Catalogue of Books and Manuscripts: Italian 16th century books. 2 v PDF Download
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Author: Harvard College Library. Department of Printing and Graphic Arts
Publisher:
ISBN:
Category : Early printed books
Languages : en
Pages : 472
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Book Description
Author: Harvard College Library. Department of Printing and Graphic Arts
Publisher:
ISBN:
Category : Early printed books
Languages : en
Pages : 472
Get Book Here
Book Description
Author: Harvard College Library. Dept. of Printing and Graphic Arts
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 472
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Book Description
Author: John Pierpont Morgan
Publisher:
ISBN:
Category : Block books
Languages : en
Pages : 304
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Book Description
Author: British Museum. Department of Printed Books
Publisher: London : Trustees of the British Museum
ISBN:
Category : Early printed books
Languages : en
Pages : 1700
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Book Description
Author: Harvard College Library. Department of Printing and Graphic Arts
Publisher: Cambridge, Mass. : Houghton Library : Harvard College Library
ISBN:
Category : Bibliographical exhibitions
Languages : en
Pages : 116
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Book Description
Nearly all the Spanish and Portuguese books in the Department were collected and given to the Library by the late Philip Hofer, founding Curator of the Department. They reflect his personal taste and his awareness of the historical importance of such a collection - foreword.
Author: Marvin J. Heller
Publisher: BRILL
ISBN: 900453167X
Category : Religion
Languages : en
Pages : 542
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Book Description
Author: Peter M. Daly
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773566511
Category : Reference
Languages : en
Pages : 292
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Book Description
This bibliography encompasses all extant books of emblems, works illustrated with emblems, and books dealing with the theory and practice of emblematics written by members of The Society of Jesus. Also included are translations and adaptations in all languages of Jesuit works by Catholics and non-Catholics alike. This bibliography will be to Jesuit emblematics what De Backer-Sommervogel is to the writings of The Society of Jesus. The complete Jesuit Series will probably comprise some 1,700 entries: about 500 first editions and a further 1,200 subsequent editions, issues, and translations. Many books are described here for first time. Of the 240 titles in this volume, 121 do not appear in Praz, 93 not in Landwehr, and 54 not in De Backer-Sommervogel. Part One also contains a substantial introduction to the various information fields that constitute the bibliographic descriptions.
Author: David McKitterick
Publisher: Cambridge University Press
ISBN: 9780521826907
Category : Design
Languages : en
Pages : 340
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Book Description
See:
Author: Sachiko Kusukawa
Publisher: University of Chicago Press
ISBN: 0226465284
Category : History
Languages : en
Pages : 350
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Book Description
Because of their spectacular, naturalistic pictures of plants and the human body, Leonhart Fuchs’s De historia stirpium and Andreas Vesalius’s De humani corporis fabrica are landmark publications in the history of the printed book. But as Picturing the Book of Nature makes clear, they do more than bear witness to the development of book publishing during the Renaissance and to the prominence attained by the fields of medical botany and anatomy in European medicine. Sachiko Kusukawa examines these texts, as well as Conrad Gessner’s unpublished Historia plantarum, and demonstrates how their illustrations were integral to the emergence of a new type of argument during this period—a visual argument for the scientific study of nature. To set the stage, Kusukawa begins with a survey of the technical, financial, artistic, and political conditions that governed the production of printed books during the Renaissance. It was during the first half of the sixteenth century that learned authors began using images in their research and writing, but because the technology was so new, there was a great deal of variety of thought—and often disagreement—about exactly what images could do: how they should be used, what degree of authority should be attributed to them, which graphic elements were bearers of that authority, and what sorts of truths images could and did encode. Kusukawa investigates the works of Fuchs, Gessner, and Vesalius in light of these debates, scrutinizing the scientists’ treatment of illustrations and tracing their motivation for including them in their works. What results is a fascinating and original study of the visual dimension of scientific knowledge in the sixteenth century.
Author: Deborah L Krohn
Publisher: Routledge
ISBN: 1317134567
Category : Art
Languages : en
Pages : 268
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Book Description
Though Bartolomeo Scappi's Opera (1570), the first illustrated cookbook, is well known to historians of food, up to now there has been no study of its illustrations, unique in printed books through the early seventeenth century. In Food and Knowledge in Renaissance Italy, Krohn both treats the illustrations in Scappi's cookbook as visual evidence for a lost material reality; and through the illustrations, including several newly-discovered hand-colored examples, connects Scappi's Opera with other types of late Renaissance illustrated books. What emerges from both of these approaches is a new way of thinking about the place of cookbooks in the history of knowledge. Krohn argues that with the increasing professionalization of many skills and trades, Scappi was at the vanguard of a new way of looking not just at the kitchen-as workshop or laboratory-but at the ways in which artisanal knowledge was visualized and disseminated by a range of craftsmen, from engineers to architects. The recipes in Scappi's Opera belong on the one hand to a genre of cookery books, household manuals, and courtesy books that was well established by the middle of the sixteenth century, but the illustrations suggest connections to an entirely different and emergent world of knowledge. It is through study of the illustrations that these connections are discerned, explained, and interpreted. As one of the most important cookbooks for early modern Europe, the time is ripe for a focused study of Scappi's Opera in the various contexts in which Krohn frames it: book history, antiquarianism, and visual studies.
