Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 316
Book Description
Art Nouveau Catalogs
Author: Sotheby & Co. (London, England)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 316
Book Description
Artbibliographies Modern
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 824
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 824
Book Description
The Modern Poster
Author: Stuart Wrede
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 268
Book Description
This lavishly illustrated volume presents in full color more than 300 of the finest posters selected from the rich resources of the graphic design collection of The Museum of Modern Art.
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 268
Book Description
This lavishly illustrated volume presents in full color more than 300 of the finest posters selected from the rich resources of the graphic design collection of The Museum of Modern Art.
Art Nouveau
Author: Klaus-Jürgen Sembach
Publisher: Taschen
ISBN: 9783822820223
Category : Art
Languages : en
Pages : 244
Book Description
Publisher: Taschen
ISBN: 9783822820223
Category : Art
Languages : en
Pages : 244
Book Description
Brussels 1900 Vienna
Author:
Publisher: BRILL
ISBN: 9004459987
Category : Literary Criticism
Languages : en
Pages : 469
Book Description
Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture.
Publisher: BRILL
ISBN: 9004459987
Category : Literary Criticism
Languages : en
Pages : 469
Book Description
Brussels 1900 Vienna examines the complex cultural networks between Austria and Belgium (1880-1930), and situates these interrelations within a wider European context. The collection covers various fields, including literature, translation, music, theatre, visual arts, café culture, and architecture.
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Goddesses of Art Nouveau
Author:
Publisher:
ISBN: 9789462584051
Category :
Languages : en
Pages : 192
Book Description
The Allard Pierson, in partnership with two museums in Germany, is compiling an exhibition about the international art nouveau movement. Key features of this style, which held sway throughout Europe from 1890 to 1910, are flowing lines and floral motifs. Another characteristic is the frequent depiction of beautiful females. Many of them are divine figures taken from classical antiquity, Byzantine icons, medieval legends and contemporary muses.00In ?Goddesses of Art Nouveau? this fascination for female beauty is examined more closely in the context of the social developments of the period. What is particularly striking is that the women, with their luxuriant hair and transparent robes, not only looked like goddesses but also functioned as such. Almost invariably they symbolized something larger than themselves, lending designs a symbolic meaning and often embodying higher ideals, human feelings or timeless virtues.00The exhibition and catalogue feature not only goddesses but also nymphs, angels and fairies in jewels, sculptures, drawings, magazines and advertising material, and on all sorts of decorative objects made of silver, glass or ceramics. 00Exhibition: Allard Pierson Museum, Amsterdam, The Netherlands (23.10.2020-21.03.2021).
Publisher:
ISBN: 9789462584051
Category :
Languages : en
Pages : 192
Book Description
The Allard Pierson, in partnership with two museums in Germany, is compiling an exhibition about the international art nouveau movement. Key features of this style, which held sway throughout Europe from 1890 to 1910, are flowing lines and floral motifs. Another characteristic is the frequent depiction of beautiful females. Many of them are divine figures taken from classical antiquity, Byzantine icons, medieval legends and contemporary muses.00In ?Goddesses of Art Nouveau? this fascination for female beauty is examined more closely in the context of the social developments of the period. What is particularly striking is that the women, with their luxuriant hair and transparent robes, not only looked like goddesses but also functioned as such. Almost invariably they symbolized something larger than themselves, lending designs a symbolic meaning and often embodying higher ideals, human feelings or timeless virtues.00The exhibition and catalogue feature not only goddesses but also nymphs, angels and fairies in jewels, sculptures, drawings, magazines and advertising material, and on all sorts of decorative objects made of silver, glass or ceramics. 00Exhibition: Allard Pierson Museum, Amsterdam, The Netherlands (23.10.2020-21.03.2021).
Henri de Toulouse-Lautrec
Author: Riva Castleman
Publisher:
ISBN: 9780870705960
Category :
Languages : en
Pages : 262
Book Description
Publisher:
ISBN: 9780870705960
Category :
Languages : en
Pages : 262
Book Description
The Wrightsman Galleries for French Decorative Arts, the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588393666
Category : Decoration and ornament
Languages : en
Pages : 274
Book Description
The authors, Danielle Kisluk-Grosheide and Jeffrey Munger, are curators in the Metropolitan Museum's Department of European Sculpture and Decorative Arts. They oversaw the recent reinstallation of the Wrightsman Galleries --Book Jacket.
Publisher: Metropolitan Museum of Art
ISBN: 1588393666
Category : Decoration and ornament
Languages : en
Pages : 274
Book Description
The authors, Danielle Kisluk-Grosheide and Jeffrey Munger, are curators in the Metropolitan Museum's Department of European Sculpture and Decorative Arts. They oversaw the recent reinstallation of the Wrightsman Galleries --Book Jacket.
Historical Painting Techniques, Materials, and Studio Practice
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.