Author: George Cumberland
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773507425
Category : Fiction
Languages : en
Pages : 424
Book Description
The Captive of the Castle of Sennaar is a utopian novel in two parts. In this scholarly edition, G.E. Bentley, Jr, places George Cumberland's late eighteenth-century work among the earliest historical novels in English and identifies it as a rare example of the "Romantic novel." He shows that while each part of the work adopts a very different form of utopia, the two utopias complement and modify one another. He also shows the work to be unusual for the sexual and political freedom encouraged and the Christian fundamentalism advocated, as well as for its setting, in lands never visited by Europeans at the time of writing.
The Captive of the Castle of Sennaar
Author: George Cumberland
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773507425
Category : Fiction
Languages : en
Pages : 424
Book Description
The Captive of the Castle of Sennaar is a utopian novel in two parts. In this scholarly edition, G.E. Bentley, Jr, places George Cumberland's late eighteenth-century work among the earliest historical novels in English and identifies it as a rare example of the "Romantic novel." He shows that while each part of the work adopts a very different form of utopia, the two utopias complement and modify one another. He also shows the work to be unusual for the sexual and political freedom encouraged and the Christian fundamentalism advocated, as well as for its setting, in lands never visited by Europeans at the time of writing.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773507425
Category : Fiction
Languages : en
Pages : 424
Book Description
The Captive of the Castle of Sennaar is a utopian novel in two parts. In this scholarly edition, G.E. Bentley, Jr, places George Cumberland's late eighteenth-century work among the earliest historical novels in English and identifies it as a rare example of the "Romantic novel." He shows that while each part of the work adopts a very different form of utopia, the two utopias complement and modify one another. He also shows the work to be unusual for the sexual and political freedom encouraged and the Christian fundamentalism advocated, as well as for its setting, in lands never visited by Europeans at the time of writing.
The Captive of the Castle of Sennaar, an African Tale: Containing Various Anecdotes of the Sophians Hitherto Unknown to Mankind in General
Author: George Cumberland
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
Book Description
Caught between Worlds
Author: Joe Snader
Publisher: University Press of Kentucky
ISBN: 0813184444
Category : Literary Criticism
Languages : en
Pages : 471
Book Description
The captivity narrative has always been a literary genre associated with America. Joe Snader argues, however, that captivity narratives emerged much earlier in Britain, coinciding with European colonial expansion, the development of anthropology, and the rise of liberal political thought. Stories of Europeans held captive in the Middle East, America, Africa, and Southeast Asia appeared in the British press from the late sixteenth through the late eighteenth centuries, and captivity narratives were frequently featured during the early development of the novel. Until the mid-eighteenth century, British examples of the genre outpaced their American cousins in length, frequency of publication, attention to anthropological detail, and subjective complexity. Using both new and canonical texts, Snader shows that foreign captivity was a favorite topic in eighteenth-century Britain. An adaptable and expansive genre, these narratives used set plots and stereotypes originating in Mediterranean power struggles and relocated in a variety of settings, particularly eastern lands. The narratives' rhetorical strategies and cultural assumptions often grew out of centuries of religious strife and coincided with Europe's early modern military ascendancy. Caught Between Worlds presents a broad, rich, and flexible definition of the captivity narrative, placing the American strain in its proper place within the tradition as a whole. Snader, having assembled the first bibliography of British captivity narratives, analyzes both factual texts and a large body of fictional works, revealing the ways they helped define British identity and challenged Britons to rethink the place of their nation in the larger world.
Publisher: University Press of Kentucky
ISBN: 0813184444
Category : Literary Criticism
Languages : en
Pages : 471
Book Description
The captivity narrative has always been a literary genre associated with America. Joe Snader argues, however, that captivity narratives emerged much earlier in Britain, coinciding with European colonial expansion, the development of anthropology, and the rise of liberal political thought. Stories of Europeans held captive in the Middle East, America, Africa, and Southeast Asia appeared in the British press from the late sixteenth through the late eighteenth centuries, and captivity narratives were frequently featured during the early development of the novel. Until the mid-eighteenth century, British examples of the genre outpaced their American cousins in length, frequency of publication, attention to anthropological detail, and subjective complexity. Using both new and canonical texts, Snader shows that foreign captivity was a favorite topic in eighteenth-century Britain. An adaptable and expansive genre, these narratives used set plots and stereotypes originating in Mediterranean power struggles and relocated in a variety of settings, particularly eastern lands. The narratives' rhetorical strategies and cultural assumptions often grew out of centuries of religious strife and coincided with Europe's early modern military ascendancy. Caught Between Worlds presents a broad, rich, and flexible definition of the captivity narrative, placing the American strain in its proper place within the tradition as a whole. Snader, having assembled the first bibliography of British captivity narratives, analyzes both factual texts and a large body of fictional works, revealing the ways they helped define British identity and challenged Britons to rethink the place of their nation in the larger world.
Selected Poems: Blake
Author: William Blake
Publisher: Penguin UK
ISBN: 0141963131
Category : Poetry
Languages : en
Pages : 525
Book Description
Writer and religious rebel, William Blake ((1757-1827) sowed the seeds for Romanticism in his innovative poems concerning faith and the visions that inspired him throughout his life. Whether describing his own spirituality, the innocence of youth or the corruption caused by mankind, his writings depict a world in which spirits dominate and the mind is the gateway to Heaven. This collection of his greatest works spans his entire poetic life from the early, exquisite lyrics of Poetic Sketches to his Songs of Innocence and Experience - a compelling exploration of good and evil. Together, they illuminate a self-made realm that has fascinated artists and poets as diverse as Wordsworth, Coleridge, Yeats and Ginsberg.
Publisher: Penguin UK
ISBN: 0141963131
Category : Poetry
Languages : en
Pages : 525
Book Description
Writer and religious rebel, William Blake ((1757-1827) sowed the seeds for Romanticism in his innovative poems concerning faith and the visions that inspired him throughout his life. Whether describing his own spirituality, the innocence of youth or the corruption caused by mankind, his writings depict a world in which spirits dominate and the mind is the gateway to Heaven. This collection of his greatest works spans his entire poetic life from the early, exquisite lyrics of Poetic Sketches to his Songs of Innocence and Experience - a compelling exploration of good and evil. Together, they illuminate a self-made realm that has fascinated artists and poets as diverse as Wordsworth, Coleridge, Yeats and Ginsberg.
30 Great Myths about the Romantics
Author: Duncan Wu
Publisher: John Wiley & Sons
ISBN: 1118843177
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Brimming with the fascinating eccentricities of a complex andconfusing movement whose influences continue to resonate deeply,30 Great Myths About the Romantics adds great clarity towhat we know – or think we know – about one ofthe most important periods in literary history. Explores the various misconceptions commonly associated withRomanticism, offering provocative insights that correct and clarifyseveral of the commonly-held myths about the key figures of thisera Corrects some of the biases and beliefs about the Romanticsthat have crept into the 21st-century zeitgeist – for examplethat they were a bunch of drug-addled atheists who believed in freelove; that Blake was a madman; and that Wordsworth slept with hissister Celebrates several of the mythic objects, characters, and ideasthat have passed down from the Romantics into contemporary culture– from Blake’s Jerusalem and Keats’sOde on a Grecian Urn to the literary genre of thevampire Engagingly written to provide readers with a fun yet scholarlyintroduction to Romanticism and key writers of the period, applyingthe most up-to-date scholarship to the series of myths thatcontinue to shape our appreciation of their work
Publisher: John Wiley & Sons
ISBN: 1118843177
Category : Literary Criticism
Languages : en
Pages : 336
Book Description
Brimming with the fascinating eccentricities of a complex andconfusing movement whose influences continue to resonate deeply,30 Great Myths About the Romantics adds great clarity towhat we know – or think we know – about one ofthe most important periods in literary history. Explores the various misconceptions commonly associated withRomanticism, offering provocative insights that correct and clarifyseveral of the commonly-held myths about the key figures of thisera Corrects some of the biases and beliefs about the Romanticsthat have crept into the 21st-century zeitgeist – for examplethat they were a bunch of drug-addled atheists who believed in freelove; that Blake was a madman; and that Wordsworth slept with hissister Celebrates several of the mythic objects, characters, and ideasthat have passed down from the Romantics into contemporary culture– from Blake’s Jerusalem and Keats’sOde on a Grecian Urn to the literary genre of thevampire Engagingly written to provide readers with a fun yet scholarlyintroduction to Romanticism and key writers of the period, applyingthe most up-to-date scholarship to the series of myths thatcontinue to shape our appreciation of their work
Blake, Sexuality and Bourgeois Politeness
Author: Susan Matthews
Publisher: Cambridge University Press
ISBN: 052151357X
Category : Art
Languages : en
Pages : 287
Book Description
Examines Blake's place within a bourgeois culture in the process of redefining the role and meaning of sexuality.
Publisher: Cambridge University Press
ISBN: 052151357X
Category : Art
Languages : en
Pages : 287
Book Description
Examines Blake's place within a bourgeois culture in the process of redefining the role and meaning of sexuality.
Romantic Rocks, Aesthetic Geology
Author: Noah Heringman
Publisher: Cornell University Press
ISBN: 0801457513
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Why are rocks and landforms so prominent in British Romantic poetry? Why, for example, does Shelley choose a mountain as the locus of a "voice... to repeal / large codes of fraud and woe"? Why does a cliff, in the boat-stealing episode of Wordsworth's Prelude, chastise the young thief? Why is petrifaction, or "stonifying," in Blake's coinage, the ultimate figure of dehumanization? Noah Heringman maintains that British literary culture was fundamentally shaped by many of the same forces that created geology as a science in the period 1770–1820. He shows that landscape aesthetics—the verbal and social idiom of landscape gardening, natural history, the scenic tour, and other forms of outdoor "improvement"—provided a shared vernacular for geology and Romanticism in their formative stages.Romantic Rocks, Aesthetic Geology reexamines a wide range of eighteenth- and nineteenth-century poetry to discover its relationship to a broad cultural consensus on the nature and value of rocks and landforms. Equally interested in the initial surge of curiosity about the earth and the ensuing process of specialization, Heringman contributes to a new understanding of literature as a key forum for the modern reorganization of knowledge.
Publisher: Cornell University Press
ISBN: 0801457513
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
Why are rocks and landforms so prominent in British Romantic poetry? Why, for example, does Shelley choose a mountain as the locus of a "voice... to repeal / large codes of fraud and woe"? Why does a cliff, in the boat-stealing episode of Wordsworth's Prelude, chastise the young thief? Why is petrifaction, or "stonifying," in Blake's coinage, the ultimate figure of dehumanization? Noah Heringman maintains that British literary culture was fundamentally shaped by many of the same forces that created geology as a science in the period 1770–1820. He shows that landscape aesthetics—the verbal and social idiom of landscape gardening, natural history, the scenic tour, and other forms of outdoor "improvement"—provided a shared vernacular for geology and Romanticism in their formative stages.Romantic Rocks, Aesthetic Geology reexamines a wide range of eighteenth- and nineteenth-century poetry to discover its relationship to a broad cultural consensus on the nature and value of rocks and landforms. Equally interested in the initial surge of curiosity about the earth and the ensuing process of specialization, Heringman contributes to a new understanding of literature as a key forum for the modern reorganization of knowledge.
The Cambridge Introduction to the Eighteenth-Century Novel
Author: April London
Publisher: Cambridge University Press
ISBN: 1107377595
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
In the eighteenth century, the novel became established as a popular literary form all over Europe. Britain proved an especially fertile ground, with Defoe, Fielding, Richardson and Burney as early exponents of the novel form. The Cambridge Introduction to the Eighteenth-Century Novel considers the development of the genre in its formative period in Britain. Rather than present its history as a linear progression, April London gives an original new structure to the field, organizing it through three broad thematic clusters – identity, community and history. Within each of these themes, she explores the central tensions of eighteenth-century fiction: between secrecy and communicativeness, independence and compliance, solitude and family, cosmopolitanism and nation-building. The reader will gain a thorough understanding of both prominent and lesser-known novels and novelists, key social and literary contexts, the tremendous formal variety of the early novel and its growth from a marginal to a culturally central genre.
Publisher: Cambridge University Press
ISBN: 1107377595
Category : Literary Criticism
Languages : en
Pages : 261
Book Description
In the eighteenth century, the novel became established as a popular literary form all over Europe. Britain proved an especially fertile ground, with Defoe, Fielding, Richardson and Burney as early exponents of the novel form. The Cambridge Introduction to the Eighteenth-Century Novel considers the development of the genre in its formative period in Britain. Rather than present its history as a linear progression, April London gives an original new structure to the field, organizing it through three broad thematic clusters – identity, community and history. Within each of these themes, she explores the central tensions of eighteenth-century fiction: between secrecy and communicativeness, independence and compliance, solitude and family, cosmopolitanism and nation-building. The reader will gain a thorough understanding of both prominent and lesser-known novels and novelists, key social and literary contexts, the tremendous formal variety of the early novel and its growth from a marginal to a culturally central genre.
Blake in Our Time
Author: Karen Mulhallen
Publisher: University of Toronto Press
ISBN: 1442641517
Category : Literary Criticism
Languages : en
Pages : 337
Book Description
Blake in Our Time explores the work of British poet and artist William Blake in the context of the material culture of his era. In the 1960s, University of Toronto scholar G.E. Bentley, Jr almost singlehandedly shifted the focus of Blake criticism from formalism and symbolism to the materiality that contextualizes Blake's work. Following in the footsteps of Bentley's pioneering scholarship, this collection, richly illustrated, demonstrates that the locus of Blake's work lies in the elements that are historically particular to his place and time. Topics include the impact of the town of Chichester on Blake's imagination, the material processes of Blake's painting, the detection of a Blake forgery, and new biographical materials, using archives and online resources, on Blake's contemporaries, patrons, peers, and friends. Essays on the importance of Blake collections world-wide, on variant printings, and on the heirs of Blake in British painting extend the focus of this remarkable investigation to include chalcography and book history.
Publisher: University of Toronto Press
ISBN: 1442641517
Category : Literary Criticism
Languages : en
Pages : 337
Book Description
Blake in Our Time explores the work of British poet and artist William Blake in the context of the material culture of his era. In the 1960s, University of Toronto scholar G.E. Bentley, Jr almost singlehandedly shifted the focus of Blake criticism from formalism and symbolism to the materiality that contextualizes Blake's work. Following in the footsteps of Bentley's pioneering scholarship, this collection, richly illustrated, demonstrates that the locus of Blake's work lies in the elements that are historically particular to his place and time. Topics include the impact of the town of Chichester on Blake's imagination, the material processes of Blake's painting, the detection of a Blake forgery, and new biographical materials, using archives and online resources, on Blake's contemporaries, patrons, peers, and friends. Essays on the importance of Blake collections world-wide, on variant printings, and on the heirs of Blake in British painting extend the focus of this remarkable investigation to include chalcography and book history.
Blake and Tradition
Author: Kathleen Raine
Publisher: Routledge
ISBN: 1136630589
Category : Literary Criticism
Languages : en
Pages : 449
Book Description
Blake and Tradition is an investigation of the sources of Blake's knowledge of the Neoplatonic and Hermetic tradition and allied currents of thought. The volumes contain what was then new information on Blake's vast fund of exact knowledge in these fields, and Kathleen Raine interprets his works in the light of the ideas that originally inspired and informed them. The core of this important work of scholarship formed the A. W. Mellon Lectures in the Fine Arts in 1962 at the National Gallery of Art in Washington. The expanded, two-volume work was originally published by Routledge & Kegan Paul in 1969.
Publisher: Routledge
ISBN: 1136630589
Category : Literary Criticism
Languages : en
Pages : 449
Book Description
Blake and Tradition is an investigation of the sources of Blake's knowledge of the Neoplatonic and Hermetic tradition and allied currents of thought. The volumes contain what was then new information on Blake's vast fund of exact knowledge in these fields, and Kathleen Raine interprets his works in the light of the ideas that originally inspired and informed them. The core of this important work of scholarship formed the A. W. Mellon Lectures in the Fine Arts in 1962 at the National Gallery of Art in Washington. The expanded, two-volume work was originally published by Routledge & Kegan Paul in 1969.