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Author: Frances Henry
Publisher: Univ. Press of Mississippi
ISBN: 1496825462
Category : History
Languages : en
Pages : 191
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Book Description
Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.
Author: Frances Henry
Publisher: Univ. Press of Mississippi
ISBN: 1496825462
Category : History
Languages : en
Pages : 191
Get Book Here
Book Description
Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.
Author: Frances Henry
Publisher: Univ. Press of Mississippi
ISBN: 1496825489
Category : History
Languages : en
Pages : 210
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Book Description
Contributions by Darrell Gerohn Baksh, Jan de Cosmo, Frances Henry, Jeff Henry, Adanna Kai Jones, Samantha Noel, Dwaine Plaza, Philip W. Scher, and Asha St. Bernard Women are performing an ever-growing role in Caribbean Carnival. Through a feminist perspective, this volume examines the presence of women in contemporary Carnival by demonstrating not only their strength in numbers, but also the ways in which women participate in the event. While decried by traditionalists, the bikinis, beads, and feathers of “pretty mas’” convey both a newly found empowerment as a gendered resistance to oppression from men. Although research on Carnivals is substantial, especially in the Americas, the subject of women in Carnival as a topic of inquiry remains fairly new. These essays address anthropological and historical facets of women and their practices in the Trinidad Carnival, including an analysis of how women’s costuming and performance have changed over time. The modern costumes, which are well within the financial means of most mas’ players, demonstrate the new power of women who can now afford these outfits. In discussing the commodification and erotization of Carnival, the book emphasizes the unveiling of the female body and the hip-rolling sexual movements called winin or it. Through display of their bodies, contemporary women in Carnival express a form of female resistance. Intent on enjoying and expressing themselves, they seem invigorated by their place in the economy, as well as their sexuality, defying the moral controls imposed on them. Through an array of methods in qualitative research, including interviews, participant observation, and ethnography, this volume explains the new power of women in the evolution of Carnival mas’ in Trinidad amid the wider Caribbean diaspora.
Author: Stuart James
Publisher: Cutting Edge
ISBN: 9781952138805
Category :
Languages : en
Pages : 146
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Book Description
A sensational story of sex and struggle set against the flaming background of a traveling carnival, where kind hearts clash with ruthless passions, and savage lust takes the place of love.. A pretty face, a love hungry body of nurturing beauty...Norma is young and green. Norma has fought to keep her virginiity since the age of twelve from the hands of her drunken, lustful stepfather. She flees from home and keeps going for three crazy days, heading west without money or clothes. She joins a traveling carnival and becomes their star performer, the sexy sensation of the show, the sensual woman every man wanted to possess and every woman wanted to be. But she's swept up in a sweet, aching glorious storm of passion and pleasure that threatens to consume her...body and soul. "Max Gareth" was the pseudonym of Stuart James, author of Bucks County Report and Frisco Flat, among other novels.
Author: Garth L. Green
Publisher: Indiana University Press
ISBN: 0253116724
Category : Social Science
Languages : en
Pages : 546
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Book Description
Like many Caribbean nations, Trinidad has felt the effects of globalization on its economy, politics, and expressive culture. Even Carnival, once a clandestine folk celebration, has been transformed into a major transnational festival. In Trinidad Carnival, Garth L. Green, Philip W. Scher, and an international group of scholars explore Carnival as a reflection of the nation and culture of Trinidad and Trinidadians worldwide. The nine essays cover topics such as women in Carnival, the politics and poetics of Carnival, Carnival and cultural memory, Carnival as a tourist enterprise, the steelband music of Carnival, Calypso music on the world stage, Carnival and rap, and Carnival as a global celebration. For readers interested in the history and current expression of Carnival, this volume offers a multidimensional and transnational view of Carnival as a representation of Trinidad and Caribbean culture everywhere. Contributors are Robin Balliger, Shannon Dudley, Pamela R. Franco, Patricia A. de Freitas, Ray Funk, Garth L. Green, Donald R. Hill, Lyndon Phillip, Victoria Razak, and Philip W. Scher.
Author: Susan Meiselas
Publisher: Steidl Dap
ISBN: 9783882439540
Category : Photography
Languages : en
Pages : 163
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Book Description
From 1972 to 1975, Susan Meiselas spent her summers photographing and interviewing women who performed striptease for smalltown carnivals in New England, Pennsylvania and South Carolina. As she followed the girl shows from town to town, she portrayed the dancers on stage and off, photographing their public performances as well as their private lives. She also taped interviews with the dancers, their boyfriends, the show managers and paying customers. Meiselas' frank description of the lives of these women brought a hidden world to public attention. Produced during the early years of the women's movement, "Carnival Strippers" reflects the struggle for identity and self-esteem that characterized a complex era of change. This revised edition contains a new selection of Meiselas' black-and-white photographs together with the original interview excerpts. Additionally, an audio CD featuring a collage of participants' voices and a 1977 interview with the photographer are included. Essays by Sylvia Wolf and Deirdre English reflect on the importance of this body of work within the history of photography and the history of feminism.
Author:
Publisher:
ISBN:
Category : Church work with women
Languages : en
Pages : 306
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Book Description
Author: Jerome R. Mintz
Publisher: Routledge
ISBN: 1000180816
Category : Social Science
Languages : en
Pages : 226
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Book Description
Carnival songs resemble a tabloid newspaper in their verve, spirit and range of themes. They are a measure of social change and an annual summary of events and opinion. The songs involve considerable artistry and are renowned as well for their raucous humor and vulgar concerns. (Promiscuity and sexual misalliances are common subjects.) Banned by Franco during the Spanish Civil War, the Cádiz carnival began a revival in the 1960's following decades of repression. This fascinating book examines carnival song and society during the last years of the Franco dictatorship and the succeeding period of the new constitutional monarchy, when the Andalusians found their voice and Carnival enjoyed an extraordinary florescence. Songs from rural and urban carnivals in several locales throughout the province of Cádiz provide a compelling picture of Andalusian life in both troubled and more flourishing times.
Author: Phyllis Horne
Publisher: Createspace Independent Pub
ISBN: 9781475138771
Category : Biography & Autobiography
Languages : en
Pages : 256
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Book Description
Some people talk about running away to join the carnival-but Phyllis Horne really did it. At 14, she was stuck in a home where abuse and alcoholism were the norm so she headed out to find something better. Living under a bridge, Horne was taken in by carnies-carnival workers-who showed her the ways of the carnies' gypsy life. Soon Horne was traveling from city to city, relishing her new career and gathering stories as she went. But working for the carnival wasn't all fun and games-Horne endured brushes with the law, broken relationships and family trials. But she rose above those challenges to eventually own her own businesses and earn a comfortable retirement in Idaho. A master storyteller, Horne will charm you with her absorbing tales of the carneys lifestyle and her rise to success. You will be inspired to realize anyone-even a young runaway at the carnival-can experience the American dream. Your life will be changed! Jesus picked a Italian Mafia boyfriend to be one of my angle in my life. A true love story. 2nd. addition.
Author: David G. Shepherd
Publisher: Rodopi
ISBN: 9789051834505
Category : Language Arts & Disciplines
Languages : en
Pages : 368
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Book Description
Author: Jennifer Atkins
Publisher: LSU Press
ISBN: 0807167576
Category : History
Languages : en
Pages : 254
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Book Description
As Jennifer Atkins suggests in New Orleans Carnival Balls, Mardi Gras has a secret side. After masking and parading through the streets, krewes retreat to theaters, convention centers, and banquet halls to spend the evening at lavish balls where krewe members could cultivate their sense of fraternity and celebrate their shared values. Atkins uses the concept of dance as a lens for examining Carnival, allowing her to delve deeper into the historical context and distinctive rituals of Mardi Gras in New Orleans. Dancing is a particularly illuminating social practice, and by using it to probe into old-line festivities, Atkins is able to decode the mysterious rituals that have mostly remained secret. Beyond presenting readers with a new means of thinking about Mardi Gras, Atkins’s work situates dance as culturally and socially relevant to historical inquiry, contributing to our understanding of the usefulness of dance in examining the past.
