Author: University of Michigan
Publisher:
ISBN:
Category :
Languages : en
Pages : 428

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Author: University of Michigan
Publisher:
ISBN:
Category : Universities and colleges
Languages : en
Pages : 1080

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Author: University of Michigan. Office of the Registrar
Publisher:
ISBN:
Category :
Languages : en
Pages : 192

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Author:
Publisher:
ISBN:
Category : Reprints (Publications)
Languages : en
Pages : 156

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Author: James Donald
Publisher: Princeton University Press
ISBN: 0691004633
Category : Performing Arts
Languages : en
Pages : 352

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Close Up was the first English-language journal of film theory. Published between 1927 and 1933, it billed itself as "the only magazine devoted to film as an art," promising readers "theory and analysis: no gossip." The journal was edited by the writer and filmmaker Kenneth Macpherson, the novelist Winifred Bryher, and the poet H. D., and it attracted contributions from such major figures as Dorothy Richardson, Sergei Eisenstein, and Man Ray. This anthology presents some of the liveliest and most important articles from the publication's short but influential history. The writing in Close Up was theoretically astute, politically incisive, open to emerging ideas from psychoanalysis, passionately committed to "pure cinema," and deeply critical of Hollywood and its European imitators. The articles collected here cover such subjects as women and film, "The Negro in Cinema," Russian and working-class cinema, and developments in film technology, including the much debated addition of sound. The contributors are a cosmopolitan cast, reflecting the journal's commitment to internationalism; Close Up was published from Switzerland, printed in England and France, and distributed in Paris, Berlin, London, New York, and Los Angeles. The editors of this volume present a substantial introduction and commentaries on the articles that set Close Up in historical and intellectual context. This is crucial reading for anyone interested in the origins of film theory and the relationship between cinema and modernism.

Author:
Publisher:
ISBN:
Category : Automobiles
Languages : en
Pages : 1078

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Author: Gene Henry Anderson
Publisher: Pendragon Press
ISBN: 9781576471203
Category : Biography & Autobiography
Languages : en
Pages : 282

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Between 1925 and 1928 the Hot Five--the incomparable Louis Armstrong and four seasoned practitioners of the burgeoning jazz style--recorded fifty-five performances in Chicago for the OKeh label. Oddly enough, the quintet immortalized on vinyl with recent technology rarely performed as a unit in local nightspots. And yet, like other music now regarded as especially historic, their work in the studio summarized approaches of the past and set standards for the future. Remarkable both for popularity among the members of the public and for influence on contemporary musicians, these recordings helped make "Satchmo" a familiar household name and ultimately its bearer an adored public figure. They showcased Armstrong's genius, notably his leadership in transforming the practice of jazz as an ensemble improvisation into jazz as the art of the improvising soloist. In his study Professor Anderson--for the first time--provides a detailed account of the origins of this pioneering enterprise, relates individual pieces to existing copyright deposits, and contextualizes the music by offering a reliable timeline of Armstrong's professional activities during these years. All fifty-five pieces, moreover, are described in informed commentary [Publisher description].

Author: California State Library
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 1118

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Vols. for 1971- include annual reports and statistical summaries.

Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 800

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Author:
Publisher:
ISBN:
Category : Sound recordings
Languages : en
Pages : 432

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