Author: Yvonne Daniel
Publisher: University of Illinois Press
ISBN: 0252036530
Category : History
Languages : en
Pages : 298
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Book Description
In Caribbean and Atlantic Diaspora Dance: Igniting Citizenship, Yvonne Daniel provides a sweeping cultural and historical examination of diaspora dance genres. In discussing relationships among African, Caribbean, and other diasporic dances, Daniel investigates social dances brought to the islands by Europeans and Africans, including quadrilles and drum-dances as well as popular dances that followed, such as Carnival parading, Pan-Caribbean danzas,rumba, merengue, mambo, reggae, and zouk. Daniel reviews sacred dance and closely documents combat dances, such as Martinican ladja, Trinidadian kalinda, and Cuban juego de maní. In drawing on scores of performers and consultants from the region as well as on her own professional dance experience and acumen, Daniel adeptly places Caribbean dance in the context of cultural and economic globalization, connecting local practices to transnational and global processes and emphasizing the important role of dance in critical regional tourism.
Author: Ofosuwa M. Abiola
Publisher: Routledge
ISBN: 9781003150343
Category : History
Languages : en
Pages : 168
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Book Description
"Fire Under My Feet seeks to expose the diverse, significant, and often under-researched historical and developmental phenomena revealed by studies in the dance systems of the African Diaspora. In the book, written documentation and diverse methodologies are buttressed by the experiences of those whose lives are built around the practice of African diaspora dance. Replete with original perspectives, this book makes a significant contribution to dance and African diaspora scholarship simultaneously. Most important, it highlights the work of researchers from Ecuador, India, Puerto Rico, the United States, and the United Kingdom, and it exposes under-researched and omitted voices of the African diaspora dance world of the aforesaid locations and Puerto Rico, Columbia, and Trinidad as well. This study showcases a blend of scholars, dance practitioners, and interdisciplinarity, and engages the relationship between African diaspora dance and the fields of history, performance studies, critical race theory, religion, identity, and black agency"--
Author: Lydia Platón Lázaro
Publisher: Springer
ISBN: 1137471808
Category : Performing Arts
Languages : en
Pages : 130
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Book Description
How did Caribbean rituals helped form new currents in the performing and visual arts of the United States? This book answers this question through an examination of the Caribbean-inspired dance creations of dancer/choreographer Katherine Dunham and the experimental films of avant-garde filmmaker Maya Deren.
Author: Kariamu Welsh
Publisher: University of Illinois Press
ISBN: 0252051815
Category : Performing Arts
Languages : en
Pages : 423
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Book Description
The popularity and profile of African dance have exploded across the African diaspora in the last fifty years. Hot Feet and Social Change presents traditionalists, neo-traditionalists, and contemporary artists, teachers, and scholars telling some of the thousands of stories lived and learned by people in the field. Concentrating on eight major cities in the United States, the essays challenges myths about African dance while demonstrating its power to awaken identity, self-worth, and community respect. These voices of experience share personal accounts of living African traditions, their first encounters with and ultimate embrace of dance, and what teaching African-based dance has meant to them and their communities. Throughout, the editors alert readers to established and ongoing research, and provide links to critical contributions by African and Caribbean dance experts. Contributors: Ausettua Amor Amenkum, Abby Carlozzo, Steven Cornelius, Yvonne Daniel, Charles “Chuck” Davis, Esailama G. A. Diouf, Indira Etwaroo, Habib Iddrisu, Julie B. Johnson, C. Kemal Nance, Halifu Osumare, Amaniyea Payne, William Serrano-Franklin, and Kariamu Welsh
Author: Mamadou Diouf
Publisher: University of Michigan Press
ISBN: 0472070967
Category : History
Languages : en
Pages : 278
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Book Description
Collected essays exploring the origins and evolution of music and dance in Afro-Atlantic culture
Author: Kerri-Noelle Humphrey
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 204
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Book Description
Author: Aminata Cairo
Publisher: Cambridge Scholars Publishing
ISBN: 1527541169
Category : Social Science
Languages : en
Pages : 295
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Book Description
This volume examines the theme of fusion in Caribbean dance from a wide range of perspectives, including its socio-cultural-historical formation. The contributions are drawn from a conference entitled “Caribbean Fusion Dance Works: Rituals of Modern Society”, which focused primarily on the Caribbean as a unique locale. However, chapters on dance fusions in other diasporic locations and the sustainability of dance as an art form are also included here in order to offer a sense of an inevitable and, in some instances, desirable evolution due to the globalizing forces that continue to influence dance.
Author: Patrick Taylor
Publisher: Indiana University Press
ISBN: 0253108586
Category : Religion
Languages : en
Pages : 233
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Book Description
Nation Dance Religion, Identity, and Cultural Difference in the Caribbean Edited by Patrick Taylor Addresses the interplay of diverse spiritual, religious, and cultural traditions across the Caribbean. Dealing with the ongoing interaction of rich and diverse cultural traditions from Cuba and Jamaica to Guyana and Surinam, Nation Dance addresses some of the major contemporary issues in the study of Caribbean religion and identity. The book's three sections move from a focus on spirituality and healing, to theology in social and political context, and on to questions of identity and diaspora. The book begins with the voices of female practitioners and then offers a broad, interdisciplinary examination of Caribbean religion and culture. Afro-Caribbean religions, Hinduism, Judaism, Islam, and Christianity are all addressed, with specific reflections on SanterÃa, Palo Monte, Vodou, Winti, Obeah, Kali Mai, Orisha work, Spiritual Baptist faith, Spiritualism, Rastafari, Confucianism, Congregationalism, Pentecostalism, Catholicism, and liberation theology. Some essays are based on fieldwork, archival research, and textual or linguistic analysis, while others are concerned with methodological or theoretical issues. Contributors include practitioners and scholars, some very established in the field, others with fresh, new approaches; all of them come from the region or have done extensive fieldwork or research there. In these essays the poetic vitality of the practitioner's voice meets the attentive commitment of the postcolonial scholar in a dance of "nations" across the waters. Patrick Taylor, Associate Professor in the Division of Humanities and in the Graduate Programme in Social and Political Thought at York University, Toronto, is past Deputy Director of the Centre for Research on Latin America and the Caribbean and Editor-in-Chief of the Caribbean Religions Project. He is author of The Narrative of Liberation: Perspectives on Afro-Caribbean Literature, Popular Culture and Politics and co-editor of Forging Identities and Patterns of Development in Latin America and the Caribbean. His articles have appeared in Callaloo, Studies in Religion, and other scholarly journals and books. May 2001 224 pages, 1 b&w photo, 1 map, 6 1/8 x 9 1/4, bibl., index cloth 0-253-33835-2 $39.95 L / £30.50 paper 0-253-21431-9 $18.95 s / £14.50 books. Contents Acknowledgments Dancing the Nation: An Introduction,Patrick Taylor I. Spirituality, Healing and the Divine Across the Waters: Practitioners Speak, Eva Fernandez, Yvonne B. Drakes, and Deloris Seiveright How Shall We Sing the Lord's Song in a Strange Land? Constructing the Divine in Caribbean Contexts, Althea Prince Communicating with our Gods: The Language of Winti, Petronella Breinburg The Intersemiotics of Obeah and Kali Mai in Guyana, Frederick Ivor Case Religions of African Origin in Cuba: A Gender Perspective, MarÃa Margarita Castro Flores II. Theology, Society and Politics Sheba's Song: The Bible, the Kebra Nagast and the Rastafari, Patrick Taylor Themes from West Indian Church History in Colonial and Post-Colonial Times, Arthur C. Dayfoot Congregationalism and Afro-Guyanese Autonomy, Juanita de Barros Eden after Eve: Christian Fundamentalism and Women in Barbados, Judith Soares Current Evolution of Relations between Religion and Politics in Haiti, Laënnec Hurbon III. Religion, Identity, and Diaspora Jamaican Diasporic Identity: The Metaphor of Yaad, Barry Chevannes Identity, Personhood and Religion in Caribbean Context, Abrahim H. Khan SanfancÃ3n: Orientalism, Self-Orientalization, and "Chinese Religion" in Cuba, Frank F. Scherer The Diasporic Mo(ve)ment: Indentureship and Indo-Caribbean Identity, Sean Lokaisingh-Meighoo Caribbean Religions: A Selected Bibliography
Author: Viktoria Tafferner-Gulyas
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
As primary sources, I used Katherine Dunham's original recordings of diaspora dances of the Caribbean and her modern dance choreography titled L'Ag'Ya to look for evidence for the paradigm shift from "primitive" to "diaspora" in representation of Black identity in dance also with the aim of detecting the elements that produce cultural difference in dance.
Author: Susanna Sloat
Publisher:
ISBN: 9780813025490
Category : Performing Arts
Languages : en
Pages : 408
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Book Description
A range of approaches, from the anthropological to the literary and from the practical to the creative, allows for a thorough exploration of these dances in the distinct yet interrelated contexts of social history, tradition/ritual, and performance. Connections are made among a fascinating array of dances, both familiar and little known, from culturally based dances to newly created performance pieces. Particular emphasis is placed on the African contribution in making Caribbean dance distinctive. Photos, maps, and an extensive glossary of terms round out the book to make it the most complete resource on Caribbean dance to date."--BOOK JACKET.
