Author: Ada Morehead Holland
Publisher: Texas A & M University Press
ISBN: 9780890969786
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
On a few sandy acres in the middle of the harsh, wild prairie of South Texas, young Helen Sewell grew to adulthood, as hardy and tenacious as the brush that grew around her. This is her story. In 1908, at the age of eleven, Helen moved with her family to what would later become Jim Hogg County. Shaped by her rugged environment, she worked with her father in the field doing a man's work for three years, without benefit of schools, churches, or medical attention. Then, filled with desire for an education, she began to acquire an unorthodox, haphazard one that eventually led to college. She tutored children, taught school for a time, and served as county/district clerk. Then she met and married Texas Ranger, later sheriff, Pell Harbison. On the ranch they bought near Hebbronville, they raised six children and shared a life of challenge, growth, and stubborn hard work. After her husband's death, Helen Harbison herself ran the ranch for thirty more years. Holland provides an accurate picture of life in South Texas in the first half of this century and a fascinating portrait of a woman of the Texas brush who was determined, independent, and capable in an age when women were not expected to be.
Brush Country Woman
Author: Ada Morehead Holland
Publisher: Texas A & M University Press
ISBN: 9780890969786
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
On a few sandy acres in the middle of the harsh, wild prairie of South Texas, young Helen Sewell grew to adulthood, as hardy and tenacious as the brush that grew around her. This is her story. In 1908, at the age of eleven, Helen moved with her family to what would later become Jim Hogg County. Shaped by her rugged environment, she worked with her father in the field doing a man's work for three years, without benefit of schools, churches, or medical attention. Then, filled with desire for an education, she began to acquire an unorthodox, haphazard one that eventually led to college. She tutored children, taught school for a time, and served as county/district clerk. Then she met and married Texas Ranger, later sheriff, Pell Harbison. On the ranch they bought near Hebbronville, they raised six children and shared a life of challenge, growth, and stubborn hard work. After her husband's death, Helen Harbison herself ran the ranch for thirty more years. Holland provides an accurate picture of life in South Texas in the first half of this century and a fascinating portrait of a woman of the Texas brush who was determined, independent, and capable in an age when women were not expected to be.
Publisher: Texas A & M University Press
ISBN: 9780890969786
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
On a few sandy acres in the middle of the harsh, wild prairie of South Texas, young Helen Sewell grew to adulthood, as hardy and tenacious as the brush that grew around her. This is her story. In 1908, at the age of eleven, Helen moved with her family to what would later become Jim Hogg County. Shaped by her rugged environment, she worked with her father in the field doing a man's work for three years, without benefit of schools, churches, or medical attention. Then, filled with desire for an education, she began to acquire an unorthodox, haphazard one that eventually led to college. She tutored children, taught school for a time, and served as county/district clerk. Then she met and married Texas Ranger, later sheriff, Pell Harbison. On the ranch they bought near Hebbronville, they raised six children and shared a life of challenge, growth, and stubborn hard work. After her husband's death, Helen Harbison herself ran the ranch for thirty more years. Holland provides an accurate picture of life in South Texas in the first half of this century and a fascinating portrait of a woman of the Texas brush who was determined, independent, and capable in an age when women were not expected to be.
The Young Woman's Journal
Author:
Publisher:
ISBN:
Category : Mormons
Languages : en
Pages : 904
Book Description
Publisher:
ISBN:
Category : Mormons
Languages : en
Pages : 904
Book Description
Texas
Author: Rupert N. Richardson
Publisher: Routledge
ISBN: 1000403769
Category : History
Languages : en
Pages : 555
Book Description
Now in its 11th edition, Texas: The Lone Star State offers a balanced, scholarly overview of the second largest state in the United States, spanning from prehistory to the twenty-first century. Organized chronologically, this comprehensive survey introduces undergraduates to the varied history of Texas with an accessible narrative and over 100 illustrations and maps. This new edition broadens the discussion of postwar social and political dynamics within the state, including the development of key industries and changing demographics. Other new features include: New maps reflecting county by county results for the most recent presidential elections Expanded discussions on immigration and border security The effects of the COVID-19 pandemic in Texas and a look to the future Updated bibliographies to reflect the most recent scholarship This textbook is essential reading for students of American history.
Publisher: Routledge
ISBN: 1000403769
Category : History
Languages : en
Pages : 555
Book Description
Now in its 11th edition, Texas: The Lone Star State offers a balanced, scholarly overview of the second largest state in the United States, spanning from prehistory to the twenty-first century. Organized chronologically, this comprehensive survey introduces undergraduates to the varied history of Texas with an accessible narrative and over 100 illustrations and maps. This new edition broadens the discussion of postwar social and political dynamics within the state, including the development of key industries and changing demographics. Other new features include: New maps reflecting county by county results for the most recent presidential elections Expanded discussions on immigration and border security The effects of the COVID-19 pandemic in Texas and a look to the future Updated bibliographies to reflect the most recent scholarship This textbook is essential reading for students of American history.
Collier's
Author: Hansi
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 494
Book Description
Woman Walk the Line
Author: Holly Gleason
Publisher: University of Texas Press
ISBN: 1477314903
Category : Music
Languages : en
Pages : 233
Book Description
Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates. Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it. Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.
Publisher: University of Texas Press
ISBN: 1477314903
Category : Music
Languages : en
Pages : 233
Book Description
Full-tilt, hardcore, down-home, and groundbreaking, the women of country music speak volumes with every song. From Maybelle Carter to Dolly Parton, k.d. lang to Taylor Swift—these artists provided pivot points, truths, and doses of courage for women writers at every stage of their lives. Whether it’s Rosanne Cash eulogizing June Carter Cash or a seventeen-year-old Taylor Swift considering the golden glimmer of another precocious superstar, Brenda Lee, it’s the humanity beneath the music that resonates. Here are deeply personal essays from award-winning writers on femme fatales, feminists, groundbreakers, and truth tellers. Acclaimed historian Holly George Warren captures the spark of the rockabilly sensation Wanda Jackson; Entertainment Weekly’s Madison Vain considers Loretta Lynn’s girl-power anthem “The Pill”; and rocker Grace Potter embraces Linda Ronstadt’s unabashed visual and musical influence. Patty Griffin acts like a balm on a post-9/11 survivor on the run; Emmylou Harris offers a gateway through paralyzing grief; and Lucinda Williams proves that greatness is where you find it. Part history, part confessional, and part celebration of country, Americana, and bluegrass and the women who make them, Woman Walk the Line is a very personal collection of essays from some of America’s most intriguing women writers. It speaks to the ways in which artists mark our lives at different ages and in various states of grace and imperfection—and ultimately how music transforms not just the person making it, but also the listener.
A Bookmark
Author: Henry C. Dethloff
Publisher: Texas A&M University Press
ISBN: 9780890968789
Category : Education
Languages : en
Pages : 204
Book Description
Given in memory of Bob Akers by Phyllis Dozier.
Publisher: Texas A&M University Press
ISBN: 9780890968789
Category : Education
Languages : en
Pages : 204
Book Description
Given in memory of Bob Akers by Phyllis Dozier.
The Women of the Copper Country
Author: Mary Doria Russell
Publisher: Atria Books
ISBN: 1982109580
Category : Fiction
Languages : en
Pages : 352
Book Description
From the bestselling and award-winning author of The Sparrow comes an inspiring historical novel about “America’s Joan of Arc” Annie Clements—the courageous woman who started a rebellion by leading a strike against the largest copper mining company in the world. In July 1913, twenty-five-year-old Annie Clements had seen enough of the world to know that it was unfair. She’s spent her whole life in the copper-mining town of Calumet, Michigan where men risk their lives for meager salaries—and had barely enough to put food on the table and clothes on their backs. The women labor in the houses of the elite, and send their husbands and sons deep underground each day, dreading the fateful call of the company man telling them their loved ones aren’t coming home. When Annie decides to stand up for herself, and the entire town of Calumet, nearly everyone believes she may have taken on more than she is prepared to handle. In Annie’s hands lie the miners’ fortunes and their health, her husband’s wrath over her growing independence, and her own reputation as she faces the threat of prison and discovers a forbidden love. On her fierce quest for justice, Annie will discover just how much she is willing to sacrifice for her own independence and the families of Calumet. From one of the most versatile writers in contemporary fiction, this novel is an authentic and moving historical portrait of the lives of the men and women of the early 20th century labor movement, and of a turbulent, violent political landscape that may feel startlingly relevant to today.
Publisher: Atria Books
ISBN: 1982109580
Category : Fiction
Languages : en
Pages : 352
Book Description
From the bestselling and award-winning author of The Sparrow comes an inspiring historical novel about “America’s Joan of Arc” Annie Clements—the courageous woman who started a rebellion by leading a strike against the largest copper mining company in the world. In July 1913, twenty-five-year-old Annie Clements had seen enough of the world to know that it was unfair. She’s spent her whole life in the copper-mining town of Calumet, Michigan where men risk their lives for meager salaries—and had barely enough to put food on the table and clothes on their backs. The women labor in the houses of the elite, and send their husbands and sons deep underground each day, dreading the fateful call of the company man telling them their loved ones aren’t coming home. When Annie decides to stand up for herself, and the entire town of Calumet, nearly everyone believes she may have taken on more than she is prepared to handle. In Annie’s hands lie the miners’ fortunes and their health, her husband’s wrath over her growing independence, and her own reputation as she faces the threat of prison and discovers a forbidden love. On her fierce quest for justice, Annie will discover just how much she is willing to sacrifice for her own independence and the families of Calumet. From one of the most versatile writers in contemporary fiction, this novel is an authentic and moving historical portrait of the lives of the men and women of the early 20th century labor movement, and of a turbulent, violent political landscape that may feel startlingly relevant to today.
The Home Missionary
Author:
Publisher:
ISBN:
Category : Home missions
Languages : en
Pages : 1050
Book Description
No. 3 of each volume contains the annual report and minutes of the annual meeting.
Publisher:
ISBN:
Category : Home missions
Languages : en
Pages : 1050
Book Description
No. 3 of each volume contains the annual report and minutes of the annual meeting.
Texas Through Women's Eyes
Author: Judith N. McArthur
Publisher: University of Texas Press
ISBN: 0292723032
Category : History
Languages : en
Pages : 328
Book Description
"This is social history at its very best...The wide selection of firsthand accounts found in this text draw the reader in, and most are absolutely fascinating...This volume will make a significant contribution to the field of Texas women's history, and I predict it will be the one book to which scholars and the reading public turn for information on twentieth-century Texas women."-Elizabeth Hayes Turner, Professor of History, University of North Texas Texas Women broke barriers throughout the twentieth century, winning the right to vote, expanding their access to higher education, entering new professions, participating fully in civic and political life, and planning their families. Yet these major achievements have hardly been recognized in histories of twentieth-century Texas. By contrast, Texas Through Women's Eyes offers a fascinating overview of women's experiences and achievements in the twentieth century, with an inclusive focus on rural women, working-class women, and women of color. Judith N. McArthur and Harold L. Smith trace the history of Texas women through four eras. They discuss how women entered the public sphere to work for social reforms and the right to vote during the Progressive era (1900-1920); how they continued working for reform and social justice and for greater opportunities in education and the workforce during the Great Depression and World War II (1920-1945); how African American and Mexican American women fought for labor and civil rights while Anglo women laid the foundation for two-party politics during the postwar years (1945-1965); and how second-wave feminists (1965-2000) promoted diverse and sometimes competing goals, including passage of the Equal Rights Amendment, reproductive freedom, gender equity in sports, and the rise of the New Right and the Republican party. The authors take particular account of the interactions between genders and the hierarchies of race and ethnicity as they synthesize information from published histories with their own original research into women's lives. They also include a wealth of first-person accountsùwomen's letters, memoirs, and oral histories. This lively combination will appeal to a wide audience.
Publisher: University of Texas Press
ISBN: 0292723032
Category : History
Languages : en
Pages : 328
Book Description
"This is social history at its very best...The wide selection of firsthand accounts found in this text draw the reader in, and most are absolutely fascinating...This volume will make a significant contribution to the field of Texas women's history, and I predict it will be the one book to which scholars and the reading public turn for information on twentieth-century Texas women."-Elizabeth Hayes Turner, Professor of History, University of North Texas Texas Women broke barriers throughout the twentieth century, winning the right to vote, expanding their access to higher education, entering new professions, participating fully in civic and political life, and planning their families. Yet these major achievements have hardly been recognized in histories of twentieth-century Texas. By contrast, Texas Through Women's Eyes offers a fascinating overview of women's experiences and achievements in the twentieth century, with an inclusive focus on rural women, working-class women, and women of color. Judith N. McArthur and Harold L. Smith trace the history of Texas women through four eras. They discuss how women entered the public sphere to work for social reforms and the right to vote during the Progressive era (1900-1920); how they continued working for reform and social justice and for greater opportunities in education and the workforce during the Great Depression and World War II (1920-1945); how African American and Mexican American women fought for labor and civil rights while Anglo women laid the foundation for two-party politics during the postwar years (1945-1965); and how second-wave feminists (1965-2000) promoted diverse and sometimes competing goals, including passage of the Equal Rights Amendment, reproductive freedom, gender equity in sports, and the rise of the New Right and the Republican party. The authors take particular account of the interactions between genders and the hierarchies of race and ethnicity as they synthesize information from published histories with their own original research into women's lives. They also include a wealth of first-person accountsùwomen's letters, memoirs, and oral histories. This lively combination will appeal to a wide audience.
Portraits of Women
Author: Gamaliel Bradford
Publisher: Library of Alexandria
ISBN: 1465514104
Category : Biography & Autobiography
Languages : en
Pages : 39
Book Description
The nine portraits contained in this volume are preliminary studies or sketches for the series of portraits of American women which will follow my Union portraits. Such a collection of portraits of women will certainly fill a most important section in the gallery of historical likenesses selected from the whole of American history, which it is my wish to complete, if possible. There is always a certain impertinence about a man’s attempt to portray the characters of women. And this impertinence is not got rid of by the charming, but not wholly felicitous, epigraph of Sainte-Beuve’s Portraits de Femmes: “Avez vous donc été femme, Monsieur, pour prétendre ainsi nous connâitre?”—“Non, Madame, je ne suis pas le devin Tirésias, je ne suis qu’un humble mortel qui vous a beaucoup aimées.” There is, however, an equal impertinence in trying to portray the characters of men, indeed of anybody but one’s self, and though this last undertaking is always delightful, it is apt to lead to even more astonishing results than accompany one’s attempts upon others. While endeavoring constantly to strengthen and deepen the accuracy of my portraits as regards mere fact, I yet become more and more convinced that their value must be more in suggestion and stimulation than in any reliable or final presentment of character. Such presentments do not exist. The selection of portraits in this volume has grown in a rather haphazard way. Although the types depicted differ from one another, sometimes with marked contrast, still, if I had planned the series deliberately as a whole, I should have picked out figures more representative of entirely different lines of life. A disadvantage, much more marked in portraying women than in portraying men, is the necessity of dealing with exceptions rather than with average personages. The psychographer must have abundant material, and usually it is women who have lived exceptional lives that leave such material behind them. The psychography of queens and artists and authors and saints is little, if any, more interesting, than that of your mother or mine, or of the first shopgirl we meet. I would paint the shopgirl’s portrait with the greatest pleasure, but the material is lacking. It will be noted, also, that none of these portraits presents the modern woman. Eugénie de Guérin is the latest in date and she is about as modern as Eve. The projection of woman into the very middle of the stage of active life, her participation on equal terms in almost all the lines of man’s achievement, are effecting the vastest social revolution since the appearance of Christianity. The outcome of this revolution is something no man—or woman—can foresee. But its most obvious and perhaps principal effect is in moulding the life, character, and habits of man. Woman already dominates our manners, our morals, our literature, our stage, our private finances. She proposes to dominate our politics. And it is by no means sure that she will not end by the subjugation of our intelligence. This feminine supremacy obtains, if I am correctly informed, in the kingdom of the spiders and also, according to some seers, in the most advanced development of the planetary worlds. While such a conquest must, of course, to some extent, react upon the conqueror, it seems probable that the fundamental instincts of the feminine temperament are what they were a thousand, or two thousand years ago, and that the new woman remains the same old woman in a little different garb, which propensity to a little different garb is the oldest thing about her. As I have already explained in the preface to “Union Portraits,” the word “Portrait” is very unsatisfactory, in spite of the high authority of Sainte-Beuve. Analogies between different arts are always misleading and this particular analogy is particularly objectionable. Critics, otherwise kindly, have urged that a portrait takes a man only at one special moment of his life and may therefore be quite untrue to the larger lines of his character. This is perfectly just, and the word “psychographs” should be substituted for “portraits.” Psychography aims at precisely the opposite of photography. It seeks to extricate from the fleeting, shifting, many-colored tissue of a man’s long life those habits of action, usually known as qualities of character, which are the slow product of inheritance and training, and which, once formed at a comparatively early age, usually alter little and that only by imperceptible degrees. The art of psychography is to disentangle these habits from the immaterial, inessential matter of biography, to illustrate them by touches of speech and action that are significant and by those only, and thus to burn them into the attention of the reader, not by any means as a final or unchangeable verdict, but as something that cannot be changed without vigorous thinking on the part of the reader himself.
Publisher: Library of Alexandria
ISBN: 1465514104
Category : Biography & Autobiography
Languages : en
Pages : 39
Book Description
The nine portraits contained in this volume are preliminary studies or sketches for the series of portraits of American women which will follow my Union portraits. Such a collection of portraits of women will certainly fill a most important section in the gallery of historical likenesses selected from the whole of American history, which it is my wish to complete, if possible. There is always a certain impertinence about a man’s attempt to portray the characters of women. And this impertinence is not got rid of by the charming, but not wholly felicitous, epigraph of Sainte-Beuve’s Portraits de Femmes: “Avez vous donc été femme, Monsieur, pour prétendre ainsi nous connâitre?”—“Non, Madame, je ne suis pas le devin Tirésias, je ne suis qu’un humble mortel qui vous a beaucoup aimées.” There is, however, an equal impertinence in trying to portray the characters of men, indeed of anybody but one’s self, and though this last undertaking is always delightful, it is apt to lead to even more astonishing results than accompany one’s attempts upon others. While endeavoring constantly to strengthen and deepen the accuracy of my portraits as regards mere fact, I yet become more and more convinced that their value must be more in suggestion and stimulation than in any reliable or final presentment of character. Such presentments do not exist. The selection of portraits in this volume has grown in a rather haphazard way. Although the types depicted differ from one another, sometimes with marked contrast, still, if I had planned the series deliberately as a whole, I should have picked out figures more representative of entirely different lines of life. A disadvantage, much more marked in portraying women than in portraying men, is the necessity of dealing with exceptions rather than with average personages. The psychographer must have abundant material, and usually it is women who have lived exceptional lives that leave such material behind them. The psychography of queens and artists and authors and saints is little, if any, more interesting, than that of your mother or mine, or of the first shopgirl we meet. I would paint the shopgirl’s portrait with the greatest pleasure, but the material is lacking. It will be noted, also, that none of these portraits presents the modern woman. Eugénie de Guérin is the latest in date and she is about as modern as Eve. The projection of woman into the very middle of the stage of active life, her participation on equal terms in almost all the lines of man’s achievement, are effecting the vastest social revolution since the appearance of Christianity. The outcome of this revolution is something no man—or woman—can foresee. But its most obvious and perhaps principal effect is in moulding the life, character, and habits of man. Woman already dominates our manners, our morals, our literature, our stage, our private finances. She proposes to dominate our politics. And it is by no means sure that she will not end by the subjugation of our intelligence. This feminine supremacy obtains, if I am correctly informed, in the kingdom of the spiders and also, according to some seers, in the most advanced development of the planetary worlds. While such a conquest must, of course, to some extent, react upon the conqueror, it seems probable that the fundamental instincts of the feminine temperament are what they were a thousand, or two thousand years ago, and that the new woman remains the same old woman in a little different garb, which propensity to a little different garb is the oldest thing about her. As I have already explained in the preface to “Union Portraits,” the word “Portrait” is very unsatisfactory, in spite of the high authority of Sainte-Beuve. Analogies between different arts are always misleading and this particular analogy is particularly objectionable. Critics, otherwise kindly, have urged that a portrait takes a man only at one special moment of his life and may therefore be quite untrue to the larger lines of his character. This is perfectly just, and the word “psychographs” should be substituted for “portraits.” Psychography aims at precisely the opposite of photography. It seeks to extricate from the fleeting, shifting, many-colored tissue of a man’s long life those habits of action, usually known as qualities of character, which are the slow product of inheritance and training, and which, once formed at a comparatively early age, usually alter little and that only by imperceptible degrees. The art of psychography is to disentangle these habits from the immaterial, inessential matter of biography, to illustrate them by touches of speech and action that are significant and by those only, and thus to burn them into the attention of the reader, not by any means as a final or unchangeable verdict, but as something that cannot be changed without vigorous thinking on the part of the reader himself.