Author: Joel Deshaye
Publisher: University of Toronto Press
ISBN: 144266617X
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom – Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen – and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels.
The Metaphor of Celebrity
Author: Joel Deshaye
Publisher: University of Toronto Press
ISBN: 144266617X
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom – Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen – and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels.
Publisher: University of Toronto Press
ISBN: 144266617X
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom – Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen – and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels.
Margaret Atwood and the Labour of Literary Celebrity
Author: Lorraine Mary York
Publisher: University of Toronto Press
ISBN: 1442614234
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
For every famous author there is a score of individuals working behind the scenes to promote and maintain her celebrity status. This timely and thoughtful book considers the particular case of internationally renowned writer Margaret Atwood and the active agents working in concert with her, including her assistants and office staff, her publicists, her literary agents, and her editors. Lorraine York explores the ways in which the careers of famous writers are managed and maintained and the extent to which literary celebrity creates a constant tension in these writers' lives between the need of solitude for creative purposes and the give-and-take of the business of being a writer of significant public stature. Making extensive use of unpublished material in the Margaret Atwood Papers at the University of Toronto, York demonstrates the extent to which celebrity writers must embrace and protect themselves from the demands of the literary world, including by participating in or even inventing new forms of technology that facilitate communication from a slight remove. This informative study calls overdue attention to the ways in which literary celebrity is the result not only of a writer's creativity and hard work, but also of an ongoing collaborative effort among professionals to help maintain the writer's place in the public eye.
Publisher: University of Toronto Press
ISBN: 1442614234
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
For every famous author there is a score of individuals working behind the scenes to promote and maintain her celebrity status. This timely and thoughtful book considers the particular case of internationally renowned writer Margaret Atwood and the active agents working in concert with her, including her assistants and office staff, her publicists, her literary agents, and her editors. Lorraine York explores the ways in which the careers of famous writers are managed and maintained and the extent to which literary celebrity creates a constant tension in these writers' lives between the need of solitude for creative purposes and the give-and-take of the business of being a writer of significant public stature. Making extensive use of unpublished material in the Margaret Atwood Papers at the University of Toronto, York demonstrates the extent to which celebrity writers must embrace and protect themselves from the demands of the literary world, including by participating in or even inventing new forms of technology that facilitate communication from a slight remove. This informative study calls overdue attention to the ways in which literary celebrity is the result not only of a writer's creativity and hard work, but also of an ongoing collaborative effort among professionals to help maintain the writer's place in the public eye.
A Companion to Twentieth-Century Poetry
Author: Neil Roberts
Publisher: John Wiley & Sons
ISBN: 0470998660
Category : Literary Criticism
Languages : en
Pages : 648
Book Description
In the twentieth century more people spoke English and more people wrote poetry than in the whole of previous history, and this Companion strives to make sense of this crowded poetical era. The original contributions by leading international scholars and practising poets were written as the contributors adjusted to the idea that the possibilities of twentieth-century poetry were exhausted and finite. However, the volume also looks forward to the poetry and readings that the new century will bring. The Companion embraces the extraordinary development of poetry over the century in twenty English-speaking countries; a century which began with a bipolar transatlantic connection in modernism and ended with the decentred heterogeneity of post-colonialism. Representation of the 'canonical' and the 'marginal' is therefore balanced, including the full integration of women poets and feminist approaches and the in-depth treatment of post-colonial poets from various national traditions. Discussion of context, intertextualities and formal approaches illustrates the increasing self-consciousness and self-reflexivity of the period, whilst a 'Readings' section offers new readings of key selected texts. The volume as a whole offers critical and contextual coverage of the full range of English-language poetry in the last century.
Publisher: John Wiley & Sons
ISBN: 0470998660
Category : Literary Criticism
Languages : en
Pages : 648
Book Description
In the twentieth century more people spoke English and more people wrote poetry than in the whole of previous history, and this Companion strives to make sense of this crowded poetical era. The original contributions by leading international scholars and practising poets were written as the contributors adjusted to the idea that the possibilities of twentieth-century poetry were exhausted and finite. However, the volume also looks forward to the poetry and readings that the new century will bring. The Companion embraces the extraordinary development of poetry over the century in twenty English-speaking countries; a century which began with a bipolar transatlantic connection in modernism and ended with the decentred heterogeneity of post-colonialism. Representation of the 'canonical' and the 'marginal' is therefore balanced, including the full integration of women poets and feminist approaches and the in-depth treatment of post-colonial poets from various national traditions. Discussion of context, intertextualities and formal approaches illustrates the increasing self-consciousness and self-reflexivity of the period, whilst a 'Readings' section offers new readings of key selected texts. The volume as a whole offers critical and contextual coverage of the full range of English-language poetry in the last century.
CanLit Across Media
Author: Jason Camlot
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773559825
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
The materials we turn to for the construction of our literary pasts - the texts, performances, and discussions selected for storage and cataloguing in archives - shape what we know and teach about literature today. The ways in which archival materials have been structured into forms of preservation, in turn, impact their transference and transformation into new forms of presentation and re-presentation. Exploring the production of culture through and outside of the archives that preserve and produce CanLit as an entity, CanLit Across Media asserts that CanLit arises from acts of archival, critical, and creative analysis. Each chapter investigates, challenges, and provokes this premise by examining methods of "unarchiving" Canadian and Indigenous literary texts and events from the 1950s to the present. Engaging with a remediated archive, or "unarchiving," allows the authors and editors to uncover how the materials that document past acts of literary production are transformed into new forms and experiences in the present. The chapters consider literature and literary events that occurred before live audiences or were broadcast, and that are now recorded in print publications and documents, drawings, photographs, flat disc records, magnetic tape, film, videotape, and digitized files. Showcasing the range of methods and theories researchers use to engage with these materials, CanLit Across Media reanimates archives of cultural meaning and literary performance. Contributors include Jordan Abel (University of Alberta), Andrea Beverley (Mount Allison University), Clint Burnham (Simon Fraser University), Jason Camlot (Concordia University), Joel Deshaye (Memorial University of Newfoundland), Deanna Fong (Simon Fraser University), Catherine Hobbs (Library and Archives Canada), Dean Irvine (Agile Humanities), Karl Jirgens (University of Windsor), Marcelle Kosman (University of Alberta), Jessi MacEachern (Concordia University), Katherine McLeod (Concordia University), Linda Morra (Bishop's University), Karis Shearer (University of British Columbia, Okanagan), Felicity Tayler (University of Ottawa), and Darren Wershler (Concordia University).
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773559825
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
The materials we turn to for the construction of our literary pasts - the texts, performances, and discussions selected for storage and cataloguing in archives - shape what we know and teach about literature today. The ways in which archival materials have been structured into forms of preservation, in turn, impact their transference and transformation into new forms of presentation and re-presentation. Exploring the production of culture through and outside of the archives that preserve and produce CanLit as an entity, CanLit Across Media asserts that CanLit arises from acts of archival, critical, and creative analysis. Each chapter investigates, challenges, and provokes this premise by examining methods of "unarchiving" Canadian and Indigenous literary texts and events from the 1950s to the present. Engaging with a remediated archive, or "unarchiving," allows the authors and editors to uncover how the materials that document past acts of literary production are transformed into new forms and experiences in the present. The chapters consider literature and literary events that occurred before live audiences or were broadcast, and that are now recorded in print publications and documents, drawings, photographs, flat disc records, magnetic tape, film, videotape, and digitized files. Showcasing the range of methods and theories researchers use to engage with these materials, CanLit Across Media reanimates archives of cultural meaning and literary performance. Contributors include Jordan Abel (University of Alberta), Andrea Beverley (Mount Allison University), Clint Burnham (Simon Fraser University), Jason Camlot (Concordia University), Joel Deshaye (Memorial University of Newfoundland), Deanna Fong (Simon Fraser University), Catherine Hobbs (Library and Archives Canada), Dean Irvine (Agile Humanities), Karl Jirgens (University of Windsor), Marcelle Kosman (University of Alberta), Jessi MacEachern (Concordia University), Katherine McLeod (Concordia University), Linda Morra (Bishop's University), Karis Shearer (University of British Columbia, Okanagan), Felicity Tayler (University of Ottawa), and Darren Wershler (Concordia University).
Canadian Poetry in Selected English-language Anthologies
Author: Margery Fee
Publisher: Halifax, N.S. : Dalhousie University, University Libraries
ISBN:
Category : Poetry
Languages : en
Pages : 274
Book Description
Publisher: Halifax, N.S. : Dalhousie University, University Libraries
ISBN:
Category : Poetry
Languages : en
Pages : 274
Book Description
The Metaphor of Celebrity
Author: Joel Deshaye
Publisher: University of Toronto Press
ISBN: 1442646616
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen -- and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels." -- Publisher website.
Publisher: University of Toronto Press
ISBN: 1442646616
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
The Metaphor of Celebrity is an exploration of the significance of literary celebrity in Canadian poetry. It focuses on the lives and writing of four widely recognized authors who wrote about stardom -- Leonard Cohen, Michael Ondaatje, Irving Layton, and Gwendolyn MacEwen -- and the specific moments in Canadian history that affected the ways in which they were received by the broader public. Joel Deshaye elucidates the relationship between literary celebrity and metaphor in the identity crises of celebrities, who must try to balance their public and private selves in the face of considerable publicity. He also examines the ways in which celebrity in Canadian poetry developed in a unique way in light of the significant cultural events of the decades between 1950 and 1980, including the Massey Commission, the flourishing of Canadian publishing, and the considerable interest in poetry in the 1960s and 1970s, which was followed by a rapid fall from public grace, as poetry was overwhelmed by greater popular interest in Canadian novels." -- Publisher website.
The Oxford Companion to Twentieth-century Literature in English
Author: Jenny Stringer
Publisher: Oxford University Press, USA
ISBN: 0192122711
Category : American literature
Languages : en
Pages : 774
Book Description
Survey of twentieth century English-language writers and writing from around the world, celebrating all major genres, with entries on literary movements, periodicals, more than 400 individual works, and articles on approximately 2,400 authors.
Publisher: Oxford University Press, USA
ISBN: 0192122711
Category : American literature
Languages : en
Pages : 774
Book Description
Survey of twentieth century English-language writers and writing from around the world, celebrating all major genres, with entries on literary movements, periodicals, more than 400 individual works, and articles on approximately 2,400 authors.
The Columbia Granger's Index to Poetry in Anthologies
Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 2428
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 2428
Book Description
The Columbia Granger's Index to Poetry in Anthologies
Author: Tessa Kale
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 2426
Book Description
For over a hundred years, The Columbia Granger's Index to Poetry in Anthologies has been the preeminent index for answers to questions about the world of poetry, identifying the author of a poem or the anthologies in which it can be found when only a title, first line, or last line is known. This latest edition-a "must have" for libraries-brings its index up to date as of May 31, 2006. This latest version features 85,000 classic and contemporary poems by 12,000 poets. Also included are works in translation and for the first time poetry in Spanish, Vietnamese, and French. The subject organization of the poems is especially useful. Hundreds of new subjects have been added, indexing poems on highly relevant topics such as Osama bin Laden, the war in Iraq, Dick Cheney, the Internet, and Rosa Parks, as well as timeless subjects like the Bill of Rights, unspoken love, faith, and inspiration. Our impressive team of consultants includes J. D. McClatchy, Harvey Shapiro, and former poet laureate Mark Strand. From The Norton Anthology of Poetry (2005 edition) to Poetry after 9/11 and Garrison Keillor's Good Poems, this new edition puts readers in touch with the best of the latest anthologies and the lasting favorites.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 2426
Book Description
For over a hundred years, The Columbia Granger's Index to Poetry in Anthologies has been the preeminent index for answers to questions about the world of poetry, identifying the author of a poem or the anthologies in which it can be found when only a title, first line, or last line is known. This latest edition-a "must have" for libraries-brings its index up to date as of May 31, 2006. This latest version features 85,000 classic and contemporary poems by 12,000 poets. Also included are works in translation and for the first time poetry in Spanish, Vietnamese, and French. The subject organization of the poems is especially useful. Hundreds of new subjects have been added, indexing poems on highly relevant topics such as Osama bin Laden, the war in Iraq, Dick Cheney, the Internet, and Rosa Parks, as well as timeless subjects like the Bill of Rights, unspoken love, faith, and inspiration. Our impressive team of consultants includes J. D. McClatchy, Harvey Shapiro, and former poet laureate Mark Strand. From The Norton Anthology of Poetry (2005 edition) to Poetry after 9/11 and Garrison Keillor's Good Poems, this new edition puts readers in touch with the best of the latest anthologies and the lasting favorites.
Canadian Writers in 1984
Author: W. H. New
Publisher: UBC Press
ISBN: 0774844272
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
Canadian Writers in 1984 is a special double length, hardback edition of the 100th issue of Canadian Literature. The book not only celebrates a publishing landmark in the history of the journal but also reflects the incredible richness of Canada's contemporary literary scene. The collection features the work of outstanding new writers as well as poems and essays written especially for this issue by Canada's most famous poets, novelists, dramatists, and essayists. Among the 29 essayists are Matt Cohen, Timothy Findley, Naim Kattan, Irving Layton, Dorothy Livesay, Eli Mandel, Jane Rule, Aritha Van Herk, and George Woodcock. The writings exhibit a diversity of styles and themes: Margaret Laurence on war and peace, Eric Nicol on commercial writing, Marian Engel on starting a new novel, James Reaney on regionalism, David Watmough on places, and David Helwig on arguing with God. The poets comprise a virtual "Who's Who" in Canadian poetry today: Margaret Atwood, Bill Bissett, Barry Dempster, Joy Kogawa, Dennis Lee, George McWhirter, Susan Musgrave, Michael Ondaatje, Al Purdy, Robin Skelton, Raymond Souster, and Tom Wayman are among over 60 of the poets represented. Prefaces to the book have been contributed by Governor General Edward Schreyer; Dr. George Pederson, President of the University of British Columbia; and Canada's grand man of letters, Mavor Moore.
Publisher: UBC Press
ISBN: 0774844272
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
Canadian Writers in 1984 is a special double length, hardback edition of the 100th issue of Canadian Literature. The book not only celebrates a publishing landmark in the history of the journal but also reflects the incredible richness of Canada's contemporary literary scene. The collection features the work of outstanding new writers as well as poems and essays written especially for this issue by Canada's most famous poets, novelists, dramatists, and essayists. Among the 29 essayists are Matt Cohen, Timothy Findley, Naim Kattan, Irving Layton, Dorothy Livesay, Eli Mandel, Jane Rule, Aritha Van Herk, and George Woodcock. The writings exhibit a diversity of styles and themes: Margaret Laurence on war and peace, Eric Nicol on commercial writing, Marian Engel on starting a new novel, James Reaney on regionalism, David Watmough on places, and David Helwig on arguing with God. The poets comprise a virtual "Who's Who" in Canadian poetry today: Margaret Atwood, Bill Bissett, Barry Dempster, Joy Kogawa, Dennis Lee, George McWhirter, Susan Musgrave, Michael Ondaatje, Al Purdy, Robin Skelton, Raymond Souster, and Tom Wayman are among over 60 of the poets represented. Prefaces to the book have been contributed by Governor General Edward Schreyer; Dr. George Pederson, President of the University of British Columbia; and Canada's grand man of letters, Mavor Moore.