Cambridge Checkpoints VCE Text Guides: Cloudstreet by Tim Winton

Cambridge Checkpoints VCE Text Guides: Cloudstreet by Tim Winton PDF Author: Judy Eastman
Publisher: Cambridge University Press
ISBN: 113994455X
Category : Juvenile Nonfiction
Languages : en
Pages : 62

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Book Description
Cambridge Checkpoints VCE Text Guides are an invaluable digital resource for all students of senior English. This guide for Area of Study 1 will help you develop the confidence you need to write essays throughout the year, and to build your skills in reading and responding in readiness for the end of year exam. Cambridge Checkpoints VCE Text Guides for Area of Study 1 offer you: ; Detailed character analysis ; Discussion of themes, ideas and values ; A focus on the language features and conventions of your text ; Revision questions ; Sample topics ; Practice essays and essay writing tips ; Comprehensive reference lists

Cambridge Checkpoints VCE Text Guides: Cloudstreet by Tim Winton

Cambridge Checkpoints VCE Text Guides: Cloudstreet by Tim Winton PDF Author: Judy Eastman
Publisher: Cambridge University Press
ISBN: 113994455X
Category : Juvenile Nonfiction
Languages : en
Pages : 62

Get Book

Book Description
Cambridge Checkpoints VCE Text Guides are an invaluable digital resource for all students of senior English. This guide for Area of Study 1 will help you develop the confidence you need to write essays throughout the year, and to build your skills in reading and responding in readiness for the end of year exam. Cambridge Checkpoints VCE Text Guides for Area of Study 1 offer you: ; Detailed character analysis ; Discussion of themes, ideas and values ; A focus on the language features and conventions of your text ; Revision questions ; Sample topics ; Practice essays and essay writing tips ; Comprehensive reference lists

I for Isobel

I for Isobel PDF Author: Amy Witting
Publisher: Text Publishing
ISBN: 1922148741
Category : Fiction
Languages : en
Pages : 201

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Book Description
Winner of the Barbara Ramsden Prize, 1990. This was life: no sooner had you built yourself your little raft and felt secure than it came to pieces under you and you were swimming again. Born into a world without welcome, Isobel observes it as warily as an alien trying to pass for a native. Her collection of imaginary friends includes the Virgin Mary and Sherlock Holmes. Later she meets Byron, W.H. Auden and T.S. Eliot. Isobel is not so much at ease with the flesh-and-blood people she meets, and least of all with herself, until a lucky encounter and a little detective work reveal her identity and her true situation in life. I for Isobel, a modern-day Australian classic, was followed by Isobel on the Way to the Corner Shop, winner of the Age Book of the Year Award. Amy Witting was born in Annandale, an inner suburb of Sydney, in 1918. She attended Sydney University, then taught French and English in state schools. Beginning late in life she published six novels, including The Visit, I for Isobel, Isobel on the Way to the Corner Shop and Maria's War; two collections of short stories; two books of verse, Travel Diary and Beauty is the Straw; and her Collected Poems. 'When we come to write the history of Australian writing in the twentieth century, the strange case of Amy Witting will be there to haunt us. Here is a writer who not only has great gifts - the kind of expert and mimetic gifts that would impel instant recognition from someone who admired a fine-lined American naturalist like William Maxwell - but a realist who has an effortless immediacy and a compelling sense of drama that should have ensured the widest kind of appeal, the sort of appeal that Helen Garner could command in her fiction-writing days. And yet this woman who published in the New Yorker and commanded the respect of Kenneth Slessor was scarcely encouraged during the long grey sleep of Australian fiction publishing. It wasn't until the publication of I for Isobel...that Witting gained a national profile.' Peter Craven 'Australia's Amy Witting is comparable to Jean Rhys, but she has more starch, or vinegar. The effect is bracing.' New Yorker 'Isobel is instinctively searching for a lost part of her substance, the very memory of which has been obliterated. Prompted by her inexplicable sense of loss, she goes on her way, deviating, baffled, yet rejecting substitutes. To call the ending happy is to say both too much and too little. Was the lost part also searching for her? Amy Witting's admirers will find this novel as distinctive and compelling as her stories and her poetry.' Jessica Anderson '[Witting] lays bare with surgical precision the dynamics of families, sibling, students in coffee shops, office coteries. One sometimes feels positively winded with unsettling insights. There is something relentless, almost unnerving in her anatomising of foibles, fears obsessions, private shame, the nature of loneliness, the nature of panic.' Janette Turner Hospital 'A beautifully but unobtrusively honed style, a marvellous ear for dialogue, a generous understanding of the complex waywardness of men and women.' Andrew Riemer 'Terrific - incredibly wise...When I finished it I went straight back to the first page.' Cate Kennedy

Heinemann VCE Zone

Heinemann VCE Zone PDF Author: Anne Matheson
Publisher: Heinemann
ISBN: 9781740817141
Category : Mathematics
Languages : en
Pages : 248

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Book Description


Australian Indigenous Drama

Australian Indigenous Drama PDF Author: Mark Eckersley
Publisher:
ISBN:
Category : Aboriginal Australians
Languages : en
Pages :

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Book Description
"This blog, and the book it's taken from, 'Australian Indigenous Drama' (2012) attempt to provide a general overview of Australian Indigenous Drama through giving some insight into its history, cultural background, perspectives and practices. It attempts to provide a link between the dramatic elements in more traditional ceremonies and the vibrant Indigenous Theatre which evolved in the 1970's and remains pivotal to the Australian theatre scene today in the 21st Century. Australian indigenous performing arts have always been a complex integration of different narratives and cross-arts dialogue, and the preference of some western commentators to centre observations about Indigenous drama on the written word and on plays and playwriting, takes away from long traditions and the richness of Indigenous drama as a living dialogue between traditions, ceremonies, forms and individual and shared histories. It is deceptive to think of Indigenous Australian playwrights like Kevin Gilbert, Jack Davis, Jimmy Chi, and Wesley Enoch as writers who sat alone in a room (or in Kevin Gilbert's case, in a jail cell) and simply wrote what have become seminal pieces of Australian drama. Rather these artists have shared their stories, their histories and their skills in various ways and through various performing arts and in conjunction with other indigenous artists. This helps to make gatherings such as the rehearsals for Out of the Dark (1951), the Indigenous Tent Embassy performances (1970-71), the workshops held at the beginning of the Sydney Black Theatre (1972) and the 1st National Black PlaywrightâĨœs Conference (1987) more understandable as central to the development of Australian Indigenous Drama. It may seem daunting to directors, classroom teachers and drama educators to study Australian Indigenous Drama and include material about Indigenous culture in studies of drama but the experiences are well worth it. This material is written for a broad range of readers. Firstly, for those at university and high school studying drama and theatre and then for IB Theatre, A Level, HSC and VCE Senior Drama and Theatre Studies school students. It provides information, material for research and practical exercises for the study of Australian indigenous drama as part of a World Theatre context. For university students and teachers, it offers an overview of Australian indigenous drama while providing materials and suggestions of avenues that students may want to explore further. For those interested in the performance of indigenous drama and those who see regular live theatre, it provides an insight into a very important part of the landscape of modern Australian theatre. Australian Indigenous drama, like traditional indigenous belief systems, tends to embrace a complex network of human, geographic and spiritual relationships. Australian indigenous drama is not just a form that can be replicated, because it involves approaches and perspectives that are unique to indigenous culture. It involves many dramatic aspects from traditional dreamtime dance drama through to the social realist dramas of the 1970âĨœs and the 1980âĨœs through to the post-modern Australian Indigenous drama of the 1990âĨœs and early 21st century..." -- From blogs first post.

Bypass

Bypass PDF Author: Michael McGirr
Publisher: Text Publishing
ISBN: 192245933X
Category : Biography & Autobiography
Languages : en
Pages : 334

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Book Description
A classic in its own right, this personal and public memoir by one of Australia's most observant and genial writers graces our bookshelves once again.

The Story of the Miracles at Cookie's Table

The Story of the Miracles at Cookie's Table PDF Author: Wesley Enoch
Publisher: Currency Press Pty Limited
ISBN:
Category : Drama
Languages : en
Pages : 84

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Book Description
In the 1870's a girl is born under a tree -- her birth tree -- chosen to give her strength and wisdom. When the tree is cut down she follows it into the white man's world, working as a cook for the big house on the island. Her tree has become a kitchen table, one she will pass down through successive generations as a legacy -- a way of carving out her family stories. Now, generations later, a young man and his mother fight for ownership of the table. Directed by Marion Potts, the play is full of humour and is deeply affecting. Gently peeling away the layers of storytelling, it reveals the communal binds that lie beneath them. A moving testament to culture lived, lost and found, the strength of family, adapting and gathering together. 2 acts, 2 male, 2 female.

Yanagai! Yanagai!

Yanagai! Yanagai! PDF Author: Andrea James
Publisher: Currency Press Pty Limited
ISBN: 9781925005776
Category : Biography & Autobiography
Languages : en
Pages : 0

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Book Description
Annotation We are in a mythical landscape on the banks of a mighty river. The Yorta Yorta know him as Dhungula. The white fellas call it The Murray. A clan of storytellers has gathered to invoke the beautiful place they once knew; to sing it into being. Some are stories of remembering, others are told so that they may never happen again. Children and elders, spirits and ghosts, dingoes and min-min lights are threaded together in these tales of colonial law, a people and their land. The land rights struggle of the Yorta Yorta people continues today. (4 male, 1 female).

The Cake Man

The Cake Man PDF Author: Robert J. Merritt
Publisher: Woollahra, N.S.W. : Currency Press
ISBN: 9780868190143
Category : Aboriginal Australians
Languages : en
Pages : 0

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Book Description
Tells of the crushing poverty, courage and despair of life on a NSW Aboriginal mission.

We are Going

We are Going PDF Author: Oodgeroo Noonuccal
Publisher: Brisbane : Jacaranda Press
ISBN:
Category : Aboriginal Australian poetry
Languages : en
Pages : 46

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Book Description
"... The first book of poems to be published by an Australian aboriginal" -- Foreword.

Privileging Australian Indigenous Knowledge: Sweet Potatoes, Spiders, Waterlilys, and Brick Walls

Privileging Australian Indigenous Knowledge: Sweet Potatoes, Spiders, Waterlilys, and Brick Walls PDF Author: Nerida Blair
Publisher: Common Ground Publishing
ISBN: 9781612298184
Category : History
Languages : en
Pages : 292

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Book Description
Based on the author's thesis (doctoral).