. The period spanned by the life of Brahms and the following generation saw a crucial transition in performance style. As a result, modern performance practices differ significantly from those of Brahms's time. By exploring the musical styles and habits of Brahms's era, this book will help musicians and scholars understand Brahms's music better and bring fresh ideas to present-day performance. The value of the book is greatly enhanced by the accompanying CD of historic recordings - including a performance by Brahms himself.
Author: Jr. Henry S. Drinker
Publisher:
ISBN: 9780259738251
Category :
Languages : en
Pages :
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Book Description
Author: Katy Hamilton
Publisher: Cambridge University Press
ISBN: 1107042704
Category : Biography & Autobiography
Languages : en
Pages : 425
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Book Description
This collection explores the boundaries between Brahms' professional identity and his lifelong engagement with private and amateur music-making.
Author: Michael Musgrave
Publisher: Oxford University Press
ISBN: 9780198164012
Category : Music
Languages : en
Pages : 354
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Book Description
Michael Musgrave presents a contemporary view of Brahms 150 years after his birth, seeing him not simply as the "conservative" figure so often stressed in the past, but as one who creatively reinterpreted a wider range of historical elements than any composer of his time. Brahms absorbed his studies directly into his music making and composition and in so doing helped to evolve not merely a personal language which was regarded as progressive and sometimes difficult by a range of contemporaries and successors, but also helped to establish an ethos of historical reference which anticipates the twentieth century. The Music of Brahms concentrates on the music, with Brahms's life discussed briefly in the introduction. The works are considered in four phases according to genre, with an emphasis on connection and on the development and elaboration of a unified language. The list of works includes recent discoveries and a calendar outlines the pattern of his musical life, including relevant information concerning performances.
Author: David Pogue
Publisher: John Wiley & Sons
ISBN: 1119049741
Category : Music
Languages : en
Pages : 387
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Book Description
Haydn, Tchaikovsky, and Brahms, oh, my! The beginner's guide to classical music Classical Music For Dummies is a friendly, funny, easy-to-understand guide to composers, instruments, orchestras, concerts, recordings, and more. Classical music is widely considered one of the pinnacles of human achievement, and this informative guide will shows you just how beautiful and rewarding it can be. You'll learn how Bach is different from Beethoven, how Mozart is different still, and why not all "classical" music is actually Classical if it's really Baroque or Romantic. You'll be introduced to the composers and their work, and discover the groundbreaking pieces that shake the world every time they're played. Begin building your classical music library with the essential recordings that define orchestral, choral, and operatic beauty as you get acquainted with the orchestras and musicians that bring the composers to life. Whether you want to play classical music or just learn more about it, Classical Music For Dummies will teach you everything you need to know to get the most out of this increasingly popular genre. Distinguish flute from piccolo, violin from viola, and trumpet from trombone Learn the difference between overtures, requiems, arias, and masses Explore the composers that shaped music as we know it Discover the recordings your music library cannot be without Classical music has begun sneaking into the mainstream — if your interest has been piqued, there's never been a better time to develop an appreciation for this incredibly rich, complex, and varied body of work. Classical Music For Dummies lays the groundwork, and demonstrates just how amazing classical music can be.
Author: Jan Swafford
Publisher:
ISBN: 9780333725894
Category : Composers
Languages : en
Pages : 699
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Book Description
In an expansive study Johannes Brahms emerges from Jan Swafford's book is not a bearded eminence but rather an assemblage of contradictions. He grew up in grinding poverty and as a teenager was forced to play the piano in brothels. Recognized by his teachers as a stupendous talent, Robert Schumann proclaimed Brahms at only twenty-years-old to be the saviour of German music. Brahms spent the rest of his life living up to the that prophecy. He experienced triumphs few artists have enjoyed in their lifetime, yet lived with a relentless loneliness and a growing fatalism about the future of music and the world.
Author: James M. Keller
Publisher: Oxford University Press
ISBN: 019020639X
Category : Music
Languages : en
Pages : 517
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Book Description
Chamber Music: A Listener's Guide brings together acclaimed program annotator James Keller's essays on the essential chamber-music repertoire. Written to be meaningful to non-professional music-lovers while also providing enrichment for chamber-music professionals, these notes offer generous historical background for 193 works by 56 composers from the 18th century to the present.
Author: Natasha Loges
Publisher: Cambridge University Press
ISBN: 9781316615195
Category : Music
Languages : en
Pages : 435
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Book Description
Brahms in Context offers a fresh perspective on the much-admired nineteenth-century German composer. Including thirty-nine chapters on historical, social and cultural contexts, the book brings together internationally renowned experts in music, law, science, art history and other areas, including many figures whose work is appearing in English for the first time. The essays are accessibly written, with short reading lists aimed at music students and educators. The book opens with personal topics including Brahms's Hamburg childhood, his move to Vienna, and his rich social life. It considers professional matters from finance to publishing and copyright; the musicians who shaped and transmitted his works; and the larger musical styles which influenced him. Casting the net wider, other essays embrace politics, religion, literature, philosophy, art, and science. The book closes with chapters on reception, including recordings, historical performance, his compositional legacy, and a reflection on the power of composer myths.
Author: Johannes Brahms
Publisher:
ISBN:
Category : Variations (Orchestra)
Languages : en
Pages : 0
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Book Description
Author: Joel Lester
Publisher: Oxford University Press, USA
ISBN: 019008703X
Category : Music
Languages : en
Pages : 393
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Book Description
"Brahms's Violin Sonatas: Style, Structure, and Performance is a companion volume to Joel Lester's award-winning 1999 study Bach's Works for Solo Violin: Style, Structure, and Performance. Using a minimum of technical language and with annotated musical examples illustrating almost every point, Brahms's Violin Sonatas explores three masterpieces of the concert repertoire in a book designed for performers and music scholars alike. A major focus is how much can be learned by carefully reading Brahms's artistically nuanced musical notation, and by understanding Brahms's style-especially his music's deep connections to Classical-Era harmony, phrasing, and form while at the same time using late-19th-century harmonies, dissonances, and thematic evolutions, along with the contrapuntal textures that imbues all his works with a uniquely "Brahmsian" sound. Lester also explores how these works relate to important events in Brahms's life. Practical and concrete suggestions on performance arise from many of these discussions, calling performers' and analysts' attention to both technical and interpretive matters. Lester's aim is to inspire readers to explore their own individual approaches to Brahms's music, balancing what they find in the music to how they balance today's performance and interpretive styles with the ways that Brahms himself and his contemporaries might have played and experienced his creations"--
