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Author: Patricia Trenton
Publisher:
ISBN: 9780940872141
Category : Impressionism (Art)
Languages : en
Pages : 0
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Book Description
Author: Patricia Trenton
Publisher:
ISBN: 9780940872141
Category : Impressionism (Art)
Languages : en
Pages : 0
Get Book
Book Description
Author: Patricia Trenton
Publisher:
ISBN:
Category : Impressionism (Art)
Languages : en
Pages : 0
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Book Description
Author: Susan Landauer
Publisher: Univ of California Press
ISBN: 9780915977253
Category : Art
Languages : en
Pages : 108
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Book Description
The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.
Author: Susan Landauer
Publisher: Univ of California Press
ISBN: 9780915977222
Category : Art
Languages : en
Pages : 112
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Book Description
The years around the turn of the century were a dynamic time in American art. Different and seemingly contradictory movements were evolving, and the dominant style that emerged during this period was Impressionism. Based in part on the broken brushwork and high-keyed palette of Claude Monet, it was a form especially suited to the dramatic landscape and shimmering light of California . . . This book celebrates forty Impressionist painters who worked in California from 1900 through the beginning of the Great Depression . . . it includes widely recognized California artists such as Maurice Braun and Guy Rose, less well known artists such as Mary DeNeale Morgan and Donna Schuster, and eastern painters who worked briefly in the region, such as Childe Hassam and William Merritt Chase . . . The contributors' essays examine the socioeconomic forces that shaped this art movement, as well as the ways in which the art reflected California's self-cultivated image as a healthful, sun-splashed arcadia.
Author: Deborah Epstein Solon
Publisher: Laguna Art Museum
ISBN:
Category : Art
Languages : en
Pages : 152
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
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Book Description
Orange Coast Magazine is the oldest continuously published lifestyle magazine in the region, bringing together Orange County¹s most affluent coastal communities through smart, fun, and timely editorial content, as well as compelling photographs and design. Each issue features an award-winning blend of celebrity and newsmaker profiles, service journalism, and authoritative articles on dining, fashion, home design, and travel. As Orange County¹s only paid subscription lifestyle magazine with circulation figures guaranteed by the Audit Bureau of Circulation, Orange Coast is the definitive guidebook into the county¹s luxe lifestyle.
Author: Stephanie Barron
Publisher: Univ of California Press
ISBN: 9780520227675
Category : Art
Languages : en
Pages : 432
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Book Description
This collection of essays written by a stellar cast of art historians and scholars looks closely at the forces that shaped fine art and material culture in California. Illustrations.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 240
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Book Description
Orange Coast Magazine is the oldest continuously published lifestyle magazine in the region, bringing together Orange County¹s most affluent coastal communities through smart, fun, and timely editorial content, as well as compelling photographs and design. Each issue features an award-winning blend of celebrity and newsmaker profiles, service journalism, and authoritative articles on dining, fashion, home design, and travel. As Orange County¹s only paid subscription lifestyle magazine with circulation figures guaranteed by the Audit Bureau of Circulation, Orange Coast is the definitive guidebook into the county¹s luxe lifestyle.
Author: Paul J. Karlstrom
Publisher: Univ of California Press
ISBN: 9780520088504
Category : Art
Languages : en
Pages : 344
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Book Description
"The past quarter century has witnessed the emergence of a scholarly appreciation of American art in California. Yet assessments of the early modern (pre-1950) have been haphazard. Now in one bold volume, these scholars have remedied that deficiency. Thanks to the rich essays of this wonderful book, the art history of California--and the nation!--is graced with further light."--Dr. Kevin Starr, State Librarian of California "The authors of these essays illuminate a diverse and compelling history, one in which what happened at the geographic edges sheds new light on the European points of original. A lively and valuable contribution, not just to regional history, but to the making and transmission of modernism."--Whitney Chadwick, Professor of Art History, San Francisco State University "A welcome and overdue evaluation of the distinctive history of modernism in California, these essays sensitively explore a cultural terrain at once familiar and strange, surveying memorable achievements from painting to photography to architecture and film. The authors provocatively suggest the centrality of 'edges'--wherever they are found--to the national tale, and demonstrate it through significant developments on our western margin. A must for any serious student of American art and culture."--Charles C. Eldredge, The University of Kansas "An engrossing examination of modernist practices in California before the Abstract Expressionists and beatniks came to town. It includes art scenes peopled by Mexican muralists, European artists in exile, third-generation Californians, idealist photographers, and immigrant artisans."--Wanda Corn, Professor of Art History, Stanford University "These fascinating essays do much more than fill a major gap in our understanding of American regionalism. Their scope is superb because of the inclusive range of their definition of 'art, ' the varied ethnicities of the artists discussed, and the distinctive impact of environment, light, and culture on California art. A dazzling treasure, as pleasing to the eye as it is to the mind."--Michael Kammen, Professor of History, Cornell University
Author: Peter J. Holliday
Publisher: Oxford University Press
ISBN: 0190256524
Category : Art
Languages : en
Pages : 400
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Book Description
A vivid and engaging exploration of California's debt to the ancient world Discussing the influence of the classics on America is nothing new; indeed, classical antiquity could be considered second only to Christianity as a force in modeling America's national identity. What has never been explored until now is how, from the beginning, Californians in particular chose to visually and culturally craft their new world using the rhetoric of classical antiquity. Through a lively exploration of material culture, literature, and architecture, American Arcadia offers a tour through California's development as a Mediterranean haven from the late nineteenth century to the present. In its earliest days, California was touted as the last opportunity for alienated Yankees to establish the refined gentleman-farmer culture envisioned by Jefferson and build new cities free of the filth and corruption of those they left back East. Through architecture and landscape design Californians fashioned an Arcadian setting evocative of ancient Greece and Rome.Later, as Arcadia gave way to urban sprawl, entire city plans were drafted to conjure classical antiquity, self-styled villas dotted the hills, and utopian communities began to shape the state's social atmosphere. Art historian Peter J. Holliday traces the classical influence primarily through the evidence of material culture, yet the book emphasizes the stories and people, famous and forgotten, behind the works, such as Florence Yoch, the renowned landscape designer and set designer for Gone with the Wind, and "Sister Aimee" Semple McPherson, the most publicized Christian evangelist of her day, whose sermons filled the Pantheon-like Angelus Temple. Telling stories from the creation of the famed aqueducts that turned the semi-arid landscape to a cornucopia of almonds, alfalfa, and oranges to the birth of the body-sculpting movement, American Arcadia offers readers a new way of seeing our past and ourselves.
