Catalogue de la Collection des Portraits Français Et Étrangers, Vol. 2

Catalogue de la Collection des Portraits Français Et Étrangers, Vol. 2 PDF Author: Georges Duplessis
Publisher: Forgotten Books
ISBN: 9780243849789
Category : Art
Languages : fr
Pages : 404

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Book Description
Excerpt from Catalogue de la Collection des Portraits Francais Et Etrangers, Vol. 2: Conservee au Departement des Estampes de la Bibliotheque Nationale; Bonaparte-Colonius En buste, de 314 a gauche, dans une bordure ovale. Grav. Par N. De Launa l'aine', d'apres Vestier. 2 etats. Ln. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Catalogue de la Collection des Portraits Français Et Étrangers, Vol. 2

Catalogue de la Collection des Portraits Français Et Étrangers, Vol. 2 PDF Author: Georges Duplessis
Publisher: Forgotten Books
ISBN: 9780243849789
Category : Art
Languages : fr
Pages : 404

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Book Description
Excerpt from Catalogue de la Collection des Portraits Francais Et Etrangers, Vol. 2: Conservee au Departement des Estampes de la Bibliotheque Nationale; Bonaparte-Colonius En buste, de 314 a gauche, dans une bordure ovale. Grav. Par N. De Launa l'aine', d'apres Vestier. 2 etats. Ln. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A Catalogue of ... [books] ...

A Catalogue of ... [books] ... PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1044

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Book Description


Catalogue

Catalogue PDF Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 1028

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Book Description


French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 2, Nineteenth Century

French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 2, Nineteenth Century PDF Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category : Painting
Languages : en
Pages : 256

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Book Description


Portraits by Ingres

Portraits by Ingres PDF Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610

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Book Description
Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)

Peter Stent, London Printseller

Peter Stent, London Printseller PDF Author: Alexander V. Globe
Publisher: UBC Press
ISBN: 0774841419
Category : Art
Languages : en
Pages : 354

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Book Description
From the 15th century on, engravings influenced European culture almost as profoundly as books. Like stained glass windows in the Middle Ages or television today, popular prints were designed to reach even the lowest orders of society. In the 17th century, Peter Stent, whose shop stood outside Newgate, was England's most prolific seller of popular prints, maps, and copybooks to the working and rising middle classes. His inventory of copper plates reflected the shifts of popular tastes during this period and commented directly on the turbulent events of the day. In documenting Stent's output, Alexander Globe studied the printsellers' advertising catalogues as external controls for reconstructing inventories as well as indices to contemporary tastes. From these and other contemporary sources, Globe cites every engraving and book attributable to Stent, breaking down the material into types: portraits, maps, miscellaneous sheets, and books (including works on handwriting, politics, natural history, anatomy, costume, and architecture). References and additions are made to the catalogues of Donald Wing and A.M. Hind. Globe takes the history of engraving beyond Hind by including prints from the Commonwealth, Protectorate, and early Restoration periods. Eight appendices supplement the catalogue information. They provide evidence for print identificiation, discuss paper sizes, and list Stent's artists, suppliers, and business associates. All the collectiions in which Stent items may be found are named. The volume concludes with a bibliography and indices of subject as well as post-17th century authors. Globe's introduction to Stent's work is concerned with the social, political, and economic conditions leading to the emergence of a popular printseller who catered to a different clientele from that usually studied by art historians. Stent's career illustrates the mid-17th century commercial revolution which saw the artisan's customers change from the wealthy leisure class to the worker who wanted mass-produced cheap goods. Drawing on material in a hundred libraries and museums around the world, the catalogue describes over fifteen hundred engravings, including 319 sheets and five books of portraits, 42 maps, 102 miscellaneous prints and sets (with religious, classical, heeraldic, and satirical subjects), and 86 books (on handwriting, politics, military training, natural history, figure sketches, costume, architecture, and ornament). Richly illustrated with 319 plates, Peter Stent will prove valuable not only to print dealers, art historians, museums, and libraries, but also to social, cultural, and political historians.

Standard Books

Standard Books PDF Author: Charles Frederick Tweney
Publisher:
ISBN:
Category : Best books
Languages : en
Pages : 936

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Book Description


Catalogue de la collection des portraits français et étrangers

Catalogue de la collection des portraits français et étrangers PDF Author: Bibliothèque nationale (France). Département des estampes et de la photographie
Publisher:
ISBN:
Category : Engraving
Languages : fr
Pages : 330

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Book Description


The Wrightsman Pictures

The Wrightsman Pictures PDF Author: Jayne Wrightsman
Publisher: Metropolitan Museum of Art
ISBN: 1588391442
Category : Art
Languages : en
Pages : 454

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Book Description
This lavish catalogue presents 150 European paintings, pastels, and drawings from the late fifteenth to the mid-nineteenth century that have been given to the Metropolitan Museum by Mr. and Mrs. Charles Wrightsman or are still held in Mrs. Wrightsman's private collection. These notable works were collected over the past four decades, many of them with the Museum in mind; some were purchased by the Museum through the Wrightsman Fund. Highlights of the book include masterpieces by Vermeer, El Greco, Rubens, Van Dyck, Georges de La Tour, Jacques-Louis David, and Caspar David Friedrich as well as numerous paintings by the eighteenth-century Venetian artists Canaletto, Guardi, and the Tiepolos, father and son, plus a dozen remarkable portrait drawings by Ingres. Each work is reproduced in color and is accompanied by a short essay.

French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution

French Paintings in The Metropolitan Museum of Art from the Early Eighteenth Century through the Revolution PDF Author: Katharine Baetjer
Publisher: Metropolitan Museum of Art
ISBN: 1588396614
Category : Art
Languages : en
Pages : 413

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Book Description
This publication catalogues The Met’s remarkable collection of eighteenth-century French paintings in the context of the powerful institutions that governed the visual arts of the time—the Académie Royale de Peinture et de Sculpture, the Académie de France à Rome, and the Paris Salon. At the height of their authority during the eighteenth century, these institutions nurtured the talents of artists in all genres. The Met’s collection encompasses stunning examples of work by leading artists of the period, including Antoine Watteau (Mezzetin), Jean Siméon Chardin (The Silver Tureen), François Boucher (The Toilette of Venus), Joseph Siffred Duplessis (Benjamin Franklin), Jean-Baptiste Greuze (Broken Eggs), Hubert Robert (the Bagatelle decorations), Jacques Louis David (The Death of Socrates), the Van Blarenberghes (The Outer Port of Brest), and François Gérard (Charles Maurice de Talleyrand-Périgord). In the book’s introduction, author Katharine Baetjer provides a history of the Académie, its establishment, principles, and regulations, along with a discussion of the beginnings of public art discourse in France, taking us through the reforms unleashed by the Revolution. The consequent democratizing of the Salon, brought about by radicals under the leadership of Jacques Louis David, encouraged the formation of new publics with new tastes in subject matter and genres. The catalogue features 126 paintings by 50 artists. Each section includes a short biography of the artist and in-depth discussions of individual paintings incorporating the most up-to-date scholarship.