Author: CASTLE RACKRENT.
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Castle Rackrent, an Hibernian tale ... The second edition. By Maria Edgeworth
Author: CASTLE RACKRENT.
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 216
Book Description
Castle Rackrent; an Hibernian Tale. A New Ed
Author: Maria Edgeworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
Book Description
Edgeworth's Works: Castle Rackrent, an Hibernian tale. A new ed
Author: Maria Edgeworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 248
Book Description
Tales and Novels: Castle Rackrent. An essay on Irish bulls. An essay on the noble science of self-justification
Author: Maria Edgeworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
Book Description
Castle Rackrent ; An Essay on Irish Bulls ; an Essay on the Noble Science of Self-justification
Author: Maria Edgeworth
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 344
Book Description
Castle Rackrent, an Hibernian Tale
Author: Maria Edgeworth
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 252
Book Description
Publisher:
ISBN:
Category : Ireland
Languages : en
Pages : 252
Book Description
Disorienting Fiction
Author: James Buzard
Publisher: Princeton University Press
ISBN: 1400826675
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Brontë, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction developed early in the nineteenth century by the Irish authors of the National Tale and, most influentially, by Walter Scott. Buzard demonstrates that whereas the fiction of these non-English British subjects devoted itself to describing and defending (but also inventing) the cultural autonomy of peripheral regions, the English novels that followed them worked to imagine limited and mappable versions of English or British culture in reaction against the potential evacuation of cultural distinctiveness threatened by Britain's own commercial and imperial expansion. These latter novels attempted to forestall the self-incurred liabilities of a nation whose unprecedented reach and power tempted it to universalize and export its own customs, to treat them as simply equivalent to a globally applicable civilization. For many Victorian novelists, a nation facing the prospect of being able to go and to exercise its influence just about anywhere in the world also faced the danger of turning itself into a cultural nowhere. The complex autoethnographic work of nineteenth-century British novels was thus a labor to disorient or de-globalize British national imaginings, and novelists mobilized and freighted with new significance some basic elements of prose narrative in their efforts to write British culture into being. Sure to provoke debate, this book offers a commanding reassessment of a major moment in the history of British literature.
Publisher: Princeton University Press
ISBN: 1400826675
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
This book gives an ambitious revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Brontë, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. Disorienting Fiction shows how English Victorian novels appropriated and anglicized an autoethnographic mode of fiction developed early in the nineteenth century by the Irish authors of the National Tale and, most influentially, by Walter Scott. Buzard demonstrates that whereas the fiction of these non-English British subjects devoted itself to describing and defending (but also inventing) the cultural autonomy of peripheral regions, the English novels that followed them worked to imagine limited and mappable versions of English or British culture in reaction against the potential evacuation of cultural distinctiveness threatened by Britain's own commercial and imperial expansion. These latter novels attempted to forestall the self-incurred liabilities of a nation whose unprecedented reach and power tempted it to universalize and export its own customs, to treat them as simply equivalent to a globally applicable civilization. For many Victorian novelists, a nation facing the prospect of being able to go and to exercise its influence just about anywhere in the world also faced the danger of turning itself into a cultural nowhere. The complex autoethnographic work of nineteenth-century British novels was thus a labor to disorient or de-globalize British national imaginings, and novelists mobilized and freighted with new significance some basic elements of prose narrative in their efforts to write British culture into being. Sure to provoke debate, this book offers a commanding reassessment of a major moment in the history of British literature.
The Byron Gallery
Author:
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 134
Book Description
Publisher:
ISBN:
Category : Women
Languages : en
Pages : 134
Book Description
Romantic Cosmopolitanism
Author: E. Wohlgemut
Publisher: Springer
ISBN: 0230250998
Category : History
Languages : en
Pages : 212
Book Description
Romantic Cosmopolitanism shows how cosmopolitanism in the early nineteenth century offers a non-unified formulation of the nation that stands in contrast to more unified models such as Edmund Burke's which found nationality in, among other things, language, history, blood and geography.
Publisher: Springer
ISBN: 0230250998
Category : History
Languages : en
Pages : 212
Book Description
Romantic Cosmopolitanism shows how cosmopolitanism in the early nineteenth century offers a non-unified formulation of the nation that stands in contrast to more unified models such as Edmund Burke's which found nationality in, among other things, language, history, blood and geography.
Bardic Nationalism
Author: Katie Trumpener
Publisher: Princeton University Press
ISBN: 0691223246
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.
Publisher: Princeton University Press
ISBN: 0691223246
Category : Literary Criticism
Languages : en
Pages : 447
Book Description
This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday." During the late eighteenth century, antiquaries in Ireland, Scotland, and Wales answered modernization and anglicization initiatives with nationalist arguments for cultural preservation. Responding in particular to Enlightenment dismissals of Gaelic oral traditions, they reconceived national and literary history under the sign of the bard. Their pathbreaking models of national and literary history, their new way of reading national landscapes, and their debates about tradition and cultural transmission shaped a succession of new novelistic genres, from Gothic and sentimental fiction to the national tale and the historical novel. In Ireland and Scotland, these genres were used to mount nationalist arguments for cultural specificity and against "internal colonization." Yet once exported throughout the nascent British empire, they also formed the basis of the first colonial fiction of Canada, Australia, and British India, used not only to attack imperialism but to justify the imperial project. Literary forms intended to shore up national memory paradoxically become the means of buttressing imperial ideology and enforcing imperial amnesia.