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Author: Tony Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
"This catalogue was published to accompany an exhibition at the Matthew Marks Gallery, 1018 Madison Avenue, New York, from 1 November 1995 through 13 January 1996"--Pg. 127
Author: Tony Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 136
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Book Description
"This catalogue was published to accompany an exhibition at the Matthew Marks Gallery, 1018 Madison Avenue, New York, from 1 November 1995 through 13 January 1996"--Pg. 127
Author: Alan Windsor
Publisher: Routledge
ISBN: 0429614861
Category : Art
Languages : en
Pages : 628
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Book Description
Originally published in 1998, The Handbook of Modern British Painting and Printmaking 1900-1990 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Compiled by scholars, the entries are cross-referenced and each concise biographical outline provides the relevant facts about the artist's life, a brief characterisation of the artist's work, and major bibliographic references. Wherever possible, one or two suggestions for further reading are cited.
Author: Herschel Browning Chipp
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 684
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Book Description
Author: Sarah MacDougall
Publisher: Papadakis Dist A/C
ISBN:
Category : Art
Languages : en
Pages : 84
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Book Description
Jacob Epstein and Dora Gordine were members of the group of talented Anglo-Jewish artists - the Whitechapel Boys and their associates - who were all born, raised or worked in London's East End during the first three decades of the twentieth century. They had a significant impact on twentieth-century British art and their contribution to British Modernism was especially valuable. This fascinating comparison of two contrasting British-based emigre sculptors examines how both figures responded to and were inspired by non-Western cultures in much of their work to create an extraordinarily rich and sophisticated visual vocabulary, which resonates as much in today's multicultural society as it did some seventy years ago. An illuminating introduction by Sir Anthony Caro and contributions from scholars including the writer and critic Richard Cork, Dr. Jonathan Black, current AHRB Research Fellow at Kingston University (home of the Gordine archive), Brenda Martin, Curator, Dorich House, and Victor Arwas, writer, gallerist and collector uncover new insights into hitherto little-researched aspects of Epstein's career, and rediscover the long-neglected talents of Gordine. Published in collaboration with the Ben Uri Gallery, the publication coincides with an exhibition of the sculpture, ethnographic pieces and works on paper of the artists at the Ben Uri Gallery, the London Jewish Museum of Art.
Author: Michael Peppiatt
Publisher: Routledge
ISBN: 0429711107
Category : Art
Languages : en
Pages : 328
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Book Description
This book, a biography on Francis Bacon, is inspired by the friendship the author had with Bacon and based on records of the conversations that took place since 1963. The book forms the first comprehensive account of the artist's life and his work.
Author: Malcolm Yorke
Publisher:
ISBN: 9780571173365
Category : Painters
Languages : en
Pages : 264
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Book Description
Although he died more than forty years ago this is the first full-scale biography of Matthew Smith, one of the most original English figurative painters of the century. He was in his lifetime frequently, but mistakenly, seen as an English Fauve or as a disciple of Matisse, but in fact he evolved his own distinctive style independently from anything he had seen in English art schools or the French galleries. Smith was the son of a rich and cultured Yorkshire manufacturer, but soon felt impelled to rebel against the Victorian taste of his father and his class. He failed to impress tutors at the Slade, went to France to see what the modern movements there had to offer, and then returned to mingle in the circles round Sickert and Fry. His grim experiences in World War 1 forced him to sort out his priorities both as a man and an artist. Eventually, a passionate love affair in middle age enabled him to establish his own uniquely turbulent style and subject matter of still-lifes, landscapes and uninhibited nudes. Augustus John and Epstein were close friends as were many other literary and artistic figures in Paris, Provence and London. He was shaken by personal tragedies, but well into old age he seemed able to attract the love of cultivated and attractive younger women. There have been several retrospective exhibitions since his death in 1959, notably at the Royal Academy and twice at the Barbican. Dr Yorke's detailed biography traces the life and reputation of this unassuming man who 'spoke like an intelligent moth' , but who produced pictures of such rich colour and extrovert handling that they have no parallels in the history of English painting.
Author: National Art Library (Great Britain)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 656
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 816
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Book Description
Author: Alan Windsor
Publisher: Ashgate Publishing
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
The Handbook of Modern British Painting and Printmaking 1900-1990 has been designed for people who enjoy, study and buy British art. The only portable dictionary-style guide to the life and work of modern British painters and printmakers, the book provides information on some 2,000 artists, as well as entries on schools of art, on museums, galleries and collections, on societies and groups, and critics and patrons who have influenced the development of modern art in Britain. Artists are included if they (at one end of the timescale) had finished their training by 1900, and were truly beginning their professional career in the twentieth century, and (at the other end of the timescale) had established themselves professionally on the national scene by 1990. If the artist was foreign born, he or she is included if they resided in Britain, and exhibited or worked here long enough for their presence to be of significance for British art.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 490
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Book Description
