Author: Mahārājā Mānasiṃha Pustaka Prakāśa
Publisher: American Philosophical Society
ISBN: 9780871692504
Category : Reference
Languages : en
Pages : 222
Book Description
This catalogue of the astronomical manuscripts preserved at the Maharaja Man Singh Museum provides a substantial part of the foundation for an extensive & penetrating analysis of the astronomical activities of Saw Jayasimha Maharaja from 1700 to 1743. Jayasimha collected Sanskrit manuscripts of traditional Indian astronomy, acquired Arabic & Persian manuscripts representative of the Muslim interpretation of Ptolemaic astronomy, built five observatories at which he employed both Hindu & Muslim observers, & produced a set of astronomical tables in Persian based on the Latin tables of Philippe de La Hire.
A Descriptive Catalogue of the Sanskrit Astronomical Manuscripts Preserved at the Maharaja Man Singh II Museum in Jaipur, India
Author: Mahārājā Mānasiṃha Pustaka Prakāśa
Publisher: American Philosophical Society
ISBN: 9780871692504
Category : Reference
Languages : en
Pages : 222
Book Description
This catalogue of the astronomical manuscripts preserved at the Maharaja Man Singh Museum provides a substantial part of the foundation for an extensive & penetrating analysis of the astronomical activities of Saw Jayasimha Maharaja from 1700 to 1743. Jayasimha collected Sanskrit manuscripts of traditional Indian astronomy, acquired Arabic & Persian manuscripts representative of the Muslim interpretation of Ptolemaic astronomy, built five observatories at which he employed both Hindu & Muslim observers, & produced a set of astronomical tables in Persian based on the Latin tables of Philippe de La Hire.
Publisher: American Philosophical Society
ISBN: 9780871692504
Category : Reference
Languages : en
Pages : 222
Book Description
This catalogue of the astronomical manuscripts preserved at the Maharaja Man Singh Museum provides a substantial part of the foundation for an extensive & penetrating analysis of the astronomical activities of Saw Jayasimha Maharaja from 1700 to 1743. Jayasimha collected Sanskrit manuscripts of traditional Indian astronomy, acquired Arabic & Persian manuscripts representative of the Muslim interpretation of Ptolemaic astronomy, built five observatories at which he employed both Hindu & Muslim observers, & produced a set of astronomical tables in Persian based on the Latin tables of Philippe de La Hire.
Author:
Publisher: University of Pennsylvania Press
ISBN: 0871692805
Category :
Languages : en
Pages : 192
Book Description
Publisher: University of Pennsylvania Press
ISBN: 0871692805
Category :
Languages : en
Pages : 192
Book Description
Catalogue of Manuscripts in the Maharaja Sawai Man Singh II Museum
Author: Maharaja of Jaipur Museum
Publisher:
ISBN:
Category : Hindu law
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category : Hindu law
Languages : en
Pages : 342
Book Description
Catalogue of manuscripts in the Maharaja Sawai Man Singh II Museum
Author: Maharaja Sawai Man Singh II Museum
Publisher:
ISBN:
Category : Hindu hymns, Sanskrit
Languages : sa
Pages : 324
Book Description
Publisher:
ISBN:
Category : Hindu hymns, Sanskrit
Languages : sa
Pages : 324
Book Description
If All the World Were Paper
Author: Tyler W. Williams
Publisher: Columbia University Press
ISBN: 0231558759
Category : History
Languages : en
Pages : 234
Book Description
How do writing and literacy reshape the ways a language and its literature are imagined? If All the World Were Paper explores this question in the context of Hindi, the most widely spoken language in Southern Asia and the fourth most widely spoken language in the world today. Emerging onto the literary scene of India in the mid-fourteenth century, the vernacular of Hindi quickly acquired a place alongside “classical” languages like Sanskrit and Persian as a medium of literature and scholarship. The material and social processes through which it came to be written down and the particular form that it took—as illustrated storybooks, loose-leaf textbooks, personal notebooks, and holy scriptures—played a critical role in establishing Hindi as a language capable of transmitting poetry, erudition, and even revelation. If All the World Were Paper combines close readings of literary and scholastic works with an examination of hundreds of handwritten books from precolonial India to tell the story of Hindi literature’s development and reveal the relationships among ideologies of writing, material practices, and literary genres. Tyler W. Williams forcefully argues for a new approach to the literary archive, demonstrating how the ways books were inscribed, organized, and used can tell us as much about their meaning and significance as the texts within them. This book sets out a novel program for engaging with the archive of Hindi and of South Asian languages more broadly at a moment when much of that archive faces existential threats.
Publisher: Columbia University Press
ISBN: 0231558759
Category : History
Languages : en
Pages : 234
Book Description
How do writing and literacy reshape the ways a language and its literature are imagined? If All the World Were Paper explores this question in the context of Hindi, the most widely spoken language in Southern Asia and the fourth most widely spoken language in the world today. Emerging onto the literary scene of India in the mid-fourteenth century, the vernacular of Hindi quickly acquired a place alongside “classical” languages like Sanskrit and Persian as a medium of literature and scholarship. The material and social processes through which it came to be written down and the particular form that it took—as illustrated storybooks, loose-leaf textbooks, personal notebooks, and holy scriptures—played a critical role in establishing Hindi as a language capable of transmitting poetry, erudition, and even revelation. If All the World Were Paper combines close readings of literary and scholastic works with an examination of hundreds of handwritten books from precolonial India to tell the story of Hindi literature’s development and reveal the relationships among ideologies of writing, material practices, and literary genres. Tyler W. Williams forcefully argues for a new approach to the literary archive, demonstrating how the ways books were inscribed, organized, and used can tell us as much about their meaning and significance as the texts within them. This book sets out a novel program for engaging with the archive of Hindi and of South Asian languages more broadly at a moment when much of that archive faces existential threats.
Bibliographic Survey of Indian Manuscript Catalogues
Author: Subhas Chandra Biswas
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : Literary Collections
Languages : en
Pages : 360
Book Description
Textiles and Costumes from the Maharaja Sawai Man Singh II Museum
Author: Maharaja Sawai Man Singh II Museum
Publisher:
ISBN:
Category : Clothing and dress
Languages : en
Pages : 334
Book Description
Publisher:
ISBN:
Category : Clothing and dress
Languages : en
Pages : 334
Book Description
A Descriptive Catalogue of Indian Astronomical Instruments
Author: Sreeramula Rajeswara Sarma
Publisher: tredition
ISBN: 3748227833
Category : Science
Languages : en
Pages : 618
Book Description
The large masonry instruments designed by Sawai Jai Singh and erected in his five observatories in the early eighteenth century mark the culmination of a long process of development in astronomical instrumentation. But what kind of astronomical instruments were used in India before Jai Singh's time? Sanskrit texts on astronomy describe the construction and use of several types of instruments. Are any of these extant in museums? Such questions led me to an exploration of nearly a hundred museums and private collections in India, Europe and USA for about a quarter century. The present catalogue is the outcome of this exploration. This catalogue describes each instrument in the context of the related extant specimens, while laying special emphasis on the interplay between Sanskrit and Islamic traditions of instrumentation. Therefore, each instrument type is organized in a separate section identified by the letters of the alphabet. These sections begin with introductory essays on the history of the instrument type and its varieties, followed by a full technical description of every specimen, with art historical notes. Moreover, all engraved data are reproduced and interpreted as far as possible. In some 4300 pages, it contains 600 entries, with introductory essays and long extracts from two important Sanskrit texts, namely Mahendra Sūri's Yantrarāja and Padmanābha's Dhruvabhramādhikāra, along with English translations. Following a suggestion that a shorter version of the Catalogue, consisting of all the introductory essays and appendices, but excluding the catalogue proper, would be easier for the general reader to handle, this Abridged Version has been prepared. The pagination here remains the same as in the Catalogue. Those who wish to read about individual instruments can always consult the Catalogue.
Publisher: tredition
ISBN: 3748227833
Category : Science
Languages : en
Pages : 618
Book Description
The large masonry instruments designed by Sawai Jai Singh and erected in his five observatories in the early eighteenth century mark the culmination of a long process of development in astronomical instrumentation. But what kind of astronomical instruments were used in India before Jai Singh's time? Sanskrit texts on astronomy describe the construction and use of several types of instruments. Are any of these extant in museums? Such questions led me to an exploration of nearly a hundred museums and private collections in India, Europe and USA for about a quarter century. The present catalogue is the outcome of this exploration. This catalogue describes each instrument in the context of the related extant specimens, while laying special emphasis on the interplay between Sanskrit and Islamic traditions of instrumentation. Therefore, each instrument type is organized in a separate section identified by the letters of the alphabet. These sections begin with introductory essays on the history of the instrument type and its varieties, followed by a full technical description of every specimen, with art historical notes. Moreover, all engraved data are reproduced and interpreted as far as possible. In some 4300 pages, it contains 600 entries, with introductory essays and long extracts from two important Sanskrit texts, namely Mahendra Sūri's Yantrarāja and Padmanābha's Dhruvabhramādhikāra, along with English translations. Following a suggestion that a shorter version of the Catalogue, consisting of all the introductory essays and appendices, but excluding the catalogue proper, would be easier for the general reader to handle, this Abridged Version has been prepared. The pagination here remains the same as in the Catalogue. Those who wish to read about individual instruments can always consult the Catalogue.
Census of the Exact Sciences in Sanskrit, Series A.
Author: David Pingree
Publisher: American Philosophical Society
ISBN: 9780871692139
Category : Sanskrit language
Languages : en
Pages : 792
Book Description
Publisher: American Philosophical Society
ISBN: 9780871692139
Category : Sanskrit language
Languages : en
Pages : 792
Book Description
A Storm of Songs
Author: John Stratton Hawley
Publisher: Harvard University Press
ISBN: 0674425286
Category : History
Languages : en
Pages : 457
Book Description
India celebrates itself as a nation of unity in diversity, but where does that sense of unity come from? One important source is a widely-accepted narrative called the “bhakti movement.” Bhakti is the religion of the heart, of song, of common participation, of inner peace, of anguished protest. The idea known as the bhakti movement asserts that between 600 and 1600 CE, poet-saints sang bhakti from India’s southernmost tip to its northern Himalayan heights, laying the religious bedrock upon which the modern state of India would be built. Challenging this canonical narrative, John Stratton Hawley clarifies the historical and political contingencies that gave birth to the concept of the bhakti movement. Starting with the Mughals and their Kachvaha allies, North Indian groups looked to the Hindu South as a resource that would give religious and linguistic depth to their own collective history. Only in the early twentieth century did the idea of a bhakti “movement” crystallize—in the intellectual circle surrounding Rabindranath Tagore in Bengal. Interactions between Hindus and Muslims, between the sexes, between proud regional cultures, and between upper castes and Dalits are crucially embedded in the narrative, making it a powerful political resource. A Storm of Songs ponders the destiny of the idea of the bhakti movement in a globalizing India. If bhakti is the beating heart of India, this is the story of how it was implanted there—and whether it can survive.
Publisher: Harvard University Press
ISBN: 0674425286
Category : History
Languages : en
Pages : 457
Book Description
India celebrates itself as a nation of unity in diversity, but where does that sense of unity come from? One important source is a widely-accepted narrative called the “bhakti movement.” Bhakti is the religion of the heart, of song, of common participation, of inner peace, of anguished protest. The idea known as the bhakti movement asserts that between 600 and 1600 CE, poet-saints sang bhakti from India’s southernmost tip to its northern Himalayan heights, laying the religious bedrock upon which the modern state of India would be built. Challenging this canonical narrative, John Stratton Hawley clarifies the historical and political contingencies that gave birth to the concept of the bhakti movement. Starting with the Mughals and their Kachvaha allies, North Indian groups looked to the Hindu South as a resource that would give religious and linguistic depth to their own collective history. Only in the early twentieth century did the idea of a bhakti “movement” crystallize—in the intellectual circle surrounding Rabindranath Tagore in Bengal. Interactions between Hindus and Muslims, between the sexes, between proud regional cultures, and between upper castes and Dalits are crucially embedded in the narrative, making it a powerful political resource. A Storm of Songs ponders the destiny of the idea of the bhakti movement in a globalizing India. If bhakti is the beating heart of India, this is the story of how it was implanted there—and whether it can survive.