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Author: Maciej Jochymczyk
Publisher: Musica Iagellonica
ISBN: 8370992072
Category : Music
Languages : en
Pages : 531
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Book Description
The ensembles associated with monastery and parish churches were a very important element of musical life in Central Europe around the mid-eighteenth century. Yet the music created by early Classical composers, which constituted the core of their repertoire, remains poorly explored. Fr. Amandus Ivanschiz OSPPE (1727–1758) was one of such musicians, active in monasteries in Ranna, Wiener Neustadt, Rome, and Graz. Recent findings reveal that he died in 1758 at the young age of 31, which is much earlier than previously thought. Consequently, the dating of his compositions and their position in the context of the transformation of musical language in the middle of the eighteenth century needs to be revisited. This volume is the first to provide a critical evaluation of the attribution of works ascribed to Ivanschiz, which brought to light the true scope and reception of his oeuvre. The fact that there are nearly 300 copies of his works preserved in various archives across eleven European countries indicates that his music was readily performed and disseminated, and places Ivanschiz among the most popular monk-composers of his epoch. (From the Epilogue)
Author: Maciej Jochymczyk
Publisher: Musica Iagellonica
ISBN: 8370992072
Category : Music
Languages : en
Pages : 531
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Book Description
The ensembles associated with monastery and parish churches were a very important element of musical life in Central Europe around the mid-eighteenth century. Yet the music created by early Classical composers, which constituted the core of their repertoire, remains poorly explored. Fr. Amandus Ivanschiz OSPPE (1727–1758) was one of such musicians, active in monasteries in Ranna, Wiener Neustadt, Rome, and Graz. Recent findings reveal that he died in 1758 at the young age of 31, which is much earlier than previously thought. Consequently, the dating of his compositions and their position in the context of the transformation of musical language in the middle of the eighteenth century needs to be revisited. This volume is the first to provide a critical evaluation of the attribution of works ascribed to Ivanschiz, which brought to light the true scope and reception of his oeuvre. The fact that there are nearly 300 copies of his works preserved in various archives across eleven European countries indicates that his music was readily performed and disseminated, and places Ivanschiz among the most popular monk-composers of his epoch. (From the Epilogue)
Author: Robert Cooper
Publisher: Cavendish Square Publishing, LLC
ISBN: 150265069X
Category : Juvenile Nonfiction
Languages : en
Pages : 146
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Book Description
Croatia is a country with a vast history that has survived times of war and conflict to now enjoy growth and prosperity. Today, Croatia is a place where tourists find and enjoy beautiful havens and stunning landscapes. This book offers readers the chance to see what life in Croatia is like, including details of its history, government, lifestyle, sport, and popular foods. Vivid photographs, detailed descriptions of key locations, and compelling sidebars will entice and encourage budding explorers.
Author: Nancy Kovaleff Baker
Publisher: Pendragon Press
ISBN: 9780945193296
Category : Music
Languages : en
Pages : 562
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Book Description
Author: Ignace Jan Paderewski
Publisher:
ISBN:
Category : Musicians
Languages : en
Pages : 150
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Book Description
Author: Richard March
Publisher: University of Wisconsin Pres
ISBN: 0299296032
Category : History
Languages : en
Pages : 326
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Book Description
The Tamburitza Tradition is a lively and well-illustrated comprehensive introduction to a Balkan folk music that now also thrives in communities throughout Europe, the Americas, and Australia. Tamburitza features acoustic stringed instruments, ranging in size from tamburas as small as a ukulele to ones as large as a bass viol. Folklorist Richard March documents the centuries-old origins and development of the tradition, including its intertwining with nationalist and ethnic symbolism. The music survived the complex politics of nineteenth-century Europe but remains a point of contention today. In Croatia, tamburitza is strongly associated with national identity and supported by an artistic and educational infrastructure. Serbia is proud of its outstanding performers and composers who have influenced tamburitza bands on four continents. In the United States, tamburitza was brought by Balkan immigrants in the nineteenth century and has become a flourishing American ethnic music with its own set of representational politics. Combining historical research with in-depth interviews and extensive participant-observer description, The Tamburitza Tradition reveals a dynamic and expressive music tradition on both sides of the Atlantic and beyond, illuminating the cultures and societies from which it has emerged.
Author: William Everett
Publisher: Routledge
ISBN: 1135848076
Category : Art
Languages : en
Pages : 333
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Book Description
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
Author: George J. Buelow
Publisher: Indiana University Press
ISBN: 9780253343659
Category : Music
Languages : en
Pages : 732
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Book Description
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
Author: Zdravko Blažeković
Publisher: Rilm
ISBN:
Category : Music
Languages : en
Pages : 968
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Book Description
Personalities: music scholars. Personalities: composers. National studies. Encyclopedias. Periodicals. Historiography & its directions
Author: Gilad James, PhD
Publisher: Gilad James Mystery School
ISBN: 2700823257
Category : Music
Languages : en
Pages : 61
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Book Description
Tár is a plucked string instrument, popularly known as the long-necked lute, traditionally played in Iran, Azerbaijan, and Central Asia. It has a distinctive sound and is played with a small plectrum made of wood or tortoise shell. The body of the tár is traditionally carved from a single piece of wood, and its neck has 25 strings arranged in five groups of five. Four of the five groups are tuned in unison, while the fifth group is tuned in octaves. The tár has historically been used in a variety of musical genres, ranging from classical Persian music to folk and popular music in Azerbaijan. There are several variations of the tár, including the Azerbaijani tár, which has a slightly different shape and tuning than the Persian tár. Similarly, the Central Asian dotar is a two-stringed version of the instrument. The tár has become known worldwide, and it is now played in Western classical concerts and world music concerts. The instrument originated in Central Asia, and it is believed to have been derived from an earlier instrument known as the dombra. The tár has become an integral part of the culture and music of Iran, Azerbaijan, and Central Asia, with many famous musicians having played the instrument over the centuries.
Author: Doris Stockmann
Publisher: Museum Tusculanum Press
ISBN: 9788772894416
Category : Music
Languages : en
Pages : 272
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Book Description
Since the 1960s historical studies of European folk and traditional music have had a centre in the 'Study Group on Historical Sources of Folk Music' within the International Council for Traditional Music (ICTM). The new political situation in Europe in the 1990s has given this work topical interest, since folk and traditional music is often an important component in ethnic or even national identity. The Study Group held its eleventh conference in Copenhagen at the Danish Folklore archives (Dansk Folkemindesamling) from 24 to 28 April 1995. The local organisers of the meeting were Jens Henrik Koudal and Svend Nielsen. Around 30 participants from 15 countries (Austria, Belgium, Bulgaria, Croatia, Denmark, Germany, Hungary, Italy/Albania, Latvia, Lithuania, Norway, Poland, Romania and Sweden) attended the conference, presenting recent results of their research. The meeting concentrated on historical aspects of the following topics: (I) 'Traditional Music Between Urban and Rural Communities', and (II) 'Music and Working'. MAIN HEADINGS: Preface; THEME ONE -- Traditional Music Between Urban and Rural Communities; Central Europe; Balkans; On the Borderlines and Outside Europe. THEME TWO -- Music and Working.
