Catalogue of Early German and Flemish Woodcuts Preserved in the Department of Prints and Drawings in the British Museum PDF Download
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Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 652
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Book Description
Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 652
Get Book Here
Book Description
Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 652
Get Book Here
Book Description
Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN: 9783858510099
Category : Wood-engraving
Languages : en
Pages : 0
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Book Description
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 998
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Book Description
Author: Campbell Dodgson
Publisher:
ISBN:
Category : Wood-engraving
Languages : en
Pages : 0
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Author: British Museum. Department of Prints and Drawings
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 154
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 288
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Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1106
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Author: AlisonG. Stewart
Publisher: Routledge
ISBN: 1351574272
Category : Art
Languages : en
Pages : 383
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Book Description
Peasant festival imagery began in sixteenth-century Nuremberg, when the city played host to a series of religious and secular festivals. The peasant festival images were first produced as woodcut prints in the decade between 1524 and 1535 by Sebald Beham. These peasant festival prints show celebrating in a variety of ways including dancing, eating and drinking, and playing games. In Before Bruegel, Alison Stewart takes a fresh look at these images and explores them within their historical and cultural contexts, including the introduction of the Lutheran Reformation into the town's institutions and the accompanying re-evaluation of the town's popular festivals. Stewart goes beyond the black-and-white approaches of previous interpretations, to examine the festival prints in a more complex manner. In the first publication of its kind, Stewart makes the case for a range of meanings these works held for a sixteenth-century audience and for Beham's pictorial inventiveness and his business savvy. Beham is credited with inventing the subject of peasant festivals in Northern Renaissance art and for creating a market for the subject by the middle of the sixteenth century, with his large-scale woodcuts at Nuremberg and with tiny engravings at Frankfurt. Stewart shows that the market Beham created for prints with the theme of peasant festivals paved the way for Pieter Bruegel's Netherlandish paintings of the same theme, dating but a few years later.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1114
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