Catalogue[s of Engravings, Etchings, Lithographs, Prints, Woodcuts, Etc.] PDF Download
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Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 616
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Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 616
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Author: Mary and Leigh Block Museum of Art
Publisher:
ISBN: 9780300171075
Category : Art and science
Languages : en
Pages : 0
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Book Description
Published to accompany an exhibition held at the Harvard Art Museums, Sept. 6-Dec. 10, 2011, and the Block Museum of Art, Jan. 17-Apr. 8, 2012.
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296
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Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 274
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
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Author: Chazen Museum of Art
Publisher: Chazen Museum of Art
ISBN: 9780932900647
Category : Art
Languages : en
Pages : 154
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Book Description
Color woodcut printmaking was not new to Britain, America, or Japan in the late eighteenth century. Yet after Japan was opened to the West in 1854 and deeper cultural exchange began, Japanese prints captured the European and American imagination. The fresh colors, simplicity of materials, and departure from traditional compositions entranced western artists and the public alike. Likewise, Japanese audiences and artists were intrigued by the styles and techniques of western art, which was broadly available in Japan by the end of the nineteenth century. Artists there created images of the strange foreigners and imagined what American cities looked like. By the beginning of the twentieth century, artists were not content to merely imagine what the other side of the world looked like. As prints traveled around the globe for study so did artists, and with them spread the tricks and techniques of color woodblock printmaking as well as appreciation for the prints. Woodblock printmakers in the West started to investigate Japanese processes, and Japanese publishers began to seriously seek out the print market outside of Japan. Important themes began to emerge; scenes of nature and old-fashioned architecture outnumbered modern city views, and images of animals were nearly as popular as those of human figures. Imagery was often idyllic and beautiful, attractive to an international audience. Twentieth-century art, however, moves at a furious pace, and the ferment of the international woodcut style quickly ran its course. Artists appropriated what they needed from the color woodcut, then developed techniques, subjects, and styles in their own ways. An ever-expanding range of prints became indebted to the artists of the previous generation who had reinvigorated woodblock printmaking styles and practices around the world. This full-color catalogue includes many prints from this colorful exhibition and shows how the progression of styles became more similar as international artists learned from and competed with each other, then stylistically diverged as artists of each country took what they learned in new directions. The three essays each focus on the influences and contributions made to the international style by three countries: Japan, Britain, and America.
Author: Warburg Institute. Library
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 770
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Book Description
Author: H.W. Wilson Company
Publisher:
ISBN:
Category : Amusements
Languages : en
Pages : 216
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Book Description
Author: Josef Albers
Publisher: Rm
ISBN: 9788492480388
Category : Color in art
Languages : en
Pages : 0
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Book Description
Published on the occasion of an exhibition at Casa Luis Barragan, Mexico City.
Author: Arthur Ross Gallery
Publisher: Penn State University Press
ISBN:
Category : Architecture
Languages : en
Pages : 208
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Book Description
Features essays by Michael Cole, Larry Silver, Susan Dackerman, Graham Larkin, and exhibit co-curator Madeleine Viljoen. This book accompanies an exhibition that opened in April 2006 at the University of Pennsylvania.
