Catalogue de six tapisseries du XVIe siècle représentant des scènes du Nouveau Testament, meubles PDF Download
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Author: Collectif
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ISBN: 9782329442587
Category :
Languages : fr
Pages : 44
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Author: Collectif
Publisher:
ISBN: 9782329442587
Category :
Languages : fr
Pages : 44
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Author: A. Bloche
Publisher:
ISBN:
Category :
Languages : fr
Pages : 24
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![Catalogue de six remarquables tapisseries du XVIe siècle représentant des nombreuses scènes du Nouveau Testament, tapisserie du XVIIIe siècle à sujet mythologique, très beaux meubles du XVIe siècle, Louis XIV, Régence et Louis XV en bois sculpté et cuires ornés de bronzes, portes Henri II, boiserie, panneaux gothiques, objets d'art, marbres, bronzes, émaux, ivoires, orfèvrerie, porcelaines montées, miniatures, tableaux de l'école française [Duchesne, 1893]. PDF](https://books.google.com/books/content/images/frontcover/fxSBzwEACAAJ?fife=w80-h100)
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Category :
Languages : en
Pages : 0
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Author: Hôtel Drouot
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Languages : fr
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Author: Hôtel Drouot
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Languages : fr
Pages : 24
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Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Author: Barbara Drake Boehm
Publisher: Metropolitan Museum of Art
ISBN: 1588397130
Category : Art
Languages : en
Pages : 52
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This Bulletin examines the fascinating stories behind the only known sets of unicorn tapestries in the world—one at The Met Cloisters and another at the Musée de Cluny, Paris. The thirteen tapestries that compose the two sets—six at the Cluny and seven at The Met—remain shrouded in mystery, with their origins and original owners still unknown. Considering the iconography of these two collections together and drawing from primary sources, this Bulletin aims to reach a better understanding of these masterworks and their mythical subject that has captured the public imagination for centuries.
Author: Wolfram Koeppe
Publisher: Metropolitan Museum of Art
ISBN: 1588394743
Category : Design
Languages : en
Pages : 308
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Book Description
Catalogue published in conjunction with the exhibition "Extravagant Inventions: the Princely Furniture of the Roentgens" on view at The Metropolitan Museum of Art, New York, from October 30, 2102, through January 27, 2013.
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892360054
Category : Art
Languages : en
Pages : 126
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Book Description
The J. Paul Getty Museum Journal III is a compendium of articles and notes pertaining to the Museum’s permanent collection of paintings. This volume includes an introduction by Burton B. Fredericksen and an illustrated essay of recent acquisitions of paintings. Volume III includes essays on paintings written by Burton Fredericksen, Eric Young, Jean-Luc Bordeaux, with a principal article on Raphael’s Madonna di Loreto by Burton Fredericksen. This is also the first volume to be issued since the recent and much regretted passing of J. Paul Getty, the Museum’s founder. The principal article of this volume, the one on Raphael’s Madonna di Loreto, was one that he was especially concerned with and interested in. The Raphael was always a subject close to his heart. He was an eager student of Raphael and everything that touched on his favorite picture, and it is only appropriate that the article, which is a summary discussion of the picture’s provenance, be dedicated to him.
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362081
Category : Art
Languages : en
Pages : 190
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Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.
