Bibliotheca Lindesiana ... PDF Download
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Author: James Ludovic Lindsay Earl of Crawford
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1572
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Book Description
Author: Teylers Museum. Bibliotheek
Publisher:
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Category : Classical literature
Languages : en
Pages : 1164
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Book Description
Author: Blackburn (England). Public Library, Museum and Art Gallery
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 646
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Book Description
Author: James Ludovic Lindsay Earl of Crawford
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1572
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Book Description
Author: New York Public Library
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 558
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Book Description
Includes its Report, 1896-1945.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 606
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Book Description
![A catalogue of the books in the library of the Royal academy of arts, London. [By H.R. Tedder]. [With suppl. entitled] A catalogue of books added ... between 1877 and 1900. (Roy. acad. of arts). PDF](https://books.google.com/books/content/images/frontcover/cw8IAAAAQAAJ?fife=w80-h100)
Author: Henry Richard Tedder
Publisher:
ISBN:
Category :
Languages : en
Pages : 214
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Author:
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 1844
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Book Description
A union list of serials commencing publication after Dec. 31, 1949.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 576
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Book Description
Some nos. are reprints from: Annual report of the governors, principal and fellows.
Author: Astor Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 1108
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Book Description
Author: Claire Jones
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
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Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
