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Author: Robert Leach
Publisher: Springer Nature
ISBN: 3031256824
Category : Performing Arts
Languages : en
Pages : 247
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Book Description
This book provides an overview of the inception, development and achievements of British socialist and workers theatre – a feat which has not been attempted before. It explores the connections between politics and culture (specifically theatre) and between political theory and cultural (theatrical) expression. The book is organized chronologically and uncovers much in labour and theatre history which is in danger of being lost. It can also be seen as a way into different moments in its subject’s story (e.g. post-Ibsen naturalism; agitprop theatre; ‘fringe’ theatre of the 1970s) and the relationship of such forms to specific political events and ideas at specific points in history.
Author: Robert Leach
Publisher: Springer Nature
ISBN: 3031256824
Category : Performing Arts
Languages : en
Pages : 247
Get Book Here
Book Description
This book provides an overview of the inception, development and achievements of British socialist and workers theatre – a feat which has not been attempted before. It explores the connections between politics and culture (specifically theatre) and between political theory and cultural (theatrical) expression. The book is organized chronologically and uncovers much in labour and theatre history which is in danger of being lost. It can also be seen as a way into different moments in its subject’s story (e.g. post-Ibsen naturalism; agitprop theatre; ‘fringe’ theatre of the 1970s) and the relationship of such forms to specific political events and ideas at specific points in history.
Author: Raphael Samuel
Publisher: London ; Boston : Routledge & Kegan Paul
ISBN:
Category : Performing Arts
Languages : en
Pages : 392
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Book Description
This book examines how workers theatre movements intended their performances to be activist -- perceiving art as a weapon of struggle and enlightenment -- and an emancipatory act.
Author: Raphael Samuel
Publisher: Routledge
ISBN: 1315445948
Category : Drama
Languages : en
Pages : 303
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Book Description
First published in 1985, this book examines how workers theatre movements intended their performances to be activist — perceiving art as a weapon of struggle and enlightenment — and an emancipatory act. An introductory study relates left-wing theatre groupings to the cultural narratives of contemporary British socialism. The progress of the Workers’ Theatre Movement (1928-1935) is traced from simple realism to the most brilliant phase of its Russian and German development alongside which the parallel movements in the United States are also examined. A number of crucial texts are reprints as well as stage notes and glimpses of the dramaturgical controversies which accompanied them.
Author: Steve Nicholson
Publisher:
ISBN:
Category : Communism and culture
Languages : en
Pages : 228
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Book Description
This book examines how communism was portrayed in plays in the British theatre between 1917 and 1945, and how the theatre played a significant part in communicating and manipulating political propaganda in order to influence orders.
Author: Don Watson
Publisher:
ISBN:
Category : Socialism
Languages : en
Pages : 40
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Book Description
Author: Clive Barker
Publisher: Cambridge University Press
ISBN: 9780521624077
Category : Drama
Languages : en
Pages : 278
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Book Description
This volume initiates a long-overdue reassessment of mid-twentieth-century British theatre cultures.
Author: Siân Adiseshiah
Publisher: Cambridge Scholars Publishing
ISBN: 1527554678
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Although now celebrated as a world-leading playwright, Caryl Churchill has received little attention for her socialism, which has been frequently overlooked in favour of emphasising gendered identities and postmodernist themes. Churchill’s Socialism examines eight of Churchill’s plays with reference to socialist theories and political movements. This well-researched and dynamic new book reframes Churchill’s work, positioning her plays within socialist discourses, and producing persuasive political readings of her drama that reflect much more of the political challenge that the plays pose. It additionally explores her uneasy relationship with postmodernism, which presents itself particularly in Churchill’s later plays. The book contains a very helpful chapter on socialist contexts, which outlines some of the key events, debates, and movements during the late 1960s up until the early 2000s. This chapter also offers an incisive critique of the easy acceptance by some socialists of a postmodernist rejection of grand narratives and political agency. An in depth examination of the rarely explored interconnections of utopianism and theatre, forms another chapter, where all eight of Churchill’s plays, Light Shining in Buckinghamshire, Vinegar Tom, Top Girls, Fen, Serious Money, Mad Forest, The Skriker, and Far Away, are introduced. The plays are then discussed in pairs in a further four chapters with reference to communist historiography, the class/gender intersection, the end-of-history thesis, ecocritical challenges and postmodernism.
Author: Catherine Itzin
Publisher: Routledge
ISBN: 1000424499
Category : Political Science
Languages : en
Pages : 376
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Book Description
This book, first published in 1980, is a comprehensive study of the radical theatre movement in Britain from 1968 to 1978. The essays are based on first-hand interviews, with each section being introduced with a summary of key events before detailing the artists under examination.
Author: Stephen G. Jones
Publisher: Routledge
ISBN: 0429830483
Category : History
Languages : en
Pages : 260
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Book Description
First published in 1987. Using a wealth of primary sources, Stephen Jones investigates the role played in cinema affairs by the Labour Movement, stressing the important contributions made by the Labour Party, Communist Party and trade unions in the production and presentation of film. He gives us a rare and important insight into the British film industry, examining the cinema in its wider economic, political and cultural context. He explores the ideological influence of film, the nature of film work, state intervention and Sunday entertainment, as reflected in the policies and attitudes of organized labour. Also discussed are the growth and impact of independent working class film organization.
Author: Tracy C. Davis
Publisher: Praeger
ISBN:
Category : Drama
Languages : en
Pages : 232
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Book Description
A biographically based study of George Bernard Shaw and his milieu, this book offers a non-laudatory reading of Shaw's economic practices and theories, augments feminist and postcolonial critiques that preoccupy the study of literary history in the 1990s, and provides a long overdue revisionist reading of Shaw for an undergraduate readership. It traces the theatrical and political influences on Shaw from his earliest days in London; tracks his interest in socialism as an activist and author of tracts, novels, and plays emphasizing certain polemical traits; and follows his career as a major literary figure into the mid-20th century. The overarching themes of theatre and politics are narrated in relation to attempts by Shaw and his contemporaries to identify an audience and aesthetic for socialist theatre. The bibliographic essay that concludes the book is particularly helpful for student readers, who can benefit from a manageably-sized orientation to the mountain of Shavian scholarship.
