Great Historical Geographical and Poetical Dictionary PDF Download
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Author: Louis Moreri
Publisher: Routledge
ISBN: 9780415200462
Category :
Languages : en
Pages :
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Author: Louis Moreri
Publisher: Routledge
ISBN: 9780415200462
Category :
Languages : en
Pages :
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Author: Richard Offner
Publisher:
ISBN:
Category : Art and religion
Languages : en
Pages : 526
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Author: Klara Steinweg
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 470
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Author: Miklós Boskovits
Publisher:
ISBN:
Category : Miniature painters
Languages : en
Pages : 638
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Author: David Quint
Publisher: Princeton University Press
ISBN: 0691222959
Category : Literary Criticism
Languages : en
Pages : 444
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Alexander the Great, according to Plutarch, carried on his campaigns a copy of the Iliad, kept alongside a dagger; on a more pronounced ideological level, ancient Romans looked to the Aeneid as an argument for imperialism. In this major reinterpretation of epic poetry beginning with Virgil, David Quint explores the political context and meanings of key works in Western literature. He divides the history of the genre into two political traditions: the Virgilian epics of conquest and empire that take the victors' side (the Aeneid itself, Camoes's Lusíadas, Tasso's Gerusalemme liberata) and the countervailing epic of the defeated and of republican liberty (Lucan's Pharsalia, Ercilla's Araucana, and d'Aubigné's Les tragiques). These traditions produce opposing ideas of historical narrative: a linear, teleological narrative that belongs to the imperial conquerors, and an episodic and open-ended narrative identified with "romance," the story told of and by the defeated. Quint situates Paradise Lost and Paradise Regained within these rival traditions. He extends his political analysis to the scholarly revival of medieval epic in the late eighteenth and nineteenth centuries and to Sergei Eisenstein's epic film, Alexander Nevsky. Attending both to the topical contexts of individual poems and to the larger historical development of the epic genre, Epic and Empire provides new models for exploring the relationship between ideology and literary form.
Author: Oliver Henry Perkins
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 206
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Author: Charles Avery
Publisher: John Murray Pubs Limited
ISBN: 9780719519321
Category : Art
Languages : en
Pages : 274
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"Some of the greatest names in the history of art are those of Florentine sculptors: Ghiberti, Donatello and Luca della Robbia; Verrocchio and Michelangelo; Cellini and Giovanni Bologna. These were the creators of a school of sculpture that remained supreme for over two centuries."--BOOK COVER.
Author:
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ISBN:
Category :
Languages : en
Pages : 48
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Author: John K. Delaney
Publisher: Princeton University Press
ISBN: 069123308X
Category : Art
Languages : en
Pages : 385
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A comprehensive survey of the work of this most influential Florentine artist and teacher Andrea del Verrocchio (c. 1435–1488) was one of the most versatile and inventive artists of the Italian Renaissance. He created art across media, from his spectacular sculptures and paintings to his work in goldsmithing, architecture, and engineering. His expressive, confident drawings provide a key point of contact between sculpture and painting. He led a vibrant workshop where he taught young artists who later became some of the greatest painters of the period, including Leonardo da Vinci, Sandro Botticelli, Lorenzo di Credi, and Domenico Ghirlandaio. This beautifully illustrated book presents a comprehensive survey of Verrocchio's art, spanning his entire career and featuring some fifty sculptures, paintings, and drawings, in addition to works he created with his students. Through incisive scholarly essays, in-depth catalog entries, and breathtaking illustrations, this volume draws on the latest research in art history to show why Verrocchio was one of the most innovative and influential of all Florentine artists. Published in association with the National Gallery of Art, Washington, DC
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Category :
Languages : fr
Pages : 36
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