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Author: Michael Macrone
Publisher: Gramercy
ISBN: 9780517189351
Category : Drama
Languages : en
Pages : 264
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Book Description
Discussion of Shakespeare's linguistic brilliance as a part of everyday vocabulary.
Author: Michael Macrone
Publisher: M J F Books
ISBN: 9781567315264
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Brush Up Your Poetry! with this fascinating companion to the history of English Poetry as presented through a history of phrases known to us all, and the poems supplying their less widely known origins.
Author: Michael Macrone
Publisher: Gramercy
ISBN: 9780517189351
Category : Drama
Languages : en
Pages : 264
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Book Description
Discussion of Shakespeare's linguistic brilliance as a part of everyday vocabulary.
Author: Cole Porter
Publisher: Hal Leonard Publishing Corporation
ISBN:
Category : Music
Languages : en
Pages : 220
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Book Description
Recounts the backstage and on-stage antics of two feuding romances during an out-of-town tryout for a musical adaptation of The taming of the shrew.
Author: Bob Hostetler
Publisher: Worthy Inspired
ISBN: 1617958425
Category : Religion
Languages : en
Pages : 666
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Book Description
365 Devotions pairing Scripture from the King James Bible and lines from Shakespeare's plays and sonnets. Includes little known history, curiosities, and facts about words introduced or used in new ways by Shakespeare.
Author: Stephen O'Neill
Publisher: Bloomsbury Publishing
ISBN: 1474295126
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
This volume of essays contributes to current debates about Shakespeare in new media. It importantly develops the field by providing a comparativist approach to Shakespeare's dynamic media history. Contributors to Broadcast Your Shakespeare address the variety of ways Shakespeare texts have been expressed through different media and continue to be. Writing at the intersection of Shakespeare studies and media studies, these international contributors also consider the role of a particular media in producing Shakespeare's effect on us - as readers, viewers and users. The volume suggests how current analyses of new media Shakespeare have much to learn from older media, and that an awareness both of media specificity and also continuity can enhance Shakespeare pedagogy and research.
Author: Marjorie Garber
Publisher: Anchor
ISBN: 0307390969
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
From one of the world's premier Shakespeare scholars comes a magisterial new study whose premise is "that Shakespeare makes modern culture and that modern culture makes Shakespeare." Shakespeare has determined many of the ideas that we think of as "naturally" true: ideas about human character, individuality and selfhood, government, leadership, love and jealousy, men and women, youth and age. Marjorie Garber delves into ten plays to explore the interrelationships between Shakespeare and contemporary culture, from James Joyce's Ulysses to George W. Bush's reading list. From the persistence of difference in Othello to the matter of character in Hamlet to the untimeliness of youth in Romeo and Juliet, Garber discusses how these ideas have been re-imagined in modern fiction, theater, film, and the news, and in the literature of psychology, sociology, political theory, business, medicine, and law. Shakespeare and Modern Culture is a brilliant recasting of our own mental and emotional landscape as refracted through the prism of the protean Shakespeare.
Author: Michael Macrone
Publisher:
ISBN:
Category : Classical dictionaries
Languages : en
Pages : 238
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Book Description
Author: Ethan Mordden
Publisher: Oxford University Press
ISBN: 0195351762
Category : Music
Languages : en
Pages : 289
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Book Description
"Music and girls are the soul of musical comedy," one critic wrote, early in the 1940s. But this was the age that wanted more than melody and kickline form its musical shows. The form had been running on empty for too long, as a formula for the assembly of spare parts--star comics, generic love songs, rumba dancers, Ethel Merman. If Rodgers and Hammerstein hadn't existed, Broadway would have had to invent them; and Oklahoma! and Carousel came along just in time to announce the New Formula for Writing Musicals: Don't have a formula. Instead, start with strong characters and atmosphere: Oklahoma!'s murderous romantic triangle set against a frontier society that has to learn what democracy is in order to deserve it; or Carousel's dysfunctional family seen in the context of class and gender war. With the vitality and occasionally outrageous humor that Ethan Mordden's readers take for granted, the author ranges through the decade's classics--Pal Joey, Lady in the Dark, On the Town, Annie Get Your Gun, Phinian's Rainbow, Brigadoon, Kiss Me, Kate, South Pacific. He also covers illuminating trivia--the spy thriller The Lady Comes Across, whose star got so into her role that she suffered paranoid hallucinations and had to be hospitalized; the smutty Follow the Girls, damned as "burlesque with a playbill" yet closing as the longest-run musical in Broadway history; Lute Song, in which Mary Martin and Nancy Reagan were Chinese; and the first "concept" musicals, Allegro and Love Life. Amid the fun, something revolutionary occurs. The 1920s created the musical and the 1930s gave it politics. In the 1940s, it found its soul.
Author: Robert Gottlieb
Publisher: Pantheon
ISBN: 0375400818
Category : Music
Languages : en
Pages : 738
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Book Description
A comprehensive anthology bringing together more than one thousand of the best American and English song lyrics of the twentieth century; an extraordinary celebration of a unique art form and an indispensable reference work and history that celebrates one of the twentieth century’s most enduring and cherished legacies. Reading Lyrics begins with the first masters of the colloquial phrase, including George M. Cohan (“Give My Regards to Broadway”), P. G. Wodehouse (“Till the Clouds Roll By”), and Irving Berlin, whose versatility and career span the period from “Alexander’s Ragtime Band” to “Annie Get Your Gun” and beyond. The Broadway musical emerges as a distinct dramatic form in the 1920s and 1930s, its evolution propelled by a trio of lyricists—Cole Porter, Ira Gershwin, and Lorenz Hart—whose explorations of the psychological and emotional nuances of falling in and out of love have lost none of their wit and sophistication. Their songs, including “Night and Day,” “The Man I Love,” and “Bewitched, Bothered and Bewildered,” have become standards performed and recorded by generation after generation of singers. The lure of Broadway and Hollywood and the performing genius of such artists as Al Jolson, Fred Astaire, Ethel Waters, Judy Garland, Frank Sinatra, and Ethel Merman inspired a remarkable array of talented writers, including Dorothy Fields (“A Fine Romance,” “I Can’t Give You Anything but Love”), Frank Loesser (“Guys and Dolls”), Oscar Hammerstein II (from the groundbreaking “Show Boat” of 1927 through his extraordinary collaboration with Richard Rodgers), Johnny Mercer, Yip Harburg, Andy Razaf, Noël Coward, and Stephen Sondheim. Reading Lyrics also celebrates the work of dozens of superb craftsmen whose songs remain known, but who today are themselves less known—writers like Haven Gillespie (whose “Santa Claus Is Coming to Town” may be the most widely recorded song of its era); Herman Hupfeld (not only the composer/lyricist of “As Time Goes By” but also of “Are You Makin’ Any Money?” and “When Yuba Plays the Rumba on the Tuba”); the great light versifier Ogden Nash (“Speak Low,” “I’m a Stranger Here Myself,” and, yes, “The Sea-Gull and the Ea-Gull”); Don Raye (“Boogie Woogie Bugle Boy,” “Mister Five by Five,” and, of course, “Milkman, Keep Those Bottles Quiet”); Bobby Troup (“Route 66”); Billy Strayhorn (not only for the omnipresent “Lush Life” but for “Something to Live For” and “A Lonely Coed”); Peggy Lee (not only a superb singer but also an original and appealing lyricist); and the unique Dave Frishberg (“I’m Hip,” “Peel Me a Grape,” “Van Lingo Mungo”). The lyricists are presented chronologically, each introduced by a succinct biography and the incisive commentary of Robert Gottlieb and Robert Kimball.
Author: Cole Porter
Publisher: Library of America
ISBN: 1598537997
Category : Music
Languages : en
Pages : 130
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Book Description
Cole Porter possessed to a singular degree the art of expressing depth through apparent frivolity. The effervescent wit and technical bravura of his songs are matched by their unguarded revelations of feeling. In the words of editor Robert Kimball, “Porter wrote tellingly of the pain and evanescence of emotional relationships. He gently mocked propriety and said that few things were simple or lasting or free from ambiguity.” Of the masters of twentieth-century American songwriting, Porter was one of the few who wrote both music and lyrics, and, even in the absence of his melodies, his words distill an unmistakable mixture of poignancy and wit that marks him as a genius of light verse. Selected from over eight hundred songs, here are Porter’s finest flights of invention, lyrics that are an indelible part of 20th-century culture: “Let’s Do It,” “Love for Sale,” “I Get a Kick Out of You,” “Anything Goes,” “In the Still of the Night,” “I Concentrate on You,” and dozens more. About the American Poets Project Elegantly designed in compact editions, printed on acid-free paper, and textually authoritative, the American Poets Project makes available the full range of the American poetic accomplishment, selected and introduced by today’s most discerning poets and critics.
