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Author: Anthony Aldgate
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 216
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Book Description
This book examines notable twentieth-century cases of censorship in theatre and cinema involving the Lord Chamberlain's theatre censorship and the British Board of Film Censors (BBFC).
Author: Anthony Aldgate
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 216
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Book Description
This book examines notable twentieth-century cases of censorship in theatre and cinema involving the Lord Chamberlain's theatre censorship and the British Board of Film Censors (BBFC).
Author: John H. Houchin
Publisher: Cambridge University Press
ISBN: 9780521818193
Category : Drama
Languages : en
Pages : 360
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Book Description
John Houchin explores the impact of censorship in twentieth-century American theatre. He argues that theatrical censorship coincides with significant challenges to religious, political and cultural traditions. Along with the well-known instance of the House Un-American Activities Committee in the 1950s, other almost equally influential events shaped the course of the American stage during the century. The book is arranged in chronological order. It provides a summary of censorship in eighteenth- and nineteenth-century America and then analyses key political and theatrical events between 1900 and 2000. These include a discussion of the 1913 riot after the Abbey Theatre touring produdtion of Playboy of the Western World; protests against Clifford Odet's Waiting for Lefty, performed by militant workers during the Depression; and reactions to the recent play Angels in America.
Author: William Mazzarella
Publisher: Duke University Press
ISBN: 0822353881
Category : Social Science
Languages : en
Pages : 297
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Book Description
In the world of globalized media, provocative images trigger culture wars between traditionalists and cosmopolitans, between censors and defenders of free expression. But are images censored because of what they mean, what they do, or what they might become? And must audiences be protected because of what they understand, what they feel, or what they might imagine? At the intersection of anthropology, media studies, and critical theory, Censorium is a pathbreaking analysis of Indian film censorship. The book encompasses two moments of moral panic: the consolidation of the cinema in the 1910s and 1920s, and the global avalanche of images unleashed by liberalization since the early 1990s. Exploring breaks and continuities in film censorship across colonial and postcolonial moments, William Mazzarella argues that the censors' obsessive focus on the unacceptable content of certain images and the unruly behavior of particular audiences displaces a problem that they constantly confront yet cannot directly acknowledge: the volatile relation between mass affect and collective meaning. Grounded in a close analysis of cinema regulation in the world's largest democracy, Censorium ultimately brings light to the elusive foundations of political and cultural sovereignty in mass-mediated societies.
Author: Nagisa Oshima
Publisher: MIT Press
ISBN: 0262650398
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
The texts in this volume make up an intellectual autobiography that reveals a rare conjunction of personal candor and political commitment. Nagisa Oshima is generally regarded as the most important Japanese film. director after Kurosawa and is one of Japan's most productive and celebrated postwar artists. His early films represent the Japanese New Wave at its zenith, and the films he has made since (including In the Realm of the Senses and Merry Christmas, Mr. Lawrence) have won international acclaim. The more than 40 writings that make up this intellectual autobiography reveal a rare conjunction of personal candor and political commitment. Entertaining, concise, disarmingingly insightful, they trace in vivid and carefully articulated detail the development of Oshima's theory and practice.The writings are arranged in chronological order and cover the period from the mid-1950s to the mid-1980s. Following a historical overview of the contemporary Japanese cinema, a substantial section articulates the theoretical and political rationale of 0shima's film production. Among many other topics considered in his essays, Oshima questions the economics of film production, the ethics of the documentary film, censorship (both political and sexual), and the relation of aesthetics and social taboos. A filmography and notes round out this important collection.
Author:
Publisher: BRILL
ISBN: 9004433988
Category : Drama
Languages : en
Pages : 312
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Book Description
Since the beginning of theatre history, scandals have taken place and the variety of causes, processes and types of interactions makes them an interesting object of study. Theatre scandals often indicate clashes with a dominant ideology or with the ideology of a particular group in society. Sometimes, following a scandal, the attacked ideology changes and incorporates the possibility of the aesthetics or themes that caused the clash. In this way, scandals can cause dynamic changes within cultural systems. Next to theoretical considerations the contributors, all members of the IFTR Theatrical Event Working Group, present in their various case studies a wide cultural and chronological diversity of theatre scandals, all of which were experienced as very shocking moments in theatre history.
Author: Robert Justin Goldstein
Publisher: Springer
ISBN: 1349201286
Category : Political Science
Languages : en
Pages : 268
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Book Description
Political Censorship of the Arts and the Press in Nineteenth-Century Europe presents a comprehensive account of the attempts by authorities throughout Europe to stifle the growth of political opposition during the nineteenth-century by censoring newspapers, books, caricatures, plays, operas and film. Appeals for democracy and social reform were especially suspect to the authorities, so in Russia cookbooks which refered to 'free air' in ovens were censored as subversive, while in England in 1829 the censor struck from a play the remark that 'honest men at court don't take up much room'. While nineteenth-century European political censorship blocked the open circulation of much opposition writing and art, it never succeeded entirely in its aim since writers, artists and 'consumers' often evaded the censors by clandestine circulation of forbidden material and by the widely practised skill of 'reading between the lines'.
Author: Ruth Vasey
Publisher: Univ of Wisconsin Press
ISBN: 9780299151942
Category : Business & Economics
Languages : en
Pages : 326
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Book Description
The most visible cultural institution on earth between the World Wars, the Hollywood movie industry tried to satisfy worldwide audiences of vastly different cultural, religious, and political persuasions. The World According to Hollywood shows how the industry's self-regulation shaped the content of films to make them salable in as many markets as possible. In the process, Hollywood created an idiosyncratic vision of the world that was glamorous and exotic, but also oddly narrow. Ruth Vasey shows how the Motion Picture Producers and Distributors of America (MPPDA), by implementing such strategies as the industry's Production Code, ensured that domestic and foreign distribution took place with a minimum of censorship or consumer resistance. Drawing upon MPPDA archives, studio records, trade papers, and the records of the U.S. Department of Commerce, Vasey reveals the ways the MPPDA influenced the representation of sex, violence, religion, foreign and domestic politics, corporate capitalism, ethnic minorities, and the conduct of professional classes. Vasey is the first scholar to document fully how the demands of the global market frequently dictated film content and created the movies' homogenized picture of social and racial characteristics, in both urban America and the world beyond. She uncovers telling evidence of scripts and treatments that were abandoned before or during the course of production because of content that might offend foreign markets. Among the fascinating points she discusses is Hollywood's frequent use of imaginary countries as story locales, resulting from a deliberate business policy of avoiding realistic depictions of actual countries. She argues that foreign governments perceived movies not just as articles of trade, but as potential commercial and political emissaries of the United States. Just as Hollywood had to persuade its domestic audiences that its products were morally sound, its domination of world markets depended on its ability to create a culturally and politically acceptable product.
Author: Gregory D. Black
Publisher: Cambridge University Press
ISBN: 9780521565929
Category : Performing Arts
Languages : en
Pages : 354
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Book Description
After a series of sex scandals rocked the film industry in 1922, movie moguls hired Will Hays to clear the image of movies. Hays tried a variety of ways to regulate movies before adopting what became known as the production code. Written in 1930 by a St Louis priest, the code stipulated that movies stress proper behaviour, respect for government, and 'Christian values'. The Catholic Church reinforced these efforts by launching its Legion of Decency in 1934. Intended to force Hays and Hollywood to censor films, the Legion of Decency engineered the appointment of Joseph Breen as head of the Production Code Administration. For the next three decades, Breen, Hays, and the Catholic Legion of Decency virtually controlled the content of all Hollywood films.
Author: D. Biltereyst
Publisher: Springer
ISBN: 1137061987
Category : Performing Arts
Languages : en
Pages : 467
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Book Description
Oppression by censorship affects the film industry far more frequently than any other mass media. Including essays by leading film historians, the book offers groundbreaking historical research on film censorship in major film production countries and explore such innovative themes as film censorship and authorship, religion, and colonialism.
Author: Anthony Aldgate
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 192
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Book Description
Stage or film presentations of Look Back in Anger, A Taste of Honey, Saturday Night and Sunday Morning, Alfie, and Darling were much changed, even transformed, by censorship between 1955-1965. Censorship and the Permissive Society explores the predicament writers and directors faced, and highlights the debate over the liberalizing or progressive aspects of the sea changes affecting British society at the time. A key decade in the postwar social and cultural history of Britain, the period saw the country emerge from the 'doldrums era' of the fifties, to the permissive society of the 'swinging sixties'. A noticeable move towards 'decensorship' increasingly loosened the traditional constraints imposed on literature, stage, and films. Anthony Aldgate shows, however, that censorship altered the progression of the artistic and creative renaissance of this period, and how the process brought changes in the works of writers such as John Osborne, Shelagh Delaney, Alan Sillitoe, John Braine, Frederic Raphael, and Keith Waterhouse, and directors such as Tony Richardson, Lindsay Anderson, John Schlesinger, and Lewis Gilbert. Drawing upon a mass of recently released or hitherto unseen documentation - including records, files, and photographs from the British Board of Film Censors and the Lord Chamberlain's Office - Anthony Aldgate charts the impact of the censorship process between 1955 and 1965 upon playwrights and directors, many of whom endured the rigorous, sometimes rancorous, though often also fruitful, scrutiny of the film and theatre censors.
