Byzantine Influence in Thirteenth-century Italian Panel Painting PDF Download
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Author: James H. Stubblebine
Publisher:
ISBN:
Category : Painting, Byzantine
Languages : en
Pages : 101
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Book Description
Author: James H. Stubblebine
Publisher:
ISBN:
Category : Painting, Byzantine
Languages : en
Pages : 101
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Book Description
Author: Jaroslav Folda
Publisher: Cambridge University Press
ISBN: 1107010233
Category : Art
Languages : en
Pages : 445
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Book Description
Jaroslav Folda traces the appropriation of the Byzantine Virgin and Child Hodegetria icon by thirteenth-century Crusader and central Italian painters and explores its transformation by the introduction of chrysography on the figure of the Virgin in the Crusader Levant and in Italy.
Author: Paroma Chatterjee
Publisher: Cambridge University Press
ISBN: 1107034965
Category : Art
Languages : en
Pages : 301
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Book Description
Explores the development and diffusion of the vita image which emerged in Byzantium in the twelfth century and spread to Italy and beyond.
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870997777
Category : Art, Byzantine
Languages : en
Pages : 604
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Book Description
Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Jaroslav Folda
Publisher: Cambridge University Press
ISBN: 0521835836
Category : Art
Languages : en
Pages : 804
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Book Description
Publisher Description
Author: Victoria Charles
Publisher: Parkstone International
ISBN: 1781603049
Category : Art
Languages : en
Pages : 499
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Book Description
September 4, 476 A. D. marked the end of the Western Roman Empire. After several centuries of prosperity, Europe sank into chaos. With Charlemagne, a new dynamic begins that of a civilising reconstruction. The Romanesque period is part of the rediscovery of this Roman Empire, lost in memories, but living on in the architectural testimonies of the cities and the countryside. In art history, Romanesque art refers to the period between the beginning of the 11th and the end of the 12th century. This era was characterised by a great diversity of regional schools, each practising their own unique style. In architecture as well as in sculpture, Romanesque art is marked by raw forms. Through its rich iconography and captivating text, this work endeavours to restore the importance of this art which is often overshadowed by the later Gothic style. Gothic art is defined by the powerful architecture of the cathedrals of northern France. It is a medieval art movement that evolved throughout Europe over 200 years. Abandoning curved Roman forms, the architects started using flying buttresses and pointed arches to open cathedrals to daylight. A period of great economic and social change, the Gothic era incorporated new iconography celebrating the Holy Mary — a drastic contrast to the dismal themes of Roman times. Full of rich changes in all of the various art forms (architecture, sculpture, painting, etc.), Gothic art paved the way for the Italian Renaissance and the International Gothic movement.
Author: Holly Flora
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 60
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Book Description
Catalog accompanying an exhibition at the Frick Collection, New York, of two paintings by Cimabue (Cenni di Pepo; ca. 1240-1302), called by some the founder of Italian Renaissance painting. The painter's Flagellation of Christ (Frick Collection, New York) and Virgin and Child Enthroned with Two Angels (National Gallery, London) were once part of a larger work, possibly a commission of Franciscan origin. Exhibited with the two panels are other examples of Italian devotional art of the late 13th and early 14th centuries from New York collections.
Author: Alexander Nagel
Publisher: Zone Books
ISBN: 1942130341
Category : Art
Languages : en
Pages : 457
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Book Description
A reconsideration of the problem of time in the Renaissance, examining the complex and layered temporalities of Renaissance images and artifacts. In this widely anticipated book, two leading contemporary art historians offer a subtle and profound reconsideration of the problem of time in the Renaissance. Alexander Nagel and Christopher Wood examine the meanings, uses, and effects of chronologies, models of temporality, and notions of originality and repetition in Renaissance images and artifacts. Anachronic Renaissance reveals a web of paths traveled by works and artists—a landscape obscured by art history's disciplinary compulsion to anchor its data securely in time. The buildings, paintings, drawings, prints, sculptures, and medals discussed were shaped by concerns about authenticity, about reference to prestigious origins and precedents, and about the implications of transposition from one medium to another. Byzantine icons taken to be Early Christian antiquities, the acheiropoieton (or “image made without hands”), the activities of spoliation and citation, differing approaches to art restoration, legends about movable buildings, and forgeries and pastiches: all of these emerge as basic conceptual structures of Renaissance art. Although a work of art does bear witness to the moment of its fabrication, Nagel and Wood argue that it is equally important to understand its temporal instability: how it points away from that moment, backward to a remote ancestral origin, to a prior artifact or image, even to an origin outside of time, in divinity. This book is not the story about the Renaissance, nor is it just a story. It imagines the infrastructure of many possible stories.
Author: Annemarie Weyl Carr
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 168
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Book Description
His uncharted course over four years, capturing its aspect as a perilous adventure. A third restoration unfolds in Annemarie Weyl Carr's text as the paintings are restored to their historical and artistic context. Richly informative about the life and meaning of Byzantine art, the paintings have proved to be even more important in casting light on the culture of Cyprus in the thirteenth century, when Crusader conquerors, native Cypriots, and Middle Eastern immigrants.
Author: Paul Åström
Publisher: Coronet Books
ISBN:
Category : Art
Languages : en
Pages : 196
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Book Description
