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Author: Frederick W. Mote
Publisher: Shambhala Publications
ISBN:
Category : Art
Languages : en
Pages : 274
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Book Description
By the time the Gutenberg Bible appeared in Germany in 1456, printing had already been known in the East for some five hundred years. The Chinese had made movable type from ceramic and from wood in the eleventh century, and the Koreans developed the technique of casting type in bronze, iron, and various alloys. In East Asia, this revolutionary technology was intimately connected with the art of calligraphy, which reached supreme aesthetic heights espeically in China. It is this aspect of East Asian printing that gives it an impressive place in the history of art. [This book] carefully examines the influence of the different styles of calligraphy on the making of books both before and after the advent of printing. First exploring early forms of writing such as inscriptions on bone, bamboo strips, and bronzes, the authors go on to trace the historic stages of bookmaking, from handwritten scrolls on silk and paper to block-printed books and, finally, the products of early modern times, printined with movable metal type. Illustrated with photographs of one hundred and twenty-nine items selected for exhibition at the Art Museum, Princeton University, this book is also a catalogue of treasures from the University's Gest Library, a collection of almost half a million rare and valuable volumes in Chinese, Japanese, Korean, and other languages.-- Book Jacket.
Author: Frederick W. Mote
Publisher: Shambhala Publications
ISBN:
Category : Art
Languages : en
Pages : 274
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Book Description
By the time the Gutenberg Bible appeared in Germany in 1456, printing had already been known in the East for some five hundred years. The Chinese had made movable type from ceramic and from wood in the eleventh century, and the Koreans developed the technique of casting type in bronze, iron, and various alloys. In East Asia, this revolutionary technology was intimately connected with the art of calligraphy, which reached supreme aesthetic heights espeically in China. It is this aspect of East Asian printing that gives it an impressive place in the history of art. [This book] carefully examines the influence of the different styles of calligraphy on the making of books both before and after the advent of printing. First exploring early forms of writing such as inscriptions on bone, bamboo strips, and bronzes, the authors go on to trace the historic stages of bookmaking, from handwritten scrolls on silk and paper to block-printed books and, finally, the products of early modern times, printined with movable metal type. Illustrated with photographs of one hundred and twenty-nine items selected for exhibition at the Art Museum, Princeton University, this book is also a catalogue of treasures from the University's Gest Library, a collection of almost half a million rare and valuable volumes in Chinese, Japanese, Korean, and other languages.-- Book Jacket.
Author: Abé Markus Nornes
Publisher: University of Michigan Press
ISBN: 0472902431
Category : Social Science
Languages : en
Pages : 175
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Book Description
Drawing on a millennia of calligraphy theory and history, Brushed in Light examines how the brushed word appears in films and in film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC cinemas. This includes silent era intertitles, subtitles, title frames, letters, graffiti, end titles, and props. Markus Nornes also looks at the role of calligraphy in film culture at large, from gifts to correspondence to advertising. The book begins with a historical dimension, tracking how calligraphy is initially used in early cinema and how it is continually rearticulated by transforming conventions and the integration of new technologies. These chapters ask how calligraphy creates new meaning in cinema and demonstrate how calligraphy, cinematography, and acting work together in a single film. The last part of the book moves to other regions of theory. Nornes explores the cinematization of the handwritten word and explores how calligraphers understand their own work.
Author: Kazuaki Tanahashi
Publisher: Shambhala Publications
ISBN: 1611801346
Category : Art
Languages : en
Pages : 401
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Book Description
Its history, techniques, aesthetics, and philosophy—with an in-depth practical guide to understanding and drawing 150 characters A guide to the history and enjoyment of Chinese and Japanese calligraphy that offers the possibility of appreciating it in a hands-on way—with step-by-step instructions for brushing 150 classic characters. This book is a comprehensive and accessible introduction to the history and art of calligraphy as it's been practiced for centuries in China, Japan, and elsewhere in Asia. It works as a guide for the beginner hoping to develop an appreciation for Asian calligraphy, for the person who wants to give calligraphy-creation a try, as well as for the expert or afficionado who just wants to browse through and exult in lovely examples. It covers the history and development of the art, then the author invites the reader to give it a try. The heart of the book, called "Master Samples and Study," presents 150 characters--from "action" to "zen"--each in a two-page spread. On each verso page the character is presented in three different styles, each one chosen for its beauty and identified by artist when possible. The character's meaning, pronunciation (in Chinese, Japanese, Korean, and Vietnamese), etymology, the pictograph from which it evolved, and other notes of interest are included. At the bottom of the page the stroke order is shown: the sequence of brush movements, numbered in their traditional order. On each facing recto page is Kaz's own interpretation of the character, full page.
Author: Susan O'Leary
Publisher: Shambhala Publications
ISBN: 0834844389
Category : Art
Languages : en
Pages : 194
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Book Description
A beautifully curated presentation of the Thousand Character Essay, a masterpiece of Chinese calligraphy that has served as the art form's classic manual for over 1,400 years. Sung to infants as a lullaby, used to teach reading and writing, and employed as library index codes, the Thousand Character Essay is China's most widely used and beloved calligraphy textbook. Composed by the literary giant Zhou Xingsi and handwritten by sixth-century Buddhist monk Zhiyong, this masterful work has endured for centuries as the standard guide for brush writing both in formal and cursive scripts. Delight in One Thousand Characters brings this sublime body of art-as-text to English-speaking readers through its translation and explanation by calligraphers and artists Kazuaki Tanahashi and Susan O'Leary. Preserving the renowned beauty of monk Zhiyong's only extant handwriting, the book visually depicts the traditional script through extensive imagery, including a full, one-hundred-strip edition of Zhiyong's calligraphy. All images also have corresponding commentary explaining the meaning of each character. Essays and appendices by Tanahashi and O'Leary detail the fascinating history, geographic range, and aesthetic nuance of the essay and of Zhiyong's rendering--essential material to be familiar with the history, thought, literature, and art of East Asian civilization. For calligraphers, Delight in One Thousand Characters can serve as an advanced primer for practicing both formal and cursive Chinese calligraphy.
Author: Qianshen Bai
Publisher: BRILL
ISBN: 1684173809
Category : Art
Languages : en
Pages : 368
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Book Description
"For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303–361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today.A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607–1685). Because his work spans the late Ming–early Qing divide, it is an ideal prism through which to view the transformation in calligraphy.Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social, and political processes behind it. Among other subjects, the book covers the late Ming interaction between high and low culture; the role of publishing; the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history."
Author:
Publisher: Shambhala Publications
ISBN: 1611808731
Category : Art
Languages : en
Pages : 194
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Book Description
A beautifully curated presentation of the Thousand Character Essay, a masterpiece of Chinese calligraphy that has served as the art form's classic manual for over 1,400 years. Sung to infants as a lullaby, used to teach reading and writing, and employed as library index codes, the Thousand Character Essay is China's most widely used and beloved calligraphy textbook. Composed by the literary giant Zhou Xingsi and handwritten by sixth-century Buddhist monk Zhiyong, this masterful work has endured for centuries as the standard guide for brush writing both in formal and cursive scripts. Delight in One Thousand Characters brings this sublime body of art-as-text to English-speaking readers through its translation and explanation by calligraphers and artists Kazuaki Tanahashi and Susan O'Leary. Preserving the renowned beauty of monk Zhiyong's only extant handwriting, the book visually depicts the traditional script through extensive imagery, including a full, one-hundred-strip edition of Zhiyong's calligraphy. All images also have corresponding commentary explaining the meaning of each character. Essays and appendices by Tanahashi and O'Leary detail the fascinating history, geographic range, and aesthetic nuance of the essay and of Zhiyong's rendering--essential material to be familiar with the history, thought, literature, and art of East Asian civilization. For calligraphers, Delight in One Thousand Characters can serve as an advanced primer for practicing both formal and cursive Chinese calligraphy.
Author: Alfreda Murck
Publisher: Metropolitan Museum of Art
ISBN: 0870996045
Category : Calligraphy, Chinese
Languages : en
Pages : 615
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Book Description
In May of 1985, an international symposium was held at The Metropolitan Museum of Art in honor of John M. Crawford, Jr., whose gifts of Chinese calligraphy and painting have constituted a significant addition to the Museum's holdings. Over a three-day period, senior scholars from China, Japan, Taiwan, Europe, and the United States expressed a wide range of perspectives on an issue central to the history of Chinese visual aesthetics: the relationships between poetry, calligraphy, and painting. The practice of integrating the three art forms-known as san-chiieh, or the three perfections-in one work of art emerged during the Sung and Yuan dynasties largely in the context of literati culture, and it has stimulated lively critical discussion ever since. This publication contains twenty-three essays based on the papers presented at the Crawford symposium. Grouped by subject matter in a roughly chronological order, these essays reflect research on topics spanning two millennia of Chinese history. The result is an interdisciplinary exploration of the complex set of relationships between words and images by art historians, literary historians, and scholars of calligraphy. Their findings provide us with a new level of understanding of this rich and complicated subject and suggest further directions for the study of Chinese art history. The essays are accompanied by 255 illustrations, some of which reproduce works rarely published. Chinese characters have been provided throughout the text for artists names, terms, titles of works of art and literature, and important historical figures, as well as for excerpts of selected poetry and prose. A chronology, also containing Chinese characters, and an extensive index contribute to making this book illuminating and invaluable to both the specialist and the layman.
Author: Zhongshi Ouyang
Publisher:
ISBN: 9780300121070
Category : Calligraphy, Chinese
Languages : en
Pages : 0
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Book Description
A landmark reference volume devoted to Chinese calligraphy, a unique and beautiful art form with a three-thousand-year tradition Chinese calligraphy, with its artistic as well as utilitarian values, has been treasured for its formal beauty for more than three millennia. This lavishly illustrated book brings to English language readers for the first time a full account of calligraphy in China, including its history, theory, and importance in Chinese culture. Representing an unprecedented collaboration among leading Chinese and Western specialists, the book provides a definitive and up-to-date overview of the visual art form most revered in China. The book begins with the premise that the history of Chinese script writing represents the core development of the history of Chinese culture and civilization. Tracing the development of calligraphic criticism from the second century to the twenty-first, the fourteen contributors to the volume offer a well-balanced and readable account of this tradition. With more than 600 illustrations, including examples of extremely rare Chinese calligraphy from all over the world, and an informative prologue by Wen C. Fong, this book will make a welcome addition to the library of every Western reader interested in China and its premiere art form. Foreign Languages Press
Author: Jean Long
Publisher: Courier Corporation
ISBN: 0486417395
Category : Art
Languages : en
Pages : 129
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Book Description
Following a history of Chinese calligraphy — going all the way back to the pictographic beginnings of Chinese writing more than 4,000 years ago — the author explains the basic construction of individual characters and the ways in which calligraphy is used by Chinese artists, including calligraphic seals and inscriptions on paintings.
Author: Shigemi Komatsu
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 206
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Book Description
