Author: Graham Saunders
Publisher: Bloomsbury Publishing
ISBN: 1408175517
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)
British Theatre Companies: 1980-1994
Author: Graham Saunders
Publisher: Bloomsbury Publishing
ISBN: 1408175517
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)
Publisher: Bloomsbury Publishing
ISBN: 1408175517
Category : Performing Arts
Languages : en
Pages : 317
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980–1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work, and the establishment of new black and Asian companies. Leading academics provide case studies of six of the most important companies, including: * Monstrous Regiment, by Kate Dorney (The Victoria & Albert Museum) *Forced Entertainment, by Sarah Gorman (University of Roehampton, London, UK) * Gay Sweatshop, by Sara Freeman (University of Puget Sound, USA) * Joint Stock, by Jaqueline Bolton (University of Lincoln, UK) * Theatre de Complicite, by Michael Fry * Talawa, by Kene Igweonu (Canterbury Christ Church University, UK)
British Theatre Companies: 1980-1994 Joint Stock Theatre Company, Gay Sweatshop, Théâtre de Complicité, Forced Entertainment, Women's Theatre Group, and Talawa by Graham Saunders
Author: John Bull
Publisher:
ISBN:
Category : PERFORMING ARTS
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : PERFORMING ARTS
Languages : en
Pages :
Book Description
British Theatre Companies 1980-1994
Author: Graham Saunders
Publisher:
ISBN: 9781408175477
Category : Theater
Languages : en
Pages : 304
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980†“1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work.
Publisher:
ISBN: 9781408175477
Category : Theater
Languages : en
Pages : 304
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies. Volume Two, 1980†“1994, covers the period when cuts under Margaret Thatcher's Tory government changed the landscape for British theatre. Yet it also saw an expansion of companies that made feminism and gender central to their work.
British Theatre Companies: 1980-1994: Joint Stock Theatre Company, Gay Sweatshop, Théâtre de Complicité, Forced Entertainment, Women's Theatre Group, and Talawa
Author: John Stanley Bull
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :
Book Description
"This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies."--Publisher.
Publisher:
ISBN:
Category : Theater
Languages : en
Pages :
Book Description
"This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to the present. It charts the movement of much of this work from the fringe to the mainstream of British theatre culture. Each volume provides an overview of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the major companies."--Publisher.
British Theatre Companies: 1995-2014
Author: Liz Tomlin
Publisher: Bloomsbury Publishing
ISBN: 1408177293
Category : Performing Arts
Languages : en
Pages : 341
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to 2014. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the most important companies. Volume Three, 1995-2014, charts the expansion of the sector in the era of Lottery funding and traces the resistant influences of earlier movements in the emergence of new companies and an independent theatre ecology that seeks to reconfigure the mainstream. Leading academics provide case studies of six of the most important companies, including: * Mind the Gap, by Dave Calvert (University of Huddersfield, UK) * Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK) * Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic) * Punchdrunk, by Josephine Machon (Middlesex University, UK) * Kneehigh, by Duška Radosavljevic (University of Kent, UK) * Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)
Publisher: Bloomsbury Publishing
ISBN: 1408177293
Category : Performing Arts
Languages : en
Pages : 341
Book Description
This series of three volumes provides a groundbreaking study of the work of many of the most innovative and important British theatre companies from 1965 to 2014. Each volume provides a survey of the political and cultural context, an extensive survey of the variety of theatre companies from the period, and detailed case studies of six of the most important companies. Volume Three, 1995-2014, charts the expansion of the sector in the era of Lottery funding and traces the resistant influences of earlier movements in the emergence of new companies and an independent theatre ecology that seeks to reconfigure the mainstream. Leading academics provide case studies of six of the most important companies, including: * Mind the Gap, by Dave Calvert (University of Huddersfield, UK) * Blast Theory, by Maria Chatzichristodoulou (University of Hull, UK) * Suspect Culture, by Clare Wallace (Charles University, Prague, Czech Republic) * Punchdrunk, by Josephine Machon (Middlesex University, UK) * Kneehigh, by Duška Radosavljevic (University of Kent, UK) * Stans Cafe, by Marissia Fragkou (Canterbury Christ Church University, UK)
Actor Training in Anglophone Countries
Author: Peter Zazzali
Publisher: Routledge
ISBN: 100042328X
Category : Performing Arts
Languages : en
Pages : 155
Book Description
Actor Training in Anglophone Countries offers a firsthand account of the most significant acting programs in English-speaking countries throughout the world. The culmination of archival research and fieldwork spanning six years, it is the only work of its kind that studies the history of actor training from an international perspective. It presents the current moment as crucial for student actors and those who teach them. As the profession continues to change, new and progressive approaches to training have become as urgent as they are necessary. Using drama schools and universities as its subjects of inquiry, this book investigates acting programs in the UK, Ireland, the US, Canada, Australia, and New Zealand. Among the case studies are the Royal Academy of Dramatic Art, National Theatre School of Canada, Western Australian Academy of Performing Arts, and Carnegie Mellon University. All recognized for their distinguished reputations by industry professionals and acting teachers alike, the book examines each program’s pedagogical approach, administrative structure, funding apparatus, and alumni success. In doing so, it identifies the challenges facing acting schools today and offers a new direction for training in the twenty-first century. Actor Training in Anglophone Countries will be of interest to theatre and performance scholars, artists, students, and teachers.
Publisher: Routledge
ISBN: 100042328X
Category : Performing Arts
Languages : en
Pages : 155
Book Description
Actor Training in Anglophone Countries offers a firsthand account of the most significant acting programs in English-speaking countries throughout the world. The culmination of archival research and fieldwork spanning six years, it is the only work of its kind that studies the history of actor training from an international perspective. It presents the current moment as crucial for student actors and those who teach them. As the profession continues to change, new and progressive approaches to training have become as urgent as they are necessary. Using drama schools and universities as its subjects of inquiry, this book investigates acting programs in the UK, Ireland, the US, Canada, Australia, and New Zealand. Among the case studies are the Royal Academy of Dramatic Art, National Theatre School of Canada, Western Australian Academy of Performing Arts, and Carnegie Mellon University. All recognized for their distinguished reputations by industry professionals and acting teachers alike, the book examines each program’s pedagogical approach, administrative structure, funding apparatus, and alumni success. In doing so, it identifies the challenges facing acting schools today and offers a new direction for training in the twenty-first century. Actor Training in Anglophone Countries will be of interest to theatre and performance scholars, artists, students, and teachers.
Gay Sweatshop
Author: Philip Osment
Publisher: Heinemann Educational Books
ISBN:
Category : Drama
Languages : en
Pages : 232
Book Description
Publisher: Heinemann Educational Books
ISBN:
Category : Drama
Languages : en
Pages : 232
Book Description
P.S. 122 Presents ... Gay Sweatshop Theatre Company "In Your Face".
Author:
Publisher:
ISBN:
Category : Gay theater
Languages : en
Pages : 1
Book Description
Program for play by Jan Maloney, June 16-19 and June 30-July 2, 1994.
Publisher:
ISBN:
Category : Gay theater
Languages : en
Pages : 1
Book Description
Program for play by Jan Maloney, June 16-19 and June 30-July 2, 1994.
Joint Stock Theatre Group
Author: Joint Stock Theatre Group
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Who's who in Contemporary World Theatre
Author: Daniel Meyer-Dinkgräfe
Publisher: Psychology Press
ISBN: 9780415141611
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
A lively and accessible biographical guide to the key figures in modern drama and performance. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading.Who's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.
Publisher: Psychology Press
ISBN: 9780415141611
Category : Biography & Autobiography
Languages : en
Pages : 364
Book Description
A lively and accessible biographical guide to the key figures in modern drama and performance. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading.Who's Who in Contemporary World Theatre is a lively and accessible biographical guide to the key figures in contemporary drama. All who enjoy the theatre will find their pleasure enhanced and their knowledge extended by this fascinating work of reference. Its distinctive blend of information, analysis and anecdote makes for entertaining and enlightening reading. Hugely influential innovators, household names, and a whole host of less familiar, international figures - all have their lives and careers illuminated by the clear and succinct entries. All professions associated with the theatre are represented here - actors and directors, playwrights and designers. By virtue of the broad range of its coverage, Who's Who in Contemporary World Theatre offers a unique insight into the rich diversity of international drama today.