Author: Senator Cassiodorus
Publisher: Paulist Press
ISBN: 9780809104413
Category : Religion
Languages : en
Pages : 628
Book Description
The composition of this work can be allotted to the period of the 540s and 550s. Cassiodorus deploys the psalms not only for the purposes of instruction in theology and hermeneutics, but also to inculcate a general education in eloquence. +
Cassiodorus: Psalms 1-50
Author: Senator Cassiodorus
Publisher: Paulist Press
ISBN: 9780809104413
Category : Religion
Languages : en
Pages : 628
Book Description
The composition of this work can be allotted to the period of the 540s and 550s. Cassiodorus deploys the psalms not only for the purposes of instruction in theology and hermeneutics, but also to inculcate a general education in eloquence. +
Publisher: Paulist Press
ISBN: 9780809104413
Category : Religion
Languages : en
Pages : 628
Book Description
The composition of this work can be allotted to the period of the 540s and 550s. Cassiodorus deploys the psalms not only for the purposes of instruction in theology and hermeneutics, but also to inculcate a general education in eloquence. +
Psalms 1-50
Author: Craig A. Blaising
Publisher: InterVarsity Press
ISBN: 0830814779
Category : Religion
Languages : en
Pages : 487
Book Description
The Psalms have long served a vital role in the individual and corporate lives of Christians. The church fathers employed the Psalms widely—as hymns, Scripture readings, counsel on morals, forms for prayer, and apologetic and doctrinal wisdom. In this ACCS volume readers will find rich comment and theological reflection from more than sixty-five ancient authors.
Publisher: InterVarsity Press
ISBN: 0830814779
Category : Religion
Languages : en
Pages : 487
Book Description
The Psalms have long served a vital role in the individual and corporate lives of Christians. The church fathers employed the Psalms widely—as hymns, Scripture readings, counsel on morals, forms for prayer, and apologetic and doctrinal wisdom. In this ACCS volume readers will find rich comment and theological reflection from more than sixty-five ancient authors.
The Psalms(Volume 2, Psalms 1–50)
Author: Christopher Ash
Publisher: Crossway
ISBN: 1433563924
Category : Religion
Languages : en
Pages : 626
Book Description
Commentary from Christopher Ash Sets Out a Deeply Christian Study of Psalms 1–50 While reading Psalms, it is common for commentaries to focus on Old Testament meaning, without connecting it deeply to Christ's fulfillment in the New Testament. By studying Scripture this way, believers miss out on the fullness of God's word. The key to experiencing authentically Christian worship is learning a Christ-focused approach to praying and singing the Psalms. In this thorough commentary, Christopher Ash provides a careful treatment of Psalms 1–50, examining each psalm's significance to David and the other psalmists, to Jesus during his earthly ministry, and to the church of Christ in every age. Ash includes introductory quotations, a deep analysis of the text's structure and vocabulary, and a closing reflection and response, along with selected quotations from older readings of the Psalms. Perfect for pastors, Bible teachers, and students, this commentary helps readers sing and pray the Psalms with Christ in view. Exhaustive: Christopher Ash's exegesis explores how the Psalms are quoted and echoed throughout the New Testament Applicable and Heartfelt: Explains how a Christ-centered approach to reading the Psalms influences doctrines of prayer, prophecy, the Trinity, ecclesiology, and more Ideal for Pastors and Serious Students of Scripture: Written for Bible teachers, Sunday school and youth leaders, and small-group leaders
Publisher: Crossway
ISBN: 1433563924
Category : Religion
Languages : en
Pages : 626
Book Description
Commentary from Christopher Ash Sets Out a Deeply Christian Study of Psalms 1–50 While reading Psalms, it is common for commentaries to focus on Old Testament meaning, without connecting it deeply to Christ's fulfillment in the New Testament. By studying Scripture this way, believers miss out on the fullness of God's word. The key to experiencing authentically Christian worship is learning a Christ-focused approach to praying and singing the Psalms. In this thorough commentary, Christopher Ash provides a careful treatment of Psalms 1–50, examining each psalm's significance to David and the other psalmists, to Jesus during his earthly ministry, and to the church of Christ in every age. Ash includes introductory quotations, a deep analysis of the text's structure and vocabulary, and a closing reflection and response, along with selected quotations from older readings of the Psalms. Perfect for pastors, Bible teachers, and students, this commentary helps readers sing and pray the Psalms with Christ in view. Exhaustive: Christopher Ash's exegesis explores how the Psalms are quoted and echoed throughout the New Testament Applicable and Heartfelt: Explains how a Christ-centered approach to reading the Psalms influences doctrines of prayer, prophecy, the Trinity, ecclesiology, and more Ideal for Pastors and Serious Students of Scripture: Written for Bible teachers, Sunday school and youth leaders, and small-group leaders
Psalms Through the Centuries, Volume 1
Author: Susan Gillingham
Publisher: John Wiley & Sons
ISBN: 0470674903
Category : Religion
Languages : en
Pages : 422
Book Description
This is the first of a two-volume bible commentary covering the Psalms and examining the role of these biblical poems throughout Jewish and Christian history. Provides a fascinating introduction to the literary, historical, and theological background of psalmody Examines the psalms through liturgy and prayer, study and preaching, translation and imitation, and musical composition and artistic illustration Includes illustrations of significant psalms, helpful maps, and an extensive bibliography; an expanded bibliography to accompany the book is also available at www.wiley.com/go/gillingham A forthcoming second volume is planned, which will take an alternative psalm-by-psalm approach Now available in paperback, and published in the innovative reception-history series, Blackwell Bible Commentaries
Publisher: John Wiley & Sons
ISBN: 0470674903
Category : Religion
Languages : en
Pages : 422
Book Description
This is the first of a two-volume bible commentary covering the Psalms and examining the role of these biblical poems throughout Jewish and Christian history. Provides a fascinating introduction to the literary, historical, and theological background of psalmody Examines the psalms through liturgy and prayer, study and preaching, translation and imitation, and musical composition and artistic illustration Includes illustrations of significant psalms, helpful maps, and an extensive bibliography; an expanded bibliography to accompany the book is also available at www.wiley.com/go/gillingham A forthcoming second volume is planned, which will take an alternative psalm-by-psalm approach Now available in paperback, and published in the innovative reception-history series, Blackwell Bible Commentaries
Ecclesial Exegesis
Author: Gregory Vall
Publisher: CUA Press
ISBN: 0813235227
Category : Religion
Languages : en
Pages : 374
Book Description
There is broad support today for the idea that biblical scholarship ought to be informed by the faith of the Church and serve the life of the Church. In a word, it should be ecclesial. There is far less agreement, however, when one asks how this goal is to be achieved and what ecclesial exegesis ought to look like. In 1988, Joseph Ratzinger put forth his "Method C" proposal, calling for the development of a new exegetical and hermeneutical synthesis. This would be neither a retreat to the patristic-medieval approach (Method A) nor the continued hegemony of the historical-critical approach (Method B). The latter must be purified of its positivism through a transformational encounter with the former, so that the gifts of both might be released for the life of the Church. Such a synthesis, Ratzinger claimed, would require the philosophical, theological, exegetical, and hermeneutical work of "at least a whole generation" of scholars. Gregory Vall has devoted over thirty years to the development of ecclesial exegesis, and the present volume represents the mature fruit of his labor. Over against those who treat Dei Verbum as Vatican II's endorsement of the historical-critical method, he demonstrates that the dogmatic constitution actually points to something very much like Ratzinger's Method C. Employing a dialogic movement between the inductive-exegetical and the deductive-dogmatic, Vall offers nine studies that bring to the surface issues such as the relationship between Old Testament and New Testament, literal sense and spiritual sense, and Scripture and Tradition. While Vall brings theological knowledge and hermeneutical skill to the quest for Method C, he also provides a great deal of valuable exegesis of both testaments. Ecclesial Exegesis is not simply another book of theory. It demonstrates how Method C can be done.
Publisher: CUA Press
ISBN: 0813235227
Category : Religion
Languages : en
Pages : 374
Book Description
There is broad support today for the idea that biblical scholarship ought to be informed by the faith of the Church and serve the life of the Church. In a word, it should be ecclesial. There is far less agreement, however, when one asks how this goal is to be achieved and what ecclesial exegesis ought to look like. In 1988, Joseph Ratzinger put forth his "Method C" proposal, calling for the development of a new exegetical and hermeneutical synthesis. This would be neither a retreat to the patristic-medieval approach (Method A) nor the continued hegemony of the historical-critical approach (Method B). The latter must be purified of its positivism through a transformational encounter with the former, so that the gifts of both might be released for the life of the Church. Such a synthesis, Ratzinger claimed, would require the philosophical, theological, exegetical, and hermeneutical work of "at least a whole generation" of scholars. Gregory Vall has devoted over thirty years to the development of ecclesial exegesis, and the present volume represents the mature fruit of his labor. Over against those who treat Dei Verbum as Vatican II's endorsement of the historical-critical method, he demonstrates that the dogmatic constitution actually points to something very much like Ratzinger's Method C. Employing a dialogic movement between the inductive-exegetical and the deductive-dogmatic, Vall offers nine studies that bring to the surface issues such as the relationship between Old Testament and New Testament, literal sense and spiritual sense, and Scripture and Tradition. While Vall brings theological knowledge and hermeneutical skill to the quest for Method C, he also provides a great deal of valuable exegesis of both testaments. Ecclesial Exegesis is not simply another book of theory. It demonstrates how Method C can be done.
“My People, What Have I Done to You?”: The Good Friday Popule meus Verses in Chant and Exegesis, c. 380–880
Author: Armin Karim
Publisher: Armin Karim
ISBN:
Category : Music
Languages : en
Pages : 318
Book Description
The Roman Catholic Good Friday liturgy includes a series of chants known today as the Improperia ("Reproaches") beginning with the following text: Popule meus, quid feci tibi? aut in quo contristavi te? responde mihi. Quia eduxi te de terra Egypti, parasti crucem Salvatori tuo ("My people, what have I done to you, or in what have I grieved you? Answer me. Because I led you out of the land of Egypt, you prepared a cross for your Savior"). The earliest witness to the chants is a Carolingian liturgical book from around 880, but it is agreed among scholars that their history extends back farther than this. Employing comparative analysis of Biblical exegesis, chant texts, and chant melodies, this study suggests that the initial chant verse, Micah 6:3-4a plus a Christianizing addendum ("My people... you prepared..."), originated in northwestern Italy between the end of the 4th century and the end of the 7th century and carried associations of the Last Judgment, the Passion, and Christian works, penitence, and forgiveness. Although previous scholarship has sometimes pointed to the Reproaches as a key text of Christian anti-Jewish history, it is clear that the initial three verses, the Popule meus verses, originally held allegorical rather than literal meanings. The fact that there are several preserved Popule meus chants across various liturgical repertoires and, moreover, several sets of Popule meus verses in a smaller subset of these repertoires--in northern Italy, southern France, and the Spanish March--bespeaks the pre-Carolingian origins of the Popule meus verses and raises the question of why the verses appear in the Carolingian liturgy when they do. This study proposes that the Popule meus verses were incorporated into the Carolingian liturgy at the Abbey of Saint-Denis under the abbacy of Charles the Bald (867-77). In the Adoration of the Cross ceremony adopted from Rome, paired with the Greek Trisagion, and carrying Gallican melody and meaning, the Carolingian Popule meus verses would have been an ecumenical declaration, as they spread, of the expediency of the crucified Christ and a penitent people, even in the face of impending political disintegration.
Publisher: Armin Karim
ISBN:
Category : Music
Languages : en
Pages : 318
Book Description
The Roman Catholic Good Friday liturgy includes a series of chants known today as the Improperia ("Reproaches") beginning with the following text: Popule meus, quid feci tibi? aut in quo contristavi te? responde mihi. Quia eduxi te de terra Egypti, parasti crucem Salvatori tuo ("My people, what have I done to you, or in what have I grieved you? Answer me. Because I led you out of the land of Egypt, you prepared a cross for your Savior"). The earliest witness to the chants is a Carolingian liturgical book from around 880, but it is agreed among scholars that their history extends back farther than this. Employing comparative analysis of Biblical exegesis, chant texts, and chant melodies, this study suggests that the initial chant verse, Micah 6:3-4a plus a Christianizing addendum ("My people... you prepared..."), originated in northwestern Italy between the end of the 4th century and the end of the 7th century and carried associations of the Last Judgment, the Passion, and Christian works, penitence, and forgiveness. Although previous scholarship has sometimes pointed to the Reproaches as a key text of Christian anti-Jewish history, it is clear that the initial three verses, the Popule meus verses, originally held allegorical rather than literal meanings. The fact that there are several preserved Popule meus chants across various liturgical repertoires and, moreover, several sets of Popule meus verses in a smaller subset of these repertoires--in northern Italy, southern France, and the Spanish March--bespeaks the pre-Carolingian origins of the Popule meus verses and raises the question of why the verses appear in the Carolingian liturgy when they do. This study proposes that the Popule meus verses were incorporated into the Carolingian liturgy at the Abbey of Saint-Denis under the abbacy of Charles the Bald (867-77). In the Adoration of the Cross ceremony adopted from Rome, paired with the Greek Trisagion, and carrying Gallican melody and meaning, the Carolingian Popule meus verses would have been an ecumenical declaration, as they spread, of the expediency of the crucified Christ and a penitent people, even in the face of impending political disintegration.
Hebrew Psalms and the Utrecht Psalter
Author: Pamela Berger
Publisher: Penn State Press
ISBN: 0271092718
Category : Religion
Languages : en
Pages : 465
Book Description
In a major departure from previous scholarship, this volume argues that the illustrations in the famous and widely influential Utrecht Psalter manuscript were inspired by a late antique Hebrew version of Psalms, rather than a Latin, Christian version of the text. Produced during the early ninth century in a workshop near Reims, France, the Utrecht Psalter is illustrated with pen-and-ink drawings in a lively style reminiscent of Hellenistic art. The motifs are largely literal renditions of words and phrases found in the book of Psalms. However, more than three dozen motifs cannot be explained by either the Latin text that accompanies the imagery or the commentaries of the church fathers. Through a close reading of the Hebrew Psalms, Pamela Berger demonstrates that these motifs can be explained only by the Hebrew text, the Jewish commentary, or Jewish art. Drawing comparisons between the “Hellenistic” style of the Psalter images and the style of late antique Galilean mosaics and using evidence from recent archaeological discoveries, Berger argues that the model for those Psalter illustrations dependent on the Hebrew text was produced in the Galilee. Pioneering and highly persuasive, this book resolves outstanding issues surrounding the origins of one of the most extensively studied illuminated manuscripts. It will be mandatory reading for many historians of medieval art and literature and for those interested in the Hebrew text of the book of Psalms.
Publisher: Penn State Press
ISBN: 0271092718
Category : Religion
Languages : en
Pages : 465
Book Description
In a major departure from previous scholarship, this volume argues that the illustrations in the famous and widely influential Utrecht Psalter manuscript were inspired by a late antique Hebrew version of Psalms, rather than a Latin, Christian version of the text. Produced during the early ninth century in a workshop near Reims, France, the Utrecht Psalter is illustrated with pen-and-ink drawings in a lively style reminiscent of Hellenistic art. The motifs are largely literal renditions of words and phrases found in the book of Psalms. However, more than three dozen motifs cannot be explained by either the Latin text that accompanies the imagery or the commentaries of the church fathers. Through a close reading of the Hebrew Psalms, Pamela Berger demonstrates that these motifs can be explained only by the Hebrew text, the Jewish commentary, or Jewish art. Drawing comparisons between the “Hellenistic” style of the Psalter images and the style of late antique Galilean mosaics and using evidence from recent archaeological discoveries, Berger argues that the model for those Psalter illustrations dependent on the Hebrew text was produced in the Galilee. Pioneering and highly persuasive, this book resolves outstanding issues surrounding the origins of one of the most extensively studied illuminated manuscripts. It will be mandatory reading for many historians of medieval art and literature and for those interested in the Hebrew text of the book of Psalms.
The Bible in the Early Irish Church, A.D. 550 to 850
Author: Martin McNamara
Publisher: BRILL
ISBN: 9004512136
Category : History
Languages : en
Pages : 353
Book Description
This book aims at bringing together and providing all the information which was available to early Irish writers from Columbanus (6th century) onwards as far as the greater commentators (Sedulius Scottus, Scottus Eriugena) about 850.
Publisher: BRILL
ISBN: 9004512136
Category : History
Languages : en
Pages : 353
Book Description
This book aims at bringing together and providing all the information which was available to early Irish writers from Columbanus (6th century) onwards as far as the greater commentators (Sedulius Scottus, Scottus Eriugena) about 850.
Fragmented Memory
Author: Nicoletta Bruno
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110742098
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
Chance, in addition to the unavoidable ambiguity caused by time, is one of the main guilty parties in the transmission of ancient texts – or lack thereof. However, the same cannot be said for what concerns the mechanisms of selection and loss of historical and literary memory, where the voluntary awareness of obscuring is often part of a precise aim, thus leading the cultural memory of a literate society to become fragmented. The present volume explores the devices and criteria of selection and loss in Ancient and Medieval texts and the subsequent fragmentation of such literature, but it also addresses the questions of the damnatio memoriae, of literary strategies such as reticence and omission, as well as of known texts deemed lost but re-found thanks to state-of-the-art methods in digitization. The many and diverse nuances of the concepts of omission, selection, and loss throughout Ancient and Medieval literature and history are illustrated through a number of case studies in the four sections of this volume, each examining a different facet of the topic: ‘Mechanisms and criteria of textual loss and selection’, ‘Lost texts re-discovered’, ‘Voluntary omissions and desire for oblivion’, and ‘Re-working the known’.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110742098
Category : Literary Criticism
Languages : en
Pages : 362
Book Description
Chance, in addition to the unavoidable ambiguity caused by time, is one of the main guilty parties in the transmission of ancient texts – or lack thereof. However, the same cannot be said for what concerns the mechanisms of selection and loss of historical and literary memory, where the voluntary awareness of obscuring is often part of a precise aim, thus leading the cultural memory of a literate society to become fragmented. The present volume explores the devices and criteria of selection and loss in Ancient and Medieval texts and the subsequent fragmentation of such literature, but it also addresses the questions of the damnatio memoriae, of literary strategies such as reticence and omission, as well as of known texts deemed lost but re-found thanks to state-of-the-art methods in digitization. The many and diverse nuances of the concepts of omission, selection, and loss throughout Ancient and Medieval literature and history are illustrated through a number of case studies in the four sections of this volume, each examining a different facet of the topic: ‘Mechanisms and criteria of textual loss and selection’, ‘Lost texts re-discovered’, ‘Voluntary omissions and desire for oblivion’, and ‘Re-working the known’.
A New Song
Author: Stephen D. Campbell
Publisher: Lexham Academic
ISBN: 1683596927
Category : Religion
Languages : en
Pages : 215
Book Description
The fresh riches of biblical poetry for communities of faith A New Song includes nine essays on the hidden intricacies of poetry in the Hebrew Bible, ten poems in dialogue with biblical poetry, and three reflective responses. On Reading Genesis 49: How Hebrew Poetry Communicates Then and Now (John Goldingay) Shirat Ha-Yam (the Song of the Sea) in Jewish and Christian Liturgical Tradition (C.T.R. Hayward) Hannah's Prayer (1 Samuel 2:1–10): On the Interface of Poetics and Ethics in an Embedded Poem (David G. Firth) Bending the Silence: Reading Psalms through the Arts (Ellen F. Davis) Psalms "Translated" for Life in the 21st Century – A South African perspective (June F. Dickie) Prosody and Preaching: Poetic Form and Religious Function in Biblical Verse (Benjamin D. Sommer) "With Fists Flailing at the Gates of Heaven": Wrestling with Psalm 88, A Psalm for Chronic Illness (Shai Held) Truth and Hidden Things: Reading Isaiah 45:9–25 as Scripture (Katie M. Heffelfinger) The Dynamic Relationship between God and Man in the Book of Hosea: A Dynamic – Synchronic Reading (Yisca Zimran) Poems by Maria Apichella, Kilby Austin, Edward Clarke, Jacqueline Osherow, Micheal O'Siadhail, Richard G. Rohlfing Jr., and Jock Stein. Edited by Stephen D. Campbell, Richard G. Rohlfing Jr., and Richard S. Briggs, A New Song brings together a diverse roster of Jewish and Christian scholars to explore biblical Hebrew poetic texts within the context—and for the benefit—of communities of faith. These thoughtful essays and poems encourage readers to join in the singing of the old songs anew.
Publisher: Lexham Academic
ISBN: 1683596927
Category : Religion
Languages : en
Pages : 215
Book Description
The fresh riches of biblical poetry for communities of faith A New Song includes nine essays on the hidden intricacies of poetry in the Hebrew Bible, ten poems in dialogue with biblical poetry, and three reflective responses. On Reading Genesis 49: How Hebrew Poetry Communicates Then and Now (John Goldingay) Shirat Ha-Yam (the Song of the Sea) in Jewish and Christian Liturgical Tradition (C.T.R. Hayward) Hannah's Prayer (1 Samuel 2:1–10): On the Interface of Poetics and Ethics in an Embedded Poem (David G. Firth) Bending the Silence: Reading Psalms through the Arts (Ellen F. Davis) Psalms "Translated" for Life in the 21st Century – A South African perspective (June F. Dickie) Prosody and Preaching: Poetic Form and Religious Function in Biblical Verse (Benjamin D. Sommer) "With Fists Flailing at the Gates of Heaven": Wrestling with Psalm 88, A Psalm for Chronic Illness (Shai Held) Truth and Hidden Things: Reading Isaiah 45:9–25 as Scripture (Katie M. Heffelfinger) The Dynamic Relationship between God and Man in the Book of Hosea: A Dynamic – Synchronic Reading (Yisca Zimran) Poems by Maria Apichella, Kilby Austin, Edward Clarke, Jacqueline Osherow, Micheal O'Siadhail, Richard G. Rohlfing Jr., and Jock Stein. Edited by Stephen D. Campbell, Richard G. Rohlfing Jr., and Richard S. Briggs, A New Song brings together a diverse roster of Jewish and Christian scholars to explore biblical Hebrew poetic texts within the context—and for the benefit—of communities of faith. These thoughtful essays and poems encourage readers to join in the singing of the old songs anew.