Author: South Kensington Museum
Publisher:
ISBN:
Category : Majolica
Languages : en
Pages : 924
Book Description
A Descriptive Catalogue of the Maiolica, Hispano-Moresco, Persian, Damascus, and Rhodian Wares in the South Kensington Museum
Author: South Kensington Museum
Publisher:
ISBN:
Category : Majolica
Languages : en
Pages : 924
Book Description
Publisher:
ISBN:
Category : Majolica
Languages : en
Pages : 924
Book Description
Maiolica
Author: Charles Drury E. Fortnum
Publisher:
ISBN:
Category :
Languages : en
Pages : 226
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 226
Book Description
A Descripitive Catalogue of the Maiolica Hispano-moresco, Persian, Damascus and Rhodian Wares in the South Kensington Museum
Author: Charles Drury Edward FORTNUM
Publisher:
ISBN:
Category :
Languages : en
Pages : 938
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 938
Book Description
A descriptive Catalogue of the Maiolica enamelled earthenware of Italy the Persian, Damascus, and Rhodian, Hispano Moresque and some French and other wares in the Ashmolean Museum, Oxford Fortnum Collection
Author: C. Drury E. Fortnum
Publisher:
ISBN:
Category : Majolica
Languages : en
Pages : 214
Book Description
Publisher:
ISBN:
Category : Majolica
Languages : en
Pages : 214
Book Description
Sagalassos I
Author: Marc Waelkens
Publisher: Leuven University Press
ISBN: 9789061865292
Category : Social Science
Languages : en
Pages : 244
Book Description
Sagalassos, once the metropolis of the Western Taurus range (Pisidia, Turkey), was only thoroughly surveyed in 1884 and 1885 by an Austrian team directed by K. Lanckoronski. In 1986-1989 this work was resumed by a British-Belgian team co-directed by Dr. Stephen Mitchell (University College of Swansea) and by Prof. Dr. Marc Waelkens (Catholic University of Leuven). In 1990 Sagalassos became a full scale Belgian project and a leading center for interdisciplinary archaeological and archaeometrical research. Due to its altitude, the site is one of the best preserved towns from classical antiquity, with a rich architectural and sculptural tradition dating from the second century BC to the sixth century AD. From early Imperial times until the early Byzantine period a complete range of coarse and red slip wares was produced locally. Excavations are concentrated on the upper and lower agoras to document the political and commercial life in the town and also in the area where a late Hellenistic fountain house, which still functions to date, and a Roman library were discovered. Major efforts are undertaken to restore the excavated monuments in their old glory. Several disciplines integrate the town again within its ancient environment and document the central role which Sagalassos played in the area.
Publisher: Leuven University Press
ISBN: 9789061865292
Category : Social Science
Languages : en
Pages : 244
Book Description
Sagalassos, once the metropolis of the Western Taurus range (Pisidia, Turkey), was only thoroughly surveyed in 1884 and 1885 by an Austrian team directed by K. Lanckoronski. In 1986-1989 this work was resumed by a British-Belgian team co-directed by Dr. Stephen Mitchell (University College of Swansea) and by Prof. Dr. Marc Waelkens (Catholic University of Leuven). In 1990 Sagalassos became a full scale Belgian project and a leading center for interdisciplinary archaeological and archaeometrical research. Due to its altitude, the site is one of the best preserved towns from classical antiquity, with a rich architectural and sculptural tradition dating from the second century BC to the sixth century AD. From early Imperial times until the early Byzantine period a complete range of coarse and red slip wares was produced locally. Excavations are concentrated on the upper and lower agoras to document the political and commercial life in the town and also in the area where a late Hellenistic fountain house, which still functions to date, and a Roman library were discovered. Major efforts are undertaken to restore the excavated monuments in their old glory. Several disciplines integrate the town again within its ancient environment and document the central role which Sagalassos played in the area.
Maiolica
Author: Charles Drury Edward Fortnum
Publisher: Forgotten Books
ISBN: 9780428566012
Category : Art
Languages : en
Pages : 656
Book Description
Excerpt from Maiolica: A Historical Treatise on the Glazed and Enamelled Earthenwares of Italy, With Marks and Monograms, Also Some Notice of the Persian, Damascus, Rhodian, and Hispano-Moresque Wares During the quarter of a century that has elapsed since the compilation of the historical introductions and special notices of potteries for the Catalogue of 1872, Important additions have been made to our knowledge by the researches of assiduous investigators in Italy and elsewhere, followed by the publication of documents and treatises relating to the various local potteries, and to the history of the master potters and artists to whom we owe so many beautiful examples of ceramic skill. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780428566012
Category : Art
Languages : en
Pages : 656
Book Description
Excerpt from Maiolica: A Historical Treatise on the Glazed and Enamelled Earthenwares of Italy, With Marks and Monograms, Also Some Notice of the Persian, Damascus, Rhodian, and Hispano-Moresque Wares During the quarter of a century that has elapsed since the compilation of the historical introductions and special notices of potteries for the Catalogue of 1872, Important additions have been made to our knowledge by the researches of assiduous investigators in Italy and elsewhere, followed by the publication of documents and treatises relating to the various local potteries, and to the history of the master potters and artists to whom we owe so many beautiful examples of ceramic skill. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Unfinished
Author: Kelly Baum
Publisher: Metropolitan Museum of Art
ISBN: 1588395863
Category : Art
Languages : en
Pages : 342
Book Description
This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
Publisher: Metropolitan Museum of Art
ISBN: 1588395863
Category : Art
Languages : en
Pages : 342
Book Description
This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
Tapestry in the Renaissance
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588390225
Category : Tapestry, Renaissance
Languages : en
Pages : 606
Book Description
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Publisher: Metropolitan Museum of Art
ISBN: 1588390225
Category : Tapestry, Renaissance
Languages : en
Pages : 606
Book Description
Tapestries--the art form of kings--were a principal tool used by powerful Renaissance rulers to convey their wealth and might. From 1460 to 1560, courts and churches lavished vast sums on costly weavings in silk and gold thread from designs by leading artists. In this lavishly illustrated book, the first major survey of tapestry production of this period, contributors analyze some of these & beautiful tapestries, examine the stylistic and technical development of tapestry production in the Low Countries, France, and Italy during the Renaissance, and discuss the contribution that the medium made to art, liturgy, and propaganda of the day.
Catalogue of Ceramics: Norman, A. V. B. Pottery, maiolica, faience, stoneware
Author: Wallace Collection (London, England)
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 462
Book Description
Ceramics from one of the most important collection in the world.
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 462
Book Description
Ceramics from one of the most important collection in the world.
Marsden Hartley's Maine
Author: Donna M. Cassidy
Publisher: Metropolitan Museum of Art
ISBN: 1588396134
Category : Art
Languages : en
Pages : 186
Book Description
Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.
Publisher: Metropolitan Museum of Art
ISBN: 1588396134
Category : Art
Languages : en
Pages : 186
Book Description
Marsden Hartley had a lifelong personal and aesthetic engagement with Maine, where he was born in 1877 and where he died at age sixty-six. As an important member of the artistic circle promoted by Alfred Stieglitz, Hartley began his career by painting the mountains of western Maine. He subsequently led a peripatetic life, traveling throughout Europe and North America and only occasionally visiting his native state. By midlife, however, his itinerant existence had taken an emotional toll, and he confided to Stieglitz that he wanted “so earnestly a ‘place’ to be.” Finally returning to the state in his later years, he transformed his identity from urbane sophisticate to “the painter from Maine.” But while Maine has played a clear and defining role in Hartley’s art, not until now has this relationship been studied with the breadth and richness it warrants. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Marsden Hartley’s Maine is the first in-depth discussion of Hartley’s complex and shifting relationship to his native state. Illustrated with works from throughout the painter’s career, it provides a nuanced understanding of Hartley’s artistic range, from the exhilarating Post-Impressionist landscapes of his early years to the late, roughly rendered paintings of Maine and its people. The absorbing essays examine Hartley’s view of Maine as a place of light and darkness whose spirit imbued his art, which encompassed buoyant coastal views, mournful mountain vistas, and portraits of Mainers. An illustrated chronology provides an overview of Hartley’s life, juxtaposing major personal incidents with concurrent events in Maine’s history. For Hartley, who was strongly influenced by such artists as Paul Cézanne, Winslow Homer, and Albert Pinkham Ryder, Maine was an enduring source of inspiration, one powerfully intertwined with his past, his cultural milieu, and his desire to create a regional expression of American modernism.