Historical Catalogue of Brown University, 1764-1904 PDF Download
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Author: Brown University
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 922
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Book Description
Author: Brown University
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 922
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Book Description
Author: Brown University
Publisher:
ISBN:
Category :
Languages : en
Pages : 800
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Book Description
Author: Brown University
Publisher:
ISBN:
Category :
Languages : en
Pages : 424
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Book Description
Author: Henry Box Brown
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 94
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Book Description
The life of a slave in Virginia and his escape to Philadelphia.
Author: Society of Writers, Editors and Translators, Tokyo
Publisher: Stone Bridge Press
ISBN: 1880656302
Category : Reference
Languages : en
Pages : 82
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Book Description
A Chicago Style Manual-type guide for anyone working on English-language publications about Japan. Primarily for nonspecialists, it also contains advice and lists of resources for translators and researchers.
Author: James Bradley Thayer
Publisher:
ISBN:
Category : Evidence (Law)
Languages : en
Pages : 682
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Book Description
Author: Bryant Franklin Tolles
Publisher: UPNE
ISBN: 1584658916
Category : Architecture
Languages : en
Pages : 257
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Book Description
The unique and influential architecture of sixteen New England colleges
Author: Jayna Brown
Publisher: Duke University Press
ISBN: 0822390698
Category : Social Science
Languages : en
Pages : 355
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Book Description
Babylon Girls is a groundbreaking cultural history of the African American women who performed in variety shows—chorus lines, burlesque revues, cabaret acts, and the like—between 1890 and 1945. Through a consideration of the gestures, costuming, vocal techniques, and stagecraft developed by African American singers and dancers, Jayna Brown explains how these women shaped the movement and style of an emerging urban popular culture. In an era of U.S. and British imperialism, these women challenged and played with constructions of race, gender, and the body as they moved across stages and geographic space. They pioneered dance movements including the cakewalk, the shimmy, and the Charleston—black dances by which the “New Woman” defined herself. These early-twentieth-century performers brought these dances with them as they toured across the United States and around the world, becoming cosmopolitan subjects more widely traveled than many of their audiences. Investigating both well-known performers such as Ada Overton Walker and Josephine Baker and lesser-known artists such as Belle Davis and Valaida Snow, Brown weaves the histories of specific singers and dancers together with incisive theoretical insights. She describes the strange phenomenon of blackface performances by women, both black and white, and she considers how black expressive artists navigated racial segregation. Fronting the “picaninny choruses” of African American child performers who toured Britain and the Continent in the early 1900s, and singing and dancing in The Creole Show (1890), Darktown Follies (1913), and Shuffle Along (1921), black women variety-show performers of the early twentieth century paved the way for later generations of African American performers. Brown shows not only how these artists influenced transnational ideas of the modern woman but also how their artistry was an essential element in the development of jazz.
Author: Christine Woyshner
Publisher: Ohio State University Press
ISBN: 9780814257661
Category :
Languages : en
Pages : 288
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Book Description
Founded in 1897 as the National Congress of Mothers, the National Parent Teacher Association (PTA) was open to African American members but excluded them in practice. In 1926, a separate black PTA was created to serve the segregated schools of the American South. After the Brown v. Board of Education decision in 1954, black and white PTA leaders faced the difficult prospect of integrating all national, state, and local units, which resulted in a protracted unification process that lasted until 1970. In The National PTA, Race, and Civic Engagement, 1897-1970, Christine Woyshner examines the PTA in relation to its racial politics and as a venue for women's civic participation in educational issues. Her argument is that the PTA allowed for discussions about race and desegregation when few other public spaces, even the schools, did so during this time. The PTA, the largest voluntary educational association in the twentieth century, has over the course of one hundred years lobbied for national legislation on behalf of children and families, played a role in shaping the school curriculum, and allowed for participation of diverse community members in dialogue about the goals of public schooling.
Author: Stphane Mallarm
Publisher: Harvard University Press
ISBN: 0674032403
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
"This is a book just the way I don't like them," the father of French Symbolism, Stphane Mallarm, informs the reader in his preface to Divagations: "scattered and with no architecture." On the heels of this caveat, Mallarm's diverting, discursive, and gorgeously disordered 1897 masterpiece tumbles forth--and proves itself to be just the sort of book his readers like most. The salmagundi of prose poems, prose-poetic musings, criticism, and reflections that is Divagations has long been considered a treasure trove by students of aesthetics and modern poetry. If Mallarm captured the tone and very feel of fin-de-sicle Paris, he went on to captivate the minds of the greatest writers of the twentieth century--from Valry and Eliot to Paul de Man and Jacques Derrida. This was the only book of prose he published in his lifetime and, in a new translation by Barbara Johnson, is now available for the first time in English as Mallarm arranged it. The result is an entrancing work through which a notoriously difficult-to-translate voice shines in all of its languor and musicality. Whether contemplating the poetry of Tennyson, the possibilities of language, a masturbating priest, or the transporting power of dance, Mallarm remains a fascinating companion--charming, opinionated, and pedantic by turns. As an expression of the Symbolist movement and as a contribution to literary studies, Divagations is vitally important. But it is also, in Johnson's masterful translation, endlessly mesmerizing.
