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Author: Iris Lauterbach
Publisher: Getty Publications
ISBN: 1606065823
Category : Art
Languages : en
Pages : 324
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Book Description
A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of most of the tens of thousands of artwork looted by the Nazis in the countries they had occupied. With the help of the US Army’s Monuments Men—the name given to a hand-picked group of art historians and museum professionals commissioned for this important duty—massive numbers of objects were retrieved from their wartime hiding places and inventoried for repatriation. Iris Lauterbach’s fascinating history documents the story of the Allies’ Central Collecting Point (CCP), set up in the former Nazi Party headquarters at Königsplatz in Munich, where the confiscated works were transported to be identified and sorted for restitution. This book presents her archival research on the events, people, new facts, and intrigue, with meticulous attention to the official systems, frameworks, and logistical and bureaucratic enterprise of the Munich CCP in the years from 1945 to 1949. She uncovers the stories of the people who worked there at a time of lingering political suspicions; narrates the research, conservation, and restitution process; and investigates how the works of art were managed and returned to their owners.
Author: Iris Lauterbach
Publisher: Getty Publications
ISBN: 1606065823
Category : Art
Languages : en
Pages : 324
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Book Description
A compelling exploration of the many issues surrounding the restoration and restitution of Nazi-stolen art at the end of World War II At the end of World War II, the US Office of Military Government for Germany and Bavaria, through its Monuments, Fine Arts, and Archives division, was responsible for the repatriation of most of the tens of thousands of artwork looted by the Nazis in the countries they had occupied. With the help of the US Army’s Monuments Men—the name given to a hand-picked group of art historians and museum professionals commissioned for this important duty—massive numbers of objects were retrieved from their wartime hiding places and inventoried for repatriation. Iris Lauterbach’s fascinating history documents the story of the Allies’ Central Collecting Point (CCP), set up in the former Nazi Party headquarters at Königsplatz in Munich, where the confiscated works were transported to be identified and sorted for restitution. This book presents her archival research on the events, people, new facts, and intrigue, with meticulous attention to the official systems, frameworks, and logistical and bureaucratic enterprise of the Munich CCP in the years from 1945 to 1949. She uncovers the stories of the people who worked there at a time of lingering political suspicions; narrates the research, conservation, and restitution process; and investigates how the works of art were managed and returned to their owners.
Author:
Publisher:
ISBN:
Category : Archives
Languages : en
Pages : 332
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Book Description
Author: Claudine Houbart
Publisher: Taylor & Francis
ISBN: 1040132391
Category : Architecture
Languages : en
Pages : 308
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Book Description
The 1960s and 1970s saw a marked change in the approach to built heritage conservation. From a focus on the preservation of individual buildings, attention turned to the conservation, regeneration, and reuse of entire historic districts. A key player in this process was the Belgian art and architecture historian Raymond Lemaire (1921–1997), yet beyond those in conservation circles few people know of his work and influence or even recognize his name. In this book, Claudine Houbart traces how the change came about and the role played by Lemaire. She describes his work and influence and in so doing provides a history of urban conservation over the last four decades of the twentieth century and beyond. The first chapter summarizes Lemaire’s background from his training during the Second World War and his work as a Monuments Man immediately after the war, to his role in the drafting of the Venice Charter and his appointment as Secretary General of ICOMOS (International Council on Monuments and Sites). The next chapter describes the rehabilitation of Great Beguinage in Louvain. Now a UNESCO World Heritage Site, the project was directed by Lemaire and is a perfect example of the restoration of an entire district. The following chapter provides case studies of his work in Brussels, demonstrating his methodology in action. The final chapter discusses the transposition of the model of the historic city to urban projects and summarizes Lemaire’s influence on heritage conservation today, particularly integrated conservation. His participation in drafting key conservation documents sponsored by the Council of Europe, UNESCO and ICOMOS, and his desire to revise the Venice Charter are discussed. The book’s conclusion reflects on what has gone before, ending aptly with Lemaire’s own words ‘the past, properly understood, is one of the references for judging the value of today and tomorrow’.
Author: United States. Congress. Senate. Committee on Foreign Relations
Publisher:
ISBN:
Category : Antisemitism
Languages : en
Pages : 128
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Book Description
Author:
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 600
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Book Description
The official monthly record of United States foreign policy.
Author: Jonathan Petropoulos
Publisher: Yale University Press
ISBN: 0300256213
Category : History
Languages : en
Pages : 455
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Book Description
A charged biography of a notorious Nazi art plunderer and his career in the postwar art worldBruno Lohse (1911–2007) was one of the most notorious art plunderers in history. Appointed by Hermann Göring to Hitler’s special art looting agency, he went on to supervise the systematic theft and distribution of over 22,000 artworks, largely from French Jews; helped Göring develop an enormous private art collection; and staged twenty private exhibitions of stolen art in Paris’s Jeu de Paume museum during the war. By the 1950s Lohse was officially denazified but back in the art dealing world, offering looted masterpieces to American museums. After his death, dozens of paintings by Renoir, Monet, and Pissarro, among others, were found in his Zurich bank vault and adorning the walls of his Munich home.Jonathan Petropoulos spent nearly a decade interviewing Lohse and continues to serve as an expert witness for Holocaust restitution cases. Here he tells the story of Lohse’s life, offering a critical examination of the postwar art world.
Author: Walter I. Farmer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110893509
Category : History
Languages : en
Pages : 252
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Book Description
Item discusses life at the Wiesbaden Collecting Point in Germany, where cultural property and art works were collected and held at the end World War II. In November 1945 the Director of the Collection Point (the author) received a telegram ordering him to send 200 premier German-owned art works to Washington. He and his officers resisted this command with a written protest that became known as the Wiesbaden Manifesto.
Author: The New Yorker Magazine
Publisher: Modern Library
ISBN: 0812983297
Category : History
Languages : en
Pages : 721
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Book Description
This captivating anthology gathers historic New Yorker pieces from a decade of trauma and upheaval—as well as the years when The New Yorker came of age, with pieces by Elizabeth Bishop, Langston Hughes, Joseph Mitchell, Vladimir Nabokov, and George Orwell, alongside original reflections on the 1940s by some of today’s finest writers. In this enthralling book, contributions from the great writers who graced The New Yorker’s pages are placed in historical context by the magazine’s current writers. Included in this volume are seminal profiles of the decade’s most fascinating figures: Albert Einstein, Walt Disney, and Eleanor Roosevelt. Here are classics in reporting: John Hersey’s account of the heroism of a young naval lieutenant named John F. Kennedy; Rebecca West’s harrowing visit to a lynching trial in South Carolina; and Joseph Mitchell’s imperishable portrait of New York’s foremost dive bar, McSorley’s. This volume also provides vital, seldom-reprinted criticism, as well as an extraordinary selection of short stories by such writers as Shirley Jackson and John Cheever. Represented too are the great poets of the decade, from William Carlos Williams to Langston Hughes. To complete the panorama, today’s New Yorker staff look back on the decade through contemporary eyes. The 40s: The Story of a Decade is a rich and surprising cultural portrait that evokes the past while keeping it vibrantly present. Including contributions by W. H. Auden • Elizabeth Bishop • John Cheever • Janet Flanner • John Hersey • Langston Hughes • Shirley Jackson • A. J. Liebling • William Maxwell • Carson McCullers • Joseph Mitchell • Vladimir Nabokov • Ogden Nash • John O’Hara • George Orwell • V. S. Pritchett • Lillian Ross • Stephen Spender • Lionel Trilling • Rebecca West • E. B. White • Williams Carlos Williams • Edmund Wilson And featuring new perspectives by Joan Acocella • Hilton Als • Dan Chiasson • David Denby • Jill Lepore • Louis Menand • Susan Orlean • George Packer • David Remnick • Alex Ross • Peter Schjeldahl • Zadie Smith • Judith Thurman
Author: United States. Congress. House. Committee on Banking and Financial Services
Publisher:
ISBN:
Category : History
Languages : en
Pages : 388
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Book Description
Author: Oliver Rathkolb
Publisher: Transaction Publishers
ISBN: 9781412833233
Category : History
Languages : en
Pages : 482
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Book Description
Since the mid-1990s, political, legal, and historical debates about Nazi theft and confiscation of property, the use of slave labor during World War II, and restitution and compensation have reemerged. Revisiting the National Socialist Legacy presents completely new historical research on these issues conducted worldwide. This volume responds to concern about Holocaust era assets in Europe, the United States, and Latin America. It focuses on both reexamination of the history of National Socialist property theft and employment of forced labor in the wartime economy, and the compensation and restitution solutions advanced in various European and Latin American countries since 1945. While the question of Nazis in exile and the memories of survivors are explored, attention is focused on the role of numerous historical commissions and the tension between judicial processes, media coverage, historical scholarship, and politics. The book is divided into five parts: "At the Nexus of Justice, Media Coverage, Historical Scholarship and Politics"; "Commissioned History"; "Research on Slave and Forced Labor"; "National Socialist Theft: Banking, Industry, Insurance and Works of Art"; and "History as Catharsis." "[A]n excellent volume. It shows the wisdom of creating the national historical commission such as CEANA in Argentina, established in part as a national response to the two major bombings of Jewish institutions in the country. Clearly these commissions have led to the examination of archives that otherwise might have continued to lie dormant. This volume is not the end of the story[b]ut it has highlighted some promising new areas of research."--John T. Pawlikowski, professor of social ethics and director, Catholic-Jewish Studies Program, Catholic Theological Union "[C]ompletely new findings from research on Nazi looting of property and exploitation of slave and forced labor during World War 2..."--Austrian Information Oliver Rathkolb is co-director of the Ludwig Boltzmann Institut fr Geschichte und Gesellschaft, Vienna, research director of the Democracy Center, Vienna, research coordinator of the Bruno Kreisky Forum for International Dialogue, and assistant professor at the Institute for Contemporary History of the University of Vienna.
