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Author: Michael R. Cunningham
Publisher: Hudson Hills Press
ISBN:
Category : Art
Languages : en
Pages : 274
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Book Description
This magnificent volume commemorates a historic exhibition that brought early Buddhist treasures from Japan's ancient capital, mostly from the Nara National Museum, on their first visit to the West. Here are 87 transcendent masterpieces: archaeological finds, paintings, sculpture, crafts, and calligraphy from the seventh through the fourteenth centuries, works that capture Buddhism's yearning for a state of grace and for communion with the divine.
Author: Michael R. Cunningham
Publisher: Hudson Hills Press
ISBN:
Category : Art
Languages : en
Pages : 274
Get Book Here
Book Description
This magnificent volume commemorates a historic exhibition that brought early Buddhist treasures from Japan's ancient capital, mostly from the Nara National Museum, on their first visit to the West. Here are 87 transcendent masterpieces: archaeological finds, paintings, sculpture, crafts, and calligraphy from the seventh through the fourteenth centuries, works that capture Buddhism's yearning for a state of grace and for communion with the divine.
Author: James C. Dobbins
Publisher: University of Hawaii Press
ISBN: 0824879996
Category : Religion
Languages : en
Pages : 288
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Book Description
Images of the Buddha are everywhere—not just in temples but also in museums and homes and online—but what these images mean largely depends on the background and circumstance of those viewing them. In Behold the Buddha, James Dobbins invites readers to imagine how premodern Japanese Buddhists understood and experienced icons in temple settings long before the advent of museums and the internet. Although widely portrayed in the last century as visual emblems of great religious truths or as exquisite works of Asian art, Buddhist images were traditionally treated as the very embodiment of the Buddha, his palpable presence among people. Hence, Buddhists approached them as living entities in their own right—that is, as awakened icons with whom they could interact religiously. Dobbins begins by reflecting on art museums, where many non-Buddhists first encounter images of the Buddha, before outlining the complex Western response to them in previous centuries. He next elucidates images as visual representations of the story of the Buddha’s life followed by an overview of the physical attributes and symbolic gestures found in Buddhist iconography. A variety of Buddhas, Bodhisattvas, and other divinities commonly depicted in Japanese Buddhism is introduced, and their “living” quality discussed in the context of traditional temples and Buddhist rituals. Finally, other religious objects in Japanese Buddhism—relics, scriptures, inscriptions, portraits of masters, and sacred sites—are explained using the Buddhist icon as a model. Dobbins concludes by contemplating art museums further as potential sites for discerning the religious character of Buddhist images. Those interested in Buddhism generally who would like to learn more about its rich iconography—whether encountered in temples or museums—will find much in this concise, well-illustrated volume to help them “behold the Buddha.”
Author: Francesco Pellizzi
Publisher: Harvard University Press
ISBN: 087365790X
Category : Art
Languages : en
Pages : 253
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Book Description
Res is a journal of anthropology and comparative aesthetics dedicated to the study of the object, in particular cult and belief objects and objects of art. The journal presents contributions by philosophers, art historians, archaeologists, critics, linguists, architects, artists, among others.
Author: Yui Suzuki
Publisher: BRILL
ISBN: 9004196013
Category : Religion
Languages : en
Pages : 193
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Book Description
Through analysis of sculptural representations of the Medicine Buddha (J: Yakushi Nyorai), this book offers a fresh perspective on the seminal role played by Saich? and the Tendai school in disseminating this devotional cult throughout Japan during the Heian period.
Author: Rough Guides
Publisher: Penguin
ISBN: 0241014131
Category : Travel
Languages : en
Pages : 235
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Book Description
The Rough Guide Snapshot to Kyoto and Nara includes Kyoto International Manga Museum, Kinkaku-ji and Todai-ji The Rough Guide Snapshot to Kyoto and Nara is the ultimate travel guide to these Japanese prefectures. The guide leads you through the regions with reliable information and comprehensive coverage of all the sights and attractions, from Kinkaku-ji to the Kyoto International Manga Museum and Ine fishing village to Todai-ji. Detailed maps and up-to-date listings pinpoint the best cafés, restaurants, hotels, shops, bars and nightlife, ensuring you make the most of your trip, whether passing through, staying for the weekend or longer. Also included is the Basics section from the Rough Guide to Japan, with all the practical information you need for travelling in and around Kyoto and Nara, including transport, food, drink, costs, health, festivals and culture and etiquette. Also published as part of the Rough Guide to Japan. Full coverage: Kyoto Around Kyoto Nara Around Nara
Author: Sherry D. Fowler
Publisher: University of Hawaii Press
ISBN: 0824874587
Category : Art
Languages : en
Pages : 312
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Book Description
Murōji, a magnificent temple founded in the eighth century, is known both for its dramatic location and the exceptional quality of its ritual objects and art dating from the ninth and tenth centuries of the Heian period. Sherry Fowler makes extensive use of primary sources to explore the circumstances surrounding the creation and function of the temple’s main images and considers why major works of early Heian sculpture were housed in such a remote mountain setting. Employing a multifaceted approach that looks at Murōji’s art and architecture in socio-political context, she explores the establishment of the temple, its role in the religious life and power structure of the region, and the ways in which the temple reconfigured its early history to suit its later circumstances. Emerging from Fowler’s study are pervasive themes relating to worship and practice at Murōji that highlight plurality of practice (of different schools of Buddhism as well as Shinto); flexibility of practice and its impact on sculptural icons; the relationship of Murōji to other temple/shrine complexes; and the association of the temple with women’s worship.
Author: Dorothy C. Wong
Publisher: NUS Press
ISBN: 9814722596
Category : Religion
Languages : en
Pages : 377
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Book Description
The period ca. 645-770 marked an extraordinary era in the development of East Asian Buddhism and Buddhist art. Increased contacts between China and regions to both its west and east facilitated exchanges and the circulation of ideas, practices and art forms, giving rise to a synthetic art style uniform in both iconography and formal characteristics. The formulation of this new Buddhist art style occurred in China in the latter part of the seventh century, and from there it became widely disseminated and copied throughout East Asia, and to some extent in Central Asia, in the eighth century. This book argues that notions of Buddhist kingship and theory of the Buddhist state formed the underpinnings of Buddhist states experimented in China and Japan from the late seventh to the mid-eighth century, providing the religio-political ideals that were given visual expression in this International Buddhist Art Style. The volume also argues that Buddhist pilgrim-monks were among the key agents in the transmission of these ideals, the visual language of state Buddhism was spread, circulated, adopted and transformed in faraway lands, it transcended cultural and geographical boundaries and became cosmopolitan.
Author: Miyeko Murase
Publisher: Metropolitan Museum of Art
ISBN: 1588390683
Category : Art, Japanese
Languages : en
Pages : 210
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Book Description
This lovely catalog accompanies an exhibition of the same name held at the Metropolitan Museum of Art in New York City in 2002-2003. The exhibition features Japanese calligraphy and paintings and sculpture of Buddhist and Shinto themes. Full descriptive entries accompany the plates of each work. Three essays introduce the catalog: a history of the collection and an essay on viewing calligraphy by Barnet and Burto, and an introduction to the calligraphy in their collection by Murase (a consultant on Japanese art at the museum). Annotation copyrighted by Book News, Inc., Portland, OR
Author: Andrew Mark Watsky
Publisher: University of Washington Press
ISBN: 9780295983271
Category : Art
Languages : en
Pages : 376
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Book Description
In this meticulous and lucid study, Andrew Watsky keenly illustrates how private belief and political ambition influenced artsitic production at the intersection of institutional Buddhism and Shinto during this tumultuous period of rapid and radical political, social, and aesthetic changes. He offers substantial conclusions not only about the specific site, but also, more broadly, about the nature of art production in Japan and how perceptions of the sacred shaped the concerns and actions of the secular rulers ... Watsky has had unique access to the island, and many of the images included here have not previously been published. -- Book Jacket.
Author: Patricia J. Graham
Publisher: University of Hawaii Press
ISBN: 0824831918
Category : Art
Languages : en
Pages : 364
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Book Description
Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. Although Buddhism is generally regarded as peripheral to modern Japanese society, this book demonstrates otherwise. Its chapters elucidate the thread of change over time in the practice of Buddhism as revealed in temple worship halls and other sites of devotion and in imagery representing the religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally associated with institutional Buddhism and its canonical visual requirements but whose faith inspires their art. The author makes a persuasive argument that the neglect of these materials by scholars results from erroneous presumptions about the aesthetic superiority of early Japanese Buddhist artifacts and an asserted decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s compelling presence at all levels of Japanese society and its evolution in response to the needs of new generations of supporters.
