Calligraphy and the East Asian Book PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Calligraphy and the East Asian Book PDF full book. Access full book title Calligraphy and the East Asian Book by Frederick W. Mote. Download full books in PDF and EPUB format.
Author: Frederick W. Mote
Publisher: Shambhala Publications
ISBN:
Category : Calligraphy
Languages : en
Pages : 280
Get Book Here
Book Description
By the time the Gutenberg Bible appeared in Germany in 1456, printing had already been known in the East for some five hundred years. The Chinese had made movable type from ceramic and from wood in the eleventh century, and the Koreans developed the technique of casting type in bronze, iron, and various alloys. In East Asia, this revolutionary technology was intimately connected with the art of calligraphy, which reached supreme aesthetic heights espeically in China. It is this aspect of East Asian printing that gives it an impressive place in the history of art. [This book] carefully examines the influence of the different styles of calligraphy on the making of books both before and after the advent of printing. First exploring early forms of writing such as inscriptions on bone, bamboo strips, and bronzes, the authors go on to trace the historic stages of bookmaking, from handwritten scrolls on silk and paper to block-printed books and, finally, the products of early modern times, printined with movable metal type. Illustrated with photographs of one hundred and twenty-nine items selected for exhibition at the Art Museum, Princeton University, this book is also a catalogue of treasures from the University's Gest Library, a collection of almost half a million rare and valuable volumes in Chinese, Japanese, Korean, and other languages.-- Book Jacket.
Author: Frederick W. Mote
Publisher: Shambhala Publications
ISBN:
Category : Calligraphy
Languages : en
Pages : 280
Get Book Here
Book Description
By the time the Gutenberg Bible appeared in Germany in 1456, printing had already been known in the East for some five hundred years. The Chinese had made movable type from ceramic and from wood in the eleventh century, and the Koreans developed the technique of casting type in bronze, iron, and various alloys. In East Asia, this revolutionary technology was intimately connected with the art of calligraphy, which reached supreme aesthetic heights espeically in China. It is this aspect of East Asian printing that gives it an impressive place in the history of art. [This book] carefully examines the influence of the different styles of calligraphy on the making of books both before and after the advent of printing. First exploring early forms of writing such as inscriptions on bone, bamboo strips, and bronzes, the authors go on to trace the historic stages of bookmaking, from handwritten scrolls on silk and paper to block-printed books and, finally, the products of early modern times, printined with movable metal type. Illustrated with photographs of one hundred and twenty-nine items selected for exhibition at the Art Museum, Princeton University, this book is also a catalogue of treasures from the University's Gest Library, a collection of almost half a million rare and valuable volumes in Chinese, Japanese, Korean, and other languages.-- Book Jacket.
Author: Abé Markus Nornes
Publisher: University of Michigan Press
ISBN: 0472902431
Category : Social Science
Languages : en
Pages : 175
Get Book Here
Book Description
Drawing on a millennia of calligraphy theory and history, Brushed in Light examines how the brushed word appears in films and in film cultures of Korea, Japan, Taiwan, Hong Kong, and PRC cinemas. This includes silent era intertitles, subtitles, title frames, letters, graffiti, end titles, and props. Markus Nornes also looks at the role of calligraphy in film culture at large, from gifts to correspondence to advertising. The book begins with a historical dimension, tracking how calligraphy is initially used in early cinema and how it is continually rearticulated by transforming conventions and the integration of new technologies. These chapters ask how calligraphy creates new meaning in cinema and demonstrate how calligraphy, cinematography, and acting work together in a single film. The last part of the book moves to other regions of theory. Nornes explores the cinematization of the handwritten word and explores how calligraphers understand their own work.
Author: Kazuaki Tanahashi
Publisher: Shambhala Publications
ISBN: 1611801346
Category : Art
Languages : en
Pages : 401
Get Book Here
Book Description
Its history, techniques, aesthetics, and philosophy—with an in-depth practical guide to understanding and drawing 150 characters A guide to the history and enjoyment of Chinese and Japanese calligraphy that offers the possibility of appreciating it in a hands-on way—with step-by-step instructions for brushing 150 classic characters. This book is a comprehensive and accessible introduction to the history and art of calligraphy as it's been practiced for centuries in China, Japan, and elsewhere in Asia. It works as a guide for the beginner hoping to develop an appreciation for Asian calligraphy, for the person who wants to give calligraphy-creation a try, as well as for the expert or afficionado who just wants to browse through and exult in lovely examples. It covers the history and development of the art, then the author invites the reader to give it a try. The heart of the book, called "Master Samples and Study," presents 150 characters--from "action" to "zen"--each in a two-page spread. On each verso page the character is presented in three different styles, each one chosen for its beauty and identified by artist when possible. The character's meaning, pronunciation (in Chinese, Japanese, Korean, and Vietnamese), etymology, the pictograph from which it evolved, and other notes of interest are included. At the bottom of the page the stroke order is shown: the sequence of brush movements, numbered in their traditional order. On each facing recto page is Kaz's own interpretation of the character, full page.
Author: Frederick W. Mote
Publisher: Shambhala Publications
ISBN:
Category : Art
Languages : en
Pages : 274
Get Book Here
Book Description
By the time the Gutenberg Bible appeared in Germany in 1456, printing had already been known in the East for some five hundred years. The Chinese had made movable type from ceramic and from wood in the eleventh century, and the Koreans developed the technique of casting type in bronze, iron, and various alloys. In East Asia, this revolutionary technology was intimately connected with the art of calligraphy, which reached supreme aesthetic heights espeically in China. It is this aspect of East Asian printing that gives it an impressive place in the history of art. [This book] carefully examines the influence of the different styles of calligraphy on the making of books both before and after the advent of printing. First exploring early forms of writing such as inscriptions on bone, bamboo strips, and bronzes, the authors go on to trace the historic stages of bookmaking, from handwritten scrolls on silk and paper to block-printed books and, finally, the products of early modern times, printined with movable metal type. Illustrated with photographs of one hundred and twenty-nine items selected for exhibition at the Art Museum, Princeton University, this book is also a catalogue of treasures from the University's Gest Library, a collection of almost half a million rare and valuable volumes in Chinese, Japanese, Korean, and other languages.-- Book Jacket.
Author: Susan O'Leary
Publisher: Shambhala Publications
ISBN: 0834844389
Category : Art
Languages : en
Pages : 194
Get Book Here
Book Description
A beautifully curated presentation of the Thousand Character Essay, a masterpiece of Chinese calligraphy that has served as the art form's classic manual for over 1,400 years. Sung to infants as a lullaby, used to teach reading and writing, and employed as library index codes, the Thousand Character Essay is China's most widely used and beloved calligraphy textbook. Composed by the literary giant Zhou Xingsi and handwritten by sixth-century Buddhist monk Zhiyong, this masterful work has endured for centuries as the standard guide for brush writing both in formal and cursive scripts. Delight in One Thousand Characters brings this sublime body of art-as-text to English-speaking readers through its translation and explanation by calligraphers and artists Kazuaki Tanahashi and Susan O'Leary. Preserving the renowned beauty of monk Zhiyong's only extant handwriting, the book visually depicts the traditional script through extensive imagery, including a full, one-hundred-strip edition of Zhiyong's calligraphy. All images also have corresponding commentary explaining the meaning of each character. Essays and appendices by Tanahashi and O'Leary detail the fascinating history, geographic range, and aesthetic nuance of the essay and of Zhiyong's rendering--essential material to be familiar with the history, thought, literature, and art of East Asian civilization. For calligraphers, Delight in One Thousand Characters can serve as an advanced primer for practicing both formal and cursive Chinese calligraphy.
Author: Shigemi Komatsu
Publisher: Prestel Publishing
ISBN:
Category : Art
Languages : en
Pages : 206
Get Book Here
Book Description
Author: Lauren Arrington
Publisher: Cambridge University Press
ISBN: 1107693438
Category : Art
Languages : en
Pages : 211
Get Book Here
Book Description
This collection challenges conventional ideas of beauty by exploring unconventional approaches to the topic in the arts, sciences and mathematics.
Author: Henryk Sawoniak
Publisher: Walter de Gruyter
ISBN: 3110975068
Category : Reference
Languages : en
Pages : 1284
Get Book Here
Book Description
Author: Joseph P. McDermott
Publisher: Hong Kong University Press
ISBN: 988820808X
Category : History
Languages : en
Pages : 363
Get Book Here
Book Description
This volume provides the first comparative survey of the relations between the two most active book worlds in Eurasia between 1450 and 1850. Prominent scholars in book history explore different approaches to publishing, printing, and book culture. They discuss the extent of technology transfer and book distribution between the two regions and show how much book historians of East Asia and Europe can learn from one another by raising new questions, exploring remarkable similarities and differences in these regions’ production, distribution, and consumption of books. The chapters in turn show different ways of writing transnational comparative history. Whereas recent problems confronting research on European books can instruct researchers on East Asian book production, so can the privileged role of noncommercial publications in the East Asian textual record highlight for historians of the European book the singular contribution of commercial printing and market demands to the making of the European printed record. Likewise, although production growth was accompanied in both regions by a wider distribution of books, woodblock technology’s simplicity and mobility allowed for a shift in China of its production and distribution sites farther down the hierarchy of urban sites than was common in Europe. And, the different demands and consumption practices within these two regions’ expanding markets led to different genre preferences and uses as well as to the growth of distinctive female readerships. A substantial introduction pulls the work together and the volume ends with an essay that considers how these historical developments shape the present book worlds of Eurasia. “This splendid volume offers expert new insight into the ways of producing, financing, distributing, and reading printed books in early modern Europe and East Asia. This is comparative history at its best, which leaves us with a better understanding of each context and of the challenges common to book cultures across space and time.” —Ann Blair, author of Too Much to Know: Managing Scholarly Information before the Modern Age and professor of history, Harvard University “This engrossing account of the history of the book by leading specialists on the European and East Asian publishing worlds takes stock of what we know—and how much we still need to know—about the places that books had in the lives of our early modern forebears. Each chapter is masterful state-of-the-field coverage of its subject, and together they set a new standard for future studies of the book, East and West.” —Timothy Brook, author of The Troubled Empire: China in the Yuan and Ming Dynasties
Author: Perry Link
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629968797
Category : Literary Collections
Languages : en
Pages : 308
Get Book Here
Book Description
Professor Frederick W. Mote (1922–2006) has been widely recognized as a key figure in the field of Sinology. He taught at Princeton University for thirty-one years and was a founder of both Princeton's Department of East Asian Studies and its re-markable Gest (East Asian) Library. His distinguished record of scholarly publication includes the co-editing, with Professor Denis C. Twitchett, of volumes seven and eight of the Cambridge History of China. Although he is perhaps best known for his studies of the Ming dynasty, his special erudition, as demonstrated in his final book, Imperial China, 900-1800, spans the Song through Qing periods. Generations of his students and colleagues have admired him not only for his learning but for his generosity in sharing his broad understanding of China. This wide-ranging collection includes papers by David A. Sensabaugh, Geoff Wade, Hok-lam Chan, Tai-loi Ma, Martin Hei-jdra, Chen-main Wang, Thomas Bartlett, Paul R. Katz, Alfreda Murck and Perry Link. Its publication stands not only as a tribute to Professor Mote but as a major contribution to the field of Sinology.
