Author: Harvard College Library. Dept. of Printing and Graphic Arts
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 412
Book Description
Catalogue of Books and Manuscripts: Italian 16th century books. 2 v
Author: Harvard College Library. Department of Printing and Graphic Arts
Publisher:
ISBN:
Category : Early printed books
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Early printed books
Languages : en
Pages : 472
Book Description
Catalogue of Books and Manuscripts: Italian 16th century books. 2 v
Author: Harvard College Library. Dept. of Printing and Graphic Arts
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 472
Book Description
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 472
Book Description
Short-title Catalogue of Books Printed in Italy and of Italian Books Printed in Other Countries from 1465 to 1600 Now in the British Museum
Author: British Museum. Department of Printed Books
Publisher: London : Trustees of the British Museum
ISBN:
Category : Early printed books
Languages : en
Pages : 1700
Book Description
Publisher: London : Trustees of the British Museum
ISBN:
Category : Early printed books
Languages : en
Pages : 1700
Book Description
Spanish and Portuguese 16th Century Books in the Department of Printing and Graphic Arts
Author: Harvard College Library. Department of Printing and Graphic Arts
Publisher: Cambridge, Mass. : Houghton Library : Harvard College Library
ISBN:
Category : Bibliographical exhibitions
Languages : en
Pages : 116
Book Description
Nearly all the Spanish and Portuguese books in the Department were collected and given to the Library by the late Philip Hofer, founding Curator of the Department. They reflect his personal taste and his awareness of the historical importance of such a collection - foreword.
Publisher: Cambridge, Mass. : Houghton Library : Harvard College Library
ISBN:
Category : Bibliographical exhibitions
Languages : en
Pages : 116
Book Description
Nearly all the Spanish and Portuguese books in the Department were collected and given to the Library by the late Philip Hofer, founding Curator of the Department. They reflect his personal taste and his awareness of the historical importance of such a collection - foreword.
Catalogue of Manuscripts and Early Printed Books: Italy and part of France
Author: John Pierpont Morgan
Publisher:
ISBN:
Category : Block books
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : Block books
Languages : en
Pages : 304
Book Description
Print, Manuscript and the Search for Order, 1450-1830
Author: David McKitterick
Publisher: Cambridge University Press
ISBN: 9780521826907
Category : Design
Languages : en
Pages : 340
Book Description
See:
Publisher: Cambridge University Press
ISBN: 9780521826907
Category : Design
Languages : en
Pages : 340
Book Description
See:
Jesuit Series
Author: Peter M. Daly
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773566511
Category : Reference
Languages : en
Pages : 292
Book Description
This bibliography encompasses all extant books of emblems, works illustrated with emblems, and books dealing with the theory and practice of emblematics written by members of The Society of Jesus. Also included are translations and adaptations in all languages of Jesuit works by Catholics and non-Catholics alike. This bibliography will be to Jesuit emblematics what De Backer-Sommervogel is to the writings of The Society of Jesus. The complete Jesuit Series will probably comprise some 1,700 entries: about 500 first editions and a further 1,200 subsequent editions, issues, and translations. Many books are described here for first time. Of the 240 titles in this volume, 121 do not appear in Praz, 93 not in Landwehr, and 54 not in De Backer-Sommervogel. Part One also contains a substantial introduction to the various information fields that constitute the bibliographic descriptions.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773566511
Category : Reference
Languages : en
Pages : 292
Book Description
This bibliography encompasses all extant books of emblems, works illustrated with emblems, and books dealing with the theory and practice of emblematics written by members of The Society of Jesus. Also included are translations and adaptations in all languages of Jesuit works by Catholics and non-Catholics alike. This bibliography will be to Jesuit emblematics what De Backer-Sommervogel is to the writings of The Society of Jesus. The complete Jesuit Series will probably comprise some 1,700 entries: about 500 first editions and a further 1,200 subsequent editions, issues, and translations. Many books are described here for first time. Of the 240 titles in this volume, 121 do not appear in Praz, 93 not in Landwehr, and 54 not in De Backer-Sommervogel. Part One also contains a substantial introduction to the various information fields that constitute the bibliographic descriptions.
The Sixteenth Century Hebrew Book
Author: Marvin J. Heller
Publisher: BRILL
ISBN: 900453167X
Category : Religion
Languages : en
Pages : 542
Book Description
Publisher: BRILL
ISBN: 900453167X
Category : Religion
Languages : en
Pages : 542
Book Description
Picturing the Book of Nature
Author: Sachiko Kusukawa
Publisher: University of Chicago Press
ISBN: 0226465284
Category : History
Languages : en
Pages : 350
Book Description
Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
Publisher: University of Chicago Press
ISBN: 0226465284
Category : History
Languages : en
Pages : 350
Book Description
Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
Boccaccio and the Book
Author: Rhiannon Daniels
Publisher: Routledge
ISBN: 1351573403
Category : Foreign Language Study
Languages : en
Pages : 242
Book Description
As a new digital era increasingly impacts on the 'age of print', we are ever more conscious of the way in which information is packaged and received. The influence of the material form on the reading process was no less important during the gradual shift from manuscript to early print culture. Focusing on the physical structure and presentation of manuscripts and printed books containing texts by one of the most influential authors of the medieval period, Rhiannon Daniels traces the evolving social, cultural, and economic profile of Boccaccio's readership and the scribes and printers who laboured to reproduce three of his works: the Teseida , Decameron , and De mulieribus claris . Rhiannon Daniels is a British Academy Postdoctoral Fellow in the Department of Italian at the University of Leeds.
Publisher: Routledge
ISBN: 1351573403
Category : Foreign Language Study
Languages : en
Pages : 242
Book Description
As a new digital era increasingly impacts on the 'age of print', we are ever more conscious of the way in which information is packaged and received. The influence of the material form on the reading process was no less important during the gradual shift from manuscript to early print culture. Focusing on the physical structure and presentation of manuscripts and printed books containing texts by one of the most influential authors of the medieval period, Rhiannon Daniels traces the evolving social, cultural, and economic profile of Boccaccio's readership and the scribes and printers who laboured to reproduce three of his works: the Teseida , Decameron , and De mulieribus claris . Rhiannon Daniels is a British Academy Postdoctoral Fellow in the Department of Italian at the University of Leeds.