Catalogues of exhibitions of paintings held mostly in the Sala Parés, Barcelona.

Catalogues of exhibitions of paintings held mostly in the Sala Parés, Barcelona. PDF Author: Sala Parés (BARCELONA)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Catalogues of exhibitions of paintings held mostly in the Sala Parés, Barcelona.

Catalogues of exhibitions of paintings held mostly in the Sala Parés, Barcelona. PDF Author: Sala Parés (BARCELONA)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Catálogo de cincuenta obras ... de colecciones barcelonesas expuestas en la Sala Parés, etc. [1952?]

Catálogo de cincuenta obras ... de colecciones barcelonesas expuestas en la Sala Parés, etc. [1952?] PDF Author: Sala Parés (BARCELONA)
Publisher:
ISBN:
Category :
Languages : es
Pages : 22

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Catálogo de la exposición de pintura antigua, siglos XV, XVI, XVII, XVIII, de colecciones barcelonesas. Celebrada en la Sala Parés, etc

Catálogo de la exposición de pintura antigua, siglos XV, XVI, XVII, XVIII, de colecciones barcelonesas. Celebrada en la Sala Parés, etc PDF Author: Sala Parés (BARCELONA)
Publisher:
ISBN:
Category :
Languages : es
Pages : 22

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Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, the Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 872

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Barcelona and Modernity

Barcelona and Modernity PDF Author: William H. Robinson
Publisher: Yale University Press
ISBN: 0300121067
Category : Art
Languages : en
Pages : 552

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Book Description
Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.

Before Picasso, After Miro

Before Picasso, After Miro PDF Author: James Johnson Sweeney
Publisher: Hassell Street Press
ISBN: 9781014336828
Category :
Languages : en
Pages : 28

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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Topkapi Scroll

The Topkapi Scroll PDF Author: Gülru Necipoğlu
Publisher: Getty Publications
ISBN: 0892363355
Category : Art
Languages : en
Pages : 414

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Book Description
Since precious few architectural drawings and no theoretical treatises on architecture remain from the premodern Islamic world, the Timurid pattern scroll in the collection of the Topkapi Palace Museum Library is an exceedingly rich and valuable source of information. In the course of her in-depth analysis of this scroll dating from the late fifteenth or early sixteenth century, Gülru Necipoğlu throws new light on the conceptualization, recording, and transmission of architectural design in the Islamic world between the tenth and sixteenth centuries. Her text has particularly far-reaching implications for recent discussions on vision, subjectivity, and the semiotics of abstract representation. She also compares the Islamic understanding of geometry with that found in medieval Western art, making this book particularly valuable for all historians and critics of architecture. The scroll, with its 114 individual geometric patterns for wall surfaces and vaulting, is reproduced entirely in color in this elegant, large-format volume. An extensive catalogue includes illustrations showing the underlying geometries (in the form of incised “dead” drawings) from which the individual patterns are generated. An essay by Mohammad al-Asad discusses the geometry of the muqarnas and demonstrates by means of CAD drawings how one of the scroll’s patterns could be used co design a three-dimensional vault.

The J. Paul Getty Museum Journal

The J. Paul Getty Museum Journal PDF Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892361433
Category : Art
Languages : en
Pages : 207

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Book Description
The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.

The J. Paul Getty Museum Journal

The J. Paul Getty Museum Journal PDF Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362561
Category : Art
Languages : en
Pages : 170

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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal includes an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s director outlining the year’s most important activities. Volume 21 of the J. Paul Getty Museum Journal includes articles by John Walsh, Barbara C. Anderson, Ariel Herrmann, Jill Finsten, Lynn F. Jacobs, And Peter J. Holliday.

Le Tumulte Noir

Le Tumulte Noir PDF Author: Jody Blake
Publisher: Penn State Press
ISBN: 9780271017532
Category : Art
Languages : en
Pages : 232

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Book Description
Jody Blake demonstrates in this book that although the impact of African-American music and dance in France was constant from 1900 to 1930, it was not unchanging. This was due in part to the stylistic development and diversity of African-American music and dance, from the prewar cakewalk and ragtime to the postwar Charleston and jazz. Successive groups of modernists, beginning with the Matisse and Picasso circle in the 1900s and concluding with the Surrealists and Purists in the 1920s, constructed different versions of la musique and la danse negre. Manifested in creative and critical works, these responses to African-American music and dance reflected the modernists' varying artistic agendas and historical climates.