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Author: Carlo Goldoni
Publisher: Smith & Kraus
ISBN: 9781880399729
Category : City and town life
Languages : en
Pages : 0
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Book Description
Translation and condensation of eighteenth century Italian playwright Carlo Goldoni's Villeggiatura, comedic trilogy in which two young women compete for the latest fashions and the attentions of an appealing young man.
Author: Carlo Goldoni
Publisher: Smith & Kraus
ISBN: 9781880399729
Category : City and town life
Languages : en
Pages : 0
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Book Description
Translation and condensation of eighteenth century Italian playwright Carlo Goldoni's Villeggiatura, comedic trilogy in which two young women compete for the latest fashions and the attentions of an appealing young man.
Author: Carlo Goldoni
Publisher: Smith & Kraus
ISBN:
Category : Drama
Languages : en
Pages : 228
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Book Description
Author: Robin Healey
Publisher: University of Toronto Press
ISBN: 1442642696
Category : Literary Criticism
Languages : en
Pages : 1185
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Book Description
"Italian Literature before 1900 in English Translation provides the most complete record possible of texts from the early periods that have been translated into English, and published between 1929 and 2008. It lists works from all genres and subjects, and includes translations wherever they have appeared across the globe. In this annotated bibliography, Robin Healey covers over 5,200 distinct editions of pre-1900 Italian writings. Most entries are accompanied by useful notes providing information on authors, works, translators, and how the translations were received. Among the works by over 1,500 authors represented in this volume are hundreds of editions by Italy's most translated authors - Dante Alighieri, [Niccoláo] Machiavelli, and [Giovanni] Boccaccio - and other hundreds which represent the author's only English translation. A significant number of entries describe works originally published in Latin. Together with Healey's Twentieth-Century Italian Literature in English Translation, this volume makes comprehensive information on translations accessible for schools, libraries, and those interested in comparative literature."--Pub. desc.
Author: Jane House
Publisher: Columbia University Press
ISBN: 9780231071185
Category : Drama
Languages : en
Pages : 648
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Book Description
This volume of Twentieth-Century Italian Drama covers the period spanning from the end of the nineteenth century to that immediately following World War II, displaying the rich breadth of Italian theater in the modern age, from the comedic legacy carried on by such writers as Eduardo De Filippo to the delicate tragedy of playwrights like Federigo Tozzi.Included are seven full-length plays, five one-act plays, one variety sketch, and three futurist sintesi (sketches). Brief introductions preceding each play contextualize the piece within the various movements in Italian theater, and biographies of the editors and translators appear at the end of the volume. An extensive bibliography offers many suggestions for further reading in English.The playwrights included are Gabriele D'Annunzio, Filippo Tommaso Marinetti, Ettore Petrolini, Raffaele Viviani, Pier Maria Rosso di San Secondo, Federigo Tozzi, Massimo Bontempelli, Achille Campanile, Italo Svevo, Luigi Pirandello, Eduardo De Filippo, and Ugo Betti.
Author: Robert J. Andreach
Publisher: McFarland
ISBN: 0786492651
Category : Performing Arts
Languages : en
Pages : 200
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Book Description
The dramatic trilogy has been flourishing for some time now in new works and revivals of older works by American, British, and European playwrights. This book analyzes recent American works by Caucasian, African American, Asian American, and Hispanic American men and women. There are five chapters beginning with Opposing Families (trilogies of, e.g., Lanford Wilson, Foote, Machado, and McCraney are examined). Carson, Rabe, and McLaughlin are among those in the Classical Reimaginings chapter while Coen, Berc, and Wolfe constitute the Medieval Reimaginings chapter. Van Itallie, Havis, Rapp, and Hwang, among others, create New Forms. LaBute, Fierstein, and Nelson, among others, create New Selves. The concluding chapter is devoted to Ruhl's Passion Play, which spans 400 years of theatre-creating from Elizabethan England to Hitler's Germany to the Reagan era in America.
Author: Carlo Goldoni
Publisher:
ISBN:
Category :
Languages : en
Pages : 178
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Book Description
Author: Scott Malia
Publisher: Lexington Books
ISBN: 0739181920
Category : Literary Criticism
Languages : en
Pages : 139
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Book Description
Giorgio Strehler Directs Carlo Goldoni uses Giorgio Strehler’s Goldoni productions (and Arlecchino servitore di due padroni in particular) as a means to defining his directorial aesthetic. The book provides a framework for examining the director’s career that is expansive rather than restrictive, using Goldoni and Arlecchino servitore di due padroni as a through-line for Strehler’s fifty-year career at the Piccolo Teatro di Milano. This research defines Strehler’s multifaceted style and brings to light interrelationships among his various works, creating a base from which a variety of subsequent critical inquiries can be made. It also establishes Strehler’s identity within the larger scope of the Italian theatre as a whole. Finally, it creates the critical challenge of finding more expansive notions of directorial style and concept that unite diverse ideologies without delimiting our understanding of the director. Crucial to understanding Strehler’s work with Arlecchino servitore di due padroni is his consistent reinterpretation of the play, which received no less than five distinct productions during Strehler’s lengthy career. His repeated reworking of existing productions provides a baseline for examining what elements were maintained and what elements changed or evolved. The four key influences that defined Strehler’s aesthetic in his work with Arlecchino were commedia dell’Arte, Bertolt Brecht, “refractive theatricality” and Jacques Copeau. Through these productions, Strehler created a dialogue with his audience and helped change the reputation of Carlo Goldoni both in his own country and abroad.
Author: Carlo Goldoni
Publisher:
ISBN:
Category : Italian drama
Languages : en
Pages : 356
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Book Description
The three plays that make up The Holiday Trilogy are among the most outstanding works of Goldoni's maturity. Written in 1761, and published here for the first time in English, these plays take us behind the scenes as two Northern Italian families and their respective entourages prepare for a fashionable stay in the country, and in the process forsake all their cherished precepts of bourgeois prudence and parsimony. What starts out as a relatively straightforward satire, rather benevolently castigating the middle class for its craven infatuation with appearances, later develops into a scathing indictment of its entire system of values, with each of the three plays contributing an ever bleaker portrayal of social fatuity and mendacity. At the mercy of fashion's every whim, the middle class is mercilessly caught in the act of aping the aristocracy, clumsily grappling with trends it cannot comprehend, ignorant as it is of the underlying codes of savoir-faire. But Goldoni takes comedy's traditional decision of the bourgeoisie's fashion foibles to an extreme which can only be ascribed to sheer comical genius. Indeed, as this tripartite work unfolds, the extent to which Goldoni succeeds in subverting the very constrictions of his favorite genre becomes increasingly evident, the bittersweet finale constituting a fittingly ambivalent rendition of comedy's requisite happy end. The Holiday Trilogy is the first of a series of volumes that Marsilio plans to devote to the works of the great Venetian playwright, under the editorship of Franco Fido, to commemorate the bicentennial of Goldoni's death. Anthony Oldcorn's version of the Trilogy received one of the 1993 Kayden Translation Awards.
Author: Jackson I. Cope
Publisher: Duke University Press
ISBN: 9780822317609
Category : Drama
Languages : en
Pages : 240
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Book Description
Modern vernacular comedy took shape in early sixteenth-century Italy with the many plays adapted from and modeled on Plautine New Comedy. As Jackson I. Cope demonstrates in this study, some Italian dramatists reacted to the widespread success of this genre with a counterparadigm, a comedy that exploits secrecy as form. In both historically and critically engaging fashion, Cope identifies and examines this major development in Italian theater. Though outwardly similar to New Comedy with its characteristically harmonious closure, this essentially anti-Plautine form employs a secret--known by the audience but unequally shared among the players--to introduce a radical discrepancy between simultaneous stories unfolding in a single action doubly understood. The result is a plot that is misleading at the surface, contingent and unfinished at its end. The audience, in a position of enforced collusion with regard to the secret, becomes a formal ingredient in the production. The play, more cynical than carnivalesque, opens onto vistas of disruption and deception rather than closing on a note of renewed social harmony. Cope's close and original readings of both classic and lesser-known plays by Machiavelli, Ruzante, Cecchi, Grazzini, Fagiuoli, Maggi, and others follow this peculiarly Italian, anti-Plautine paradigm through variations across three centuries to its masterful and complex culmination in Carlo Goldoni's villeggiatura trilogy. Establishing a new comedic canon that demands a revision of Italian dramatic history and the history of European dramatic theory, Secret Sharers in Italian Comedy makes an important contribution to Italian studies and will also attract readers among theater scholars in English, comparative literature, and drama.
Author: Mike Alfreds
Publisher:
ISBN:
Category : Theater programs
Languages : en
Pages : 36
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Book Description
