Casting the Parthenon Sculptures from the Eighteenth Century to the Digital Age PDF Download
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Author: Emma M. Payne
Publisher: Bloomsbury Publishing
ISBN: 1350120367
Category : Social Science
Languages : en
Pages : 279
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Book Description
Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism.
Author: Emma M. Payne
Publisher: Bloomsbury Publishing
ISBN: 1350120367
Category : Social Science
Languages : en
Pages : 279
Get Book Here
Book Description
Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism.
Author: Emma M. Payne
Publisher: Bloomsbury Publishing
ISBN: 1350120359
Category : Social Science
Languages : en
Pages : 224
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Book Description
Through the 19th century, as archaeology started to emerge as a systematic discipline, plaster casting became a widely-adopted technique, newly applied by archaeologists to document and transmit discoveries from their expeditions. The Parthenon sculptures were some of the first to be cast. In the late 18th century and the first years of the 19th century, the French artist Fauvel and Lord Elgin's men conducted campaigns on the Athenian Acropolis. Both created casts of parts of the Parthenon sculptures that they did not remove and these were sent back to France and Britain where they were esteemed and displayed alongside other, original sections. Henceforth, casting was established as an essential archaeological tool and grew exponentially over the course of the century. Such casts are now not only fascinating historical objects but may also be considered time capsules, capturing the details of important ancient works when they were first moulded in centuries past. This book examines the role of 19th century casts as an archaeological resource and explores how their materiality and spread impacted the reception of the Parthenon sculptures and other Greek and Roman works. Investigation of their historical context is combined with analysis of new digital models of the Parthenon sculptures and their casts. Sensitive 3D imaging techniques allow investigation of the surface markings of the objects in exceptionally fine detail and enable quantitative comparative studies comparing the originals and the casts. The 19th century casts are found to be even more accurate, but also complex, than anticipated; through careful study of their multiple layers, we can retrieve surface information now lost from the originals through weathering and vandalism.
Author: Annetta Alexandridis
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110757966
Category : Art
Languages : en
Pages : 620
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Book Description
Based on two international conferences held at Cornell University and the Freie Universität of Berlin in 2010 and 2015, this volume is the first ever to explicitly address the destruction of plaster cast collections of ancient Mediterranean and Western sculpture. Focusing on Europe, the Americas, and Japan, art historians, archaeologists and a literary scholar discuss how different museum and academic traditions – national as well as disciplinary –, notions of value and authenticity, or colonialism impacted the fate of collections. The texts offer detailed documentation of degrees of destruction by spectacular acts of defacement, demolition, discarding, or neglect. They also shed light on the accompanying discourses regarding aesthetic ideals, political ideologies, educational and scholarly practices, or race. With destruction being understood as a critical part of reception, the histories of cast collections defy the traditional, homogenous narrative of rise and decline. Their diverse histories provide critical evidence for rethinking the use and display of plaster cast collections in the contemporary moment.
Author: Ian Dennis Jenkins
Publisher: Harvard University Press
ISBN: 9780674026926
Category : Art
Languages : en
Pages : 152
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Book Description
The Parthenon sculptures in the British Museum are unrivaled examples of classical Greek art, an inspiration to artists and writers since their creation in the fifth century bce. A superb visual introduction to these wonders of antiquity, this book offers a photographic tour of the most famous of the surviving sculptures from ancient Greece, viewed within their cultural and art-historical context. Ian Jenkins offers an account of the history of the Parthenon and its architectural refinements. He introduces the sculptures as architecture--pediments, metopes, Ionic frieze--and provides an overview of their subject matter and possible meaning for the people of ancient Athens. Accompanying photographs focus on the pediment sculptures that filled the triangular gables at each end of the temple; the metopes that crowned the architrave surmounting the outer columns; and the frieze that ran around the four sides of the building, inside the colonnade. Comparative images, showing the sculptures in full and fine detail, bring out particular features of design and help to contrast Greek ideas with those of other cultures. The book further reflects on how, over 2,500 years, the cultural identity of the Parthenon sculptures has changed. In particular, Jenkins expands on the irony of our intimate knowledge and appreciation of the sculptures--a relationship far more intense than that experienced by their ancient, intended spectators--as they have been transformed from architectural ornaments into objects of art.
Author: John Boardman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Photographs of the sculptures which decorate the Parthenon in Athens are accompanied by a discussion of the historical, social, and religious significance of the temple.
Author: Olga Palagia
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 190
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Book Description
An introduction and interim report on the statues of the pediments of the Parthenon in Athens, Greece, carved in the 5th century B.C. Describes and illustrates the individual statues in each pediment, incorporating technical, stylistic, and iconographic remarks. Reviews the discussions of the problems by archaeologists since about 1953, and presents new proposals by Palagia (classical archaeology, U. of Athens) for restorations. Includes many original photographs and drawings. The first English-language treatment of the subject, and the first in any language since 1963. Annotation copyright by Book News, Inc., Portland, OR
Author: Christopher Hitchens
Publisher: Verso
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
In 1801, Lord Elgin removed some of the Parthenon's most beautiful sculptures to Britain, sparking a controversy which continues to this day. Hitchens recounts the history of the Elgin Marbles, and forcefully argues for their return to Greece.
Author: Panayotis Tournikiotis
Publisher:
ISBN:
Category : Athens (Greece)
Languages : en
Pages : 376
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Book Description
Few if any would dispute the Parthenon's position as the most important monument in Western civilization. In its art and architecture, it is the ultimate expression of the golden age of Pericles, when democracy was born.
Author: Panayotis Tournikio
Publisher: Harry N. Abrams
ISBN: 9780810963146
Category : Architecture
Languages : en
Pages : 368
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Book Description
Few if any would dispute the Parthenon's position as the most important monument in Western civilization. In its art and architecture, it is the ultimate expression of the golden age of Pericles, when democracy was born. But few also realize that the Parthenon achieved that "ideal" status only in relatively modern times; until the late eighteenth century, when the first detailed pictures of the structure were published and the Elgin Marbles removed to London, the Parthenon was perceived only as a superb work of the Classical Greek period. As work now proceeds atop the Acropolis on the restoration of the monument, what better time for a multifaceted examination of the Parthenon. This fascinating volume brings together eleven original essays by noted scholars and writers, each of whom offers a different perspective on this greatest of all cultural monuments. In addition to providing detailed descriptions of the sculpture and architecture of the Parthenon, the essays treat such diverse topics as the place of the Parthenon in the history and theory of modern architecture, depictions of the Parthenon in art through the ages, the Parthenon as appreciated by contemporary Greek society, and the Parthenon in the consciousness of modern Greek poets and thinkers.
Author: Jenifer Neils
Publisher: Cambridge University Press
ISBN: 9780521820936
Category : Art
Languages : en
Pages : 468
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Book Description
Provides an overview of a classical monument interjected with the discoveries of modern scholarship.
