Sale Catalogues

Sale Catalogues PDF Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1302

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Sale Catalogues

Sale Catalogues PDF Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1302

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Book Description


Catalogue

Catalogue PDF Author: Maggs Bros
Publisher:
ISBN:
Category : Booksellers' catalogs
Languages : en
Pages : 304

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Catalogue

Catalogue PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028

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Sale

Sale PDF Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1662

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Catalogue

Catalogue PDF Author:
Publisher:
ISBN:
Category : Catalogs, Booksellers'
Languages : en
Pages : 1002

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Sale

Sale PDF Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 852

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Catalogue of Works on the Fine Arts

Catalogue of Works on the Fine Arts PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 388

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Book-prices Current

Book-prices Current PDF Author:
Publisher:
ISBN:
Category : Anonyms and pseudonyms
Languages : en
Pages : 812

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CATALOGUE OF WORKS ON THE FINE ARTS

CATALOGUE OF WORKS ON THE FINE ARTS PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 394

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Modern Art on Display

Modern Art on Display PDF Author: K. Porter Aichele
Publisher: Rowman & Littlefield
ISBN: 1611496179
Category : Art
Languages : en
Pages : 307

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Book Description
Modern Art on Display: The Legacies of Six Collectors is structured as a sequence of case studies that pair collectors of modern art with artists they particularly favored: Duncan Phillips and Augustus Vincent Tack; Albert Barnes and Chaim Soutine; Albert Eugene Gallatin and Juan Gris; Lillie Bliss and Paul Cézanne; Etta Cone and Henri Matisse; G. David Thompson and Paul Klee. The case studies are linked by a thematic focus on the integral relationship between the collectors’ acquired knowledge about the work they amassed and their innovative display models. This focus brings a new perspective to the history of collecting and interpreting modern art in America for nearly half a century (1915-1960). By examining the books the collectors themselves read and analyzing archival photographs of their displays, the author makes a case for the historical significance of how the collectors presented the art they acquired before their collections were institutionalized.